The Germ, British Library Copy
Aylott and Jones (publisher)
William Michael Rossetti (editor)
Production Description
Document Title: The Germ. Thoughts towards Nature in Poetry, Literature, and Art
Editor: William Michael Rossetti
Publisher: Aylott & Jones
Printer: G.F. Tupper
City: London
Date: 1850 January - May
Edition: 1
Pagination: [1]-192; with four separate cover sheets carrying the table of contents of each number on the versos, and with four engravings inserted in each number following the cover sheet. 1
Issue: 1-4
Note on Publication: The title of The Germ was changed after the first two numbers to Art and Poetry: Being Thoughts towards Nature Conducted Principally by Artists. Each of the four published issues carries an engraving as frontispiece.
Provenance
Current Location: British Library
Catalog Number: ap4.g415
Physical Description
Cover: pale yellow paper covers
Columns: 1
Paper: thinly calendered
Dimensions of Document: 22.4 x 14.5cm
Electronic Archive Edition: 1
File Name: ap4.g415.1
Copyright: By permission of the British Library
Scholarly Commentary
Introduction
This is the British Library copy of the first edition of The Germ, the periodical launched by DGR and some friends in 1850 for disseminating the work and ideas of the initial Pre-Raphaelite circle. Only four numbers were published (January, February, March, and May, 1850).
The most useful commentary on the periodical is still the 1901 Preface written by WMR for the facsimile reprint of The Germ .
Printing History
The first number appeared in 1 January 1850 with Holman Hunt's etching (700 copies printed; 50 had etchings on India paper). Only 70 were sold. The second issue appeared on 31 January (500 copies printed, 40 sold by 9 February). Number 3 appeared on 31 March, number 4 on 30 April (print runs for both are uncertain, and apparently only 106 copies of number 4 were sold). The poor sales forced the journal to close down. Most of the expenses for the financial failure of the magazine were born by George Tupper.
After the fame of the PRB was established, The Germ was reprinted first by Thomas Mosher (1898: Portland, Maine) and again as a close facsimile in 1901 with an introductory “Preface” by William Michael Rossetti giving historical and bibliographical particulars about the magazine. A recent reprint was put out by the Ashmolean Museum, Oxford (1992), with a Preface by Andrea Rose.
Pictorial
Each of the four issues began with an etching, a device that clearly established the artistic focus of the journal. The gothic types that were used for the cover sheets (which also served as title pages) and for the printed texts also contributed to the tone if not the arguments of the work. These types seem reminiscent of the Puseyite or Tractarian movement and locate the work's spiritual inspiration in an earlier, medieval world.
Bibliographic
Of first importance is WMR's Preface to his 1901 facsimile reprint of The Germ. Only slightly less important is Fredeman's edition of The P.R.B. Journal, and Holman Hunt's recollective Pre-Raphaelitism and the Pre-Raphaelite Brotherhood and WMR's PRDL. See also