Rossetti Archive Textual Transcription

Document Title: Poems. (Privately Printed.): A Proof (partial), Princeton/Troxell (copy 1)
Author: Dante Gabriel Rossetti
Date of publication: 1869 September 13
Printer: Strangeways and Walden
Edition: proof

The full Rossetti Archive record for this transcribed document is available.

Image of page [unpaginated] page: [unpaginated]
Manuscript Addition: [DGR], 1828-1882/Poems. (Privately printed)./[London, Strangeways and Walden, 1869]/A Proofs/September 12, 1869/ Copy 1. Corrected throughout/by Dante G. Rossetti. Provenance:/ Dante G. Rossetti (annotations); William/M. Rossetti (signature); Jerome Kern.
Editorial Description: A cover page carrying the library's description of the materials, hand printed.
Note: Pages i-iv not in this proof.
Image of page [1] page: [1]
Note: Page numbering is at upper center, though this first page is unpaginated. This page is actually the first of the volume's three sections. The section would eventually be headed “POEMS” on a separate half-title.
POEMS.

THE BLESSED DAMOZEL.
  • The blessed damozel leaned out
  • From the gold bar of Heaven;
  • Her eyes were deeper than the depth
  • Of waters stilled at even;
  • She had three lilies in her hand,
  • And the stars in her hair were seven.
  • Her robe, ungirt from clasp to hem,
  • No wrought flowers did adorn,
  • But a white rose of Mary's gift,
  • 10 For service meetly worn;
  • And her hair lying down her back
  • Was yellow like ripe corn.
  • Herseemed she scarce had been a day
  • One of God's choristers;
    Sig. B
    Image of page 2 page: 2
  • The wonder was not yet quite gone
  • From that still look of hers;
  • Albeit, to them she left, her day
  • Had counted as ten years.
  • (To one, it is ten years of years.
  • 20 . . . Yet now, and in this place,
  • Surely she lean'd o'er me—her hair
  • Fell all about my face. . . .
  • Nothing: the autumn fall of leaves.
  • The whole year sets apace.)
  • It was the rampart of God's house
  • That she was standing on;
  • By God built over the sheer depth
  • The which is Space begun;
  • So high, that looking downward thence
  • 30 She scarce could see the sun.
  • It lies in Heaven, across the flood
  • Of ether, as a bridge.
  • Beneath, the tides of day and night
  • With flame and darkness ridge
  • The void, as low as where this earth
  • Spins like a fretful midge.
  • She scarcely heard her sweet new friends;
    Added TextHeard hardly, some of her new friends
  • Amid their loving games
  • Softly they spake Spake evermore among themselves
  • 40 Their virginal chaste names;
    Image of page 3 page: 3
  • And the souls mounting up to God
  • Went by her like thin flames.
  • And still she bowed above the vast
  • Waste sea of worlds that swarm;
  • Until her bosom must have made
  • The bar she leaned on warm,
  • And the lilies lay as if asleep
  • Along her bended arm.
  • From the fixed place of Heaven she saw
  • 50 Time like a pulse shake fierce
  • Through all the worlds. Her gaze still strove
  • Within the gulf to pierce
  • Its path; and now she spoke as when
  • The stars sang in their spheres.
  • The sun was gone now; the curled moon
  • Was like a little feather
  • Fluttering far down the gulf; and now
  • She spoke through the still weather.
  • Her voice was like the voice the stars
  • 60 Had when they sang together.
  • ‘I wish that he were come to me,
  • For he will come,’ she said.
  • ‘Have I not prayed in Heaven?—on earth,
  • Lord, Lord, has he not pray'd?
  • Are not two prayers a perfect strength?
  • And shall I feel afraid?
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  • ‘When round his head the aureole clings,
  • And he is clothed in white,
  • I'll take his hand and go with him
  • 70 To the deep wells of light;
  • We will step down as to a stream,
  • And bathe there in God's sight.
  • ‘We two will stand beside that shrine,
  • Occult, withheld, untrod,
  • Whose lamps are stirred continually
  • With prayer sent up to God;
  • And see our old prayers, granted, melt
  • Each like a little cloud.
  • ‘We two will lie i' the shadow of
  • 80 That living mystic tree
  • Within whose secret growth the Dove
  • Is sometimes felt to be,
  • While every leaf that h His plumes touch
  • Saith h His n Name audibly.
  • ‘And I myself will teach to him,
  • I myself, lying so,
  • The songs I sing here; which his voice
  • Shall pause in, hushed and slow,
  • And find some knowledge at each pause,
  • 90 Or some new thing to know.’
  • ( Ah Sweet! Just now, in that bird's song,
  • Strove not her accents there,
Note: Pages 5 and 6, apparently containing the remainder of the poem, are missing from this set of proofs.
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NOCTURN.
  • Master of the murmuring courts
  • Where the shapes of sleep convene!—
  • When among thy dim resorts
    Added TextLo! my spirit here exhorts
  • This my soul in dreams hath been,
    Added TextAll the powers of thy demesne
  • What of her whom it hath seen?
    Added TextFor their aid to woo my queen.
  • No reports
    Added TextWhat reports
  • From those jealous courts I glean.
    Added TextYield thy jealous courts unseen?
  • Vapo urous, unaccountable,
  • Low they stand, Dreamland lies unknown to light,
  • 10Hollow like a breathing shell.
  • Ah! that in those halls I might
    Added TextAh! that from all dreams I might
  • Choose a dream for my delight!
    Added TextChoose one dream and guide its flight!
  • I know well
  • What her sleep should tell to-night.
  • There the dreams are multitudes:
  • Some whose bouyance waits not sleep,
  • Deep within the August woods;
  • Some that hum while rest may steep
  • Weary labour laid a-heap;
  • 20 Interludes,
  • Some, of grievous moods that weep.
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  • Thence are youth's warm fancies: there
  • Women thrill with whisperings
  • Valleys full of plaintive air;
  • There breathe perfumes; there in rings
  • Whirl the foam-bewildered springs;
  • Siren there
  • Winds her dizzy hair and sings.
  • Thence the one dream mutually
  • 30 Dreamed in bridal unison,
  • Less than waking ecstasy;
  • Half-formed visions that make moan
  • In the house of birth alone;
  • And what we
  • At death's wicket see, unknown.
  • But Lo! for mine own sleep, it lies
  • In one gracious form's queen's control,
  • Fair with honorable eyes,
  • Lamps of an auspicious soul:
  • 40 O their glance is loftiest dole,
  • Sweet and wise,
  • Wherein Love descries his goal.
  • Reft of her, my dreams are all
  • Clammy trance that fears the sky:
  • Changing footpaths shift and fall;
  • From polluted coverts nigh,
  • Miserable phantoms sigh;
  • Quakes the pall,
  • And the funeral goes by.
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Deleted Text
  • 50As, since man waxed deathly wise,
  • Secret somewhere on this earth
  • Unpermitted Eden lies,—
  • Thus within the world's wide girth
  • Hides she from my spirit's dearth,—
  • Paradise
  • Of a love that cries for birth.
  • Master, it is soothly said
  • That, as echoes of man's speech
  • Far in secret clefts are made,
  • 60 So do all men's bodies reach
  • Shadows o'er thy sunken beach,—
  • Shape or shade
  • In those halls pourtrayed of each?
  • Ah! might I, by thy good grace
  • Groping in the windy stair,
  • (Darkness and the breath of space
  • Like loud waters everywhere,)
  • Meeting mine own image there
  • Face to face,
  • 70 Send it from that place to her!
  • Nay, not I; but oh! do thou,
  • Master, from thy shadowkind
  • Call my body's phantom now:
  • Bid it bear its face declin'd
  • Till its flight her slumbers find,
  • And her brow
  • Feel its presence bow like wind.
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  • Where in groves the gracile Spring
  • Trembles, with mute orison
  • 80Confidently strengthening,
  • Water's voice and wind's as one
  • Shed an echo in the sun,
  • Soft as Spring,
  • Master, bid it sing and moan.
  • Song shall tell how glad and strong
  • Is the night she soothes alway;
  • Moan shall grieve with that parched tongue
  • Of the brazen hours of day:
  • Sounds as of the springtide they,
  • 90 Moan and song,
  • While the chill months long for May.
  • Not the prayers which with all leave
  • The world's fluent woes prefer,—
  • Not the praise the world doth give,
  • Dulcet fulsome whisperer;—
  • Let it yield man's love to her,
  • And achieve
  • Strength that shall not grieve or err.
  • Wheresoe'er my sleep befall,
  • 100 Both at night-watch, (let it say,)
  • And where round the sundial
  • The reluctant hours of day,
  • Heartless, hopeless of their way,
  • Rest and call;—
  • There her glance doth fall and stay.
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  • Suddenly her face is there:
  • So do mounting vapours wreathe
  • Subtle-scented transports where
  • The black firwood sets its teeth.
  • 110 Part the boughs and look beneath,—
  • Lilies share
  • Secret waters there, and breathe.
  • Master, bid my shadow bend
  • Whispering thus till birth of light,
  • Lest new shapes that sleep may send
  • Scatter all its work to flight;—
  • Master, master of the night,
  • Bid it spend
  • Speech, song, prayer, and end aright.
  • 120Yet, ah me! if at her head
  • There another phantom lean
  • Murmuring o'er the fragrant bed,—
  • Ah! and if my spirit's queen
  • Smile those alien words between,—
  • Ah! poor shade!
  • Shall it strive, or fade unseen?
  • Like a vapour wan and mute,
  • Like a flame, so let it pass;
  • One low sigh across her lute,
  • 130 One dull breath against her glass;
  • And to my sad soul, alas!
  • One salute
  • Cold as when death's foot shall pass.
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  • How should love's own messenger
  • Strive with love and be love's foe?
  • Master, nay! If thus in her ,
  • Sleep a wedded heart should show,—
  • Silent let mine image go,
  • Its old share
  • 140 Of thy sunken air to know.
  • Then, too, let all hopes of mine,
  • All vain hopes by night and day,
  • Master, at thy summoning sign
  • Rise up pallid and obey.
  • Dreams, if this is thus, were they:—
  • Be they thine,
  • And to dreamland pine away.
  • (So, when some lost legion lies
    Added Text(So a chief, who all night lies
  • Ambushed where no help appears,—
  • 150 All night long their 'Mid his comrades' unseen eyes
  • Watching for the growth of spears,—
  • Like their ghosts, when as morning nears,
  • Dumb they See them rise,
  • Ready without sighs or tears.)
  • Yet from old time, life, not death,
  • Master, in thy rule is rife:
  • Lo! through thee, with mingling breath,
  • Adam woke beside his wife.
  • O Love bring me so, for strife,
  • 160 Force and faith,
  • Bring me so not death but life!
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  • Yea, to Love himself is pour'd
  • This frail song of hope and fear.
  • Thou art Love, of one accord
  • With kind Sleep to bring her here, near,
  • Still-eyed, deep-eyed, ah how dear!
  • Master, Lord,
  • In her name implor'd, O hear!
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Note: blank page
Note: Pages 15-16 not in this proof.
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Printer's Direction: Further out
Editorial Description: Lines 48-49 and 51-52 are marked for being moved “Further out” toward the left text margin.
Note: Lines 1-47 are missing from the text; the passage was printed on the missing pages 15-16 of this proof.
  • From their dead Past thou liv e 'st alone;
  • And still thy shadow is thine own
  • 50Even as of yore in Nineveh.
  • That day whereof we keep record,
  • When near thy city-gates the Lord
  • Sheltered his Jonah with a gourd,
  • This sun, (I said) here present, pour'd
  • Even thus this shadow that I see.
  • This shadow has been shed the same
  • From sun and moon,—from lamps which came
  • For prayer,—from fifteen days of flame,
  • The last, while smouldered to a name
  • 60 Sardanapalus' Nineveh.
  • Within thy shadow, haply, once
  • Sennacherib has knelt, whose sons
  • Smote him between the altar-stones:
  • Or pale Semiramis her zones
  • Of gold, her incense brought to thee,
  • In love for grace, in war for aid: . . . .
  • Ay, and who else? . . . . till 'neath thy shade
  • Within his trenches newly made
  • Last year the Christian knelt and pray'd—
  • 70 Not to thy strength—in Nineveh.*
Transcribed Footnote (page 17):

* During the excavations, the Tiyari workmen held their ser-

vices in the shadow of the great bulls . (Layard's Nineveh) ( Layard's “Nineveh.”) This

poem was written when the sculptures were first brought to

England.

Sig. C
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  • Now, thou poor god, within this hall
  • Where the blank windows blind the wall
  • From pedestal to pedestal,
  • The kind of light shall on thee fall
  • Which London takes the day to be:
  • While school-foundations in the act
  • Of holiday, three files compact,
  • Shall learn to view thee as a fact
  • Connected with that zealous tract:
  • 80 ‘Rome,—Babylon and Nineveh.’
  • Deemed they of this, those worshippers,
  • When, in some mythic chain of verse,
  • Which man shall not again rehearse,
  • The faces of thy ministers
  • Yearned pale with bitter ecstasy?
  • Greece, Egypt, Rome,—did any god
  • Before whose feet men knelt unshod
  • Deem that in this unblest abode
  • Another scarce more unknown god
  • 90 Should house with him from Nineveh?
  • Ah! in what quarries lay the stone
  • From which this pigmy pile has grown,
  • Unto man's need how long unknown,
  • Since thy vast temples, court and cone,
  • Rose far in desert history?
  • Ah! what is here that does not lie
  • All strange to thine awakened eye?
Note: The last three lines of this stanza appear on page 19, which is bound in after the next two duplicate proof pages of 17-18.
Image of page 17[a] page: 17[a]
Note: This is a duplicate proof of page 17 with a hand correction by DGR to the page note.
Note: Of the first stanza, only the last three lines of the original appear on the page.
  • From their dead Past thou livest alone;
  • And still thy shadow is thine own
  • Even as of yore in Nineveh.
  • That day whereof we keep record,
  • When near thy city-gates the Lord
  • Sheltered his Jonah with a gourd,
  • This sun, (I said) here present, pour'd
  • Even thus this shadow that I see.
  • This shadow has been shed the same
  • 10From sun and moon,—from lamps which came
  • For prayer,—from fifteen days of flame,
  • The last, while smouldered to a name
  • Sardanapalus' Nineveh.
  • Within thy shadow, haply, once
  • Sennacherib has knelt, whose sons
  • Smote him between the altar-stones:
  • Or pale Semiramis her zones
  • Of gold, her incense brought to thee,
  • In love for grace, in war for aid: . . . .
  • 20Ay, and who else? . . . . till 'neath thy shade
  • Within his trenches newly made
  • Last year the Christian knelt and pray'd—
  • Not to thy strength—in Nineveh.*
Transcribed Footnote (page 17[a]):

* During the excavations, the Tiyari workmen held their ser-

vices in the shadow of the great bulls (Layard's Nineveh Ch. IX). This

poem was written when the sculptures were first brought to

England.

Sig. C
Image of page 18[a] page: 18[a]
  • Now, thou poor god, within this hall
  • Where the blank windows blind the wall
  • From pedestal to pedestal,
  • The kind of light shall on thee fall
  • Which London takes the day to be:
  • While school-foundations in the act
  • 30Of holiday, three files compact,
  • Shall learn to view thee as a fact
  • Connected with that zealous tract:
  • ‘Rome,—Babylon and Nineveh.’
  • Deemed they of this, those worshippers,
  • When in some mythic chain of verse,
  • Which man shall not again rehearse,
  • The faces of thy ministers
  • Yearned pale with bitter ecstasy?
  • Greece, Egypt, Rome,—did any god
  • 40Before whose feet men knelt unshod
  • Deem that in this unblest abode
  • Another scarce more unknown god
  • Should house with him from Nineveh?
  • Ah! in what quarries lay the stone
  • From which this pigmy pile has grown,
  • Unto man's need how long unknown,
  • Since thy vast temples, court and cone,
  • Rose far in desert history?
  • Ah! what is here that does not lie
  • 50All strange to thine awakened eye?
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Editorial Description: Printer's notation for locating position of the text.
  • Ah! what is here can testify
  • (Save that dumb presence of the sky)
  • 100 Unto thy day and Nineveh?
  • Why, of those mummies in the room
  • Above, there might indeed have come
  • One out of Egypt to thy home,
  • An alien. Nay, but were not some
  • Of these thine own ‘antiquity?’
  • And now,—they and their gods and thou
  • All relics here together,—now
  • Whose profit? whether bull or cow,
  • Isis or Ibis, who or how,
  • 110 Whether of Thebes or Nineveh?
  • The consecrated metals found,
  • And ivory tablets, underground,
  • Winged teraphim and creatures crown'd,
  • When air and daylight filled the mound,
  • Fell into dust immediately.
  • And even as these, the images
  • Of awe and worship,—even as these,—
  • So, smitten with the sun's increase,
  • Her glory mouldered and did cease
  • 120 From immemorial Nineveh.
  • The day her builders made their halt,
  • Those cities of the lake of salt
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Editorial Description: Lines 131-132 are marked for being moved “Further out” toward the left text margin.
  • Stood firmly 'stablished without fault,
  • Made proud with pillars of basalt,
  • With sardonyx and porphyry.
  • The day that Jonah bore abroad
  • To Nineveh the voice of God,
  • A brackish lake lay in his road,
  • Where erst Pride fixed her sure abode,
  • 130 As then in royal Nineveh.
  • The day when he, Pride's lord and Man's,
  • Showed all the kingdoms at a glance
  • To Him before whose countenance
  • The years recede, the years advance,
  • And said, Fall down and worship me:—
  • 'Mid all the pomp beneath that look,
  • Then stirred there, haply, some rebuke,
  • Where to the wind the salt pools shook,
  • And in those tracts, of life forsook,
  • 140That knew thee not, O Nineveh!
  • Delicate harlot! On thy throne
  • Thou with a world beneath thee prone
  • In state for ages sat'st alone;
  • And needs were years and lustres flown
  • Ere strength of man could vanquish thee:
  • Whom even thy victor foes must bring,
  • Still royal, among maids that sing
  • As with doves' voices, taboring
  • Upon their breasts, unto the King,—
  • 150 A kingly conquest, Nineveh!
Note: Pages 21 and 22, apparently containing the remainder of the poem, are missing from this set of proofs.
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Note: These are duplicate proofs of pages 23-24.
AVE.*
  • Mother of the Fair Delight,
  • Thou handmaid perfect in God's sight,
  • Now sitting fourth beside the Three,
  • Thyself a woman-Trinity,—
  • Being a daughter borne to God,
  • Mother of Christ from stall to rood,
  • And wife unto the Holy Ghost:—
  • Oh when our need is uttermost,
  • Think that to such as death may strike
  • 10Thou once wert wast once sister sisterlike!
  • Thou headstone of humanity,
  • Groundstone of the great Mystery,
  • Fashioned like us, yet more than we!
  • Mind'st thou not (when June's heavy breath
  • Warmed the long days in Nazareth,)
  • That eve thou didst go forth to give
  • Thy flowers some drink that they might live
Transcribed Footnote (page 23[a]):

* This hymn was written as a prologue to a series of designs.

Art still identifies herself with all faiths for her own purposes:

and the emotional influence here employed demands above all an

inner standing-point.

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  • One faint night more amid the sands?
  • Far off the trees were as pale wands
  • 20Against the fervid sky: the sea
  • Sighed further off eternally
  • As human sorrow sighs in sleep.
  • Then gloried thy deep eyes, and deep
  • Within thine heart the song waxed loud:
  • It was to thee as though the cloud
  • Which shuts the inner shrine from view
  • Were molten, and thy God burned through:
  • Until a folding sense, like prayer,
  • Which is, as God is, everywhere,
  • 30Gathered about thee; and a voice
  • Spake to thee without any noise,
  • Being of the silence:—‘Hail,’ it said,
  • ‘Thou that art highly favourèd;
  • The Lord is with thee here and now;
  • Blessed among all women thou.’
  • Ah! knew'st thou of the end, when first
  • That Babe was on thy bosom nurs'd?—
  • Or when He tottered round thy knee
  • Did thy great sorrow dawn on thee?—
  • 40And through His boyhood, year by year
  • Eating with Him the Passover,
  • Didst thou discern confusedly
  • That holier sacrament, when He,
  • The bitter cup about to quaff,
  • Should break the bread and eat thereof?—
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Printer's Direction: Begin lower down, as explained at page 27.
Editorial Description: The note is cancelled. The reference is to page 27.
AVE.*
  • Mother of the Fair Delight,
  • Thou handmaid perfect in God's sight,
  • Now sitting fourth beside the Three,
  • Thyself a woman-Trinity,—
  • Being a daughter borne to God,
  • Mother of Christ from stall to rood,
  • And wife unto the Holy Ghost:—
  • Oh when our need is uttermost,
  • Think that to such as death may strike
  • 10Thou once wert sister sisterlike!
  • Thou headstone of humanity,
  • Groundstone of the great Mystery,
  • Fashioned like us, yet more than we!
  • Mind'st thou not (when June's heavy breath
  • Warmed the long days in Nazareth,)
  • That eve thou didst go forth to give
  • Thy flowers some drink that they might live
Transcribed Footnote (page 23):

* This hymn was written as a prologue to a series of designs.

Art still identifies herself with all faiths for her own purposes:

and the emotional influence here employed demands above all an

inner standing-point.

Image of page 24 page: 24
  • One faint night more amid the sands?
  • Far off the trees were as pale wands
  • 20Against the fervid sky: the sea
  • Sighed further off eternally
  • As human sorrow sighs in sleep.
  • Then gloried thy deep eyes, and deep
  • Within thine heart the song waxed loud:
  • It was to thee as though the cloud
  • Which shuts the inner shrine from view
  • Were molten, and thy God burned through:
  • Added TextThen suddenly the awe grew deep,
  • Added TextAs of a day to which all days
  • Added TextWere footsteps in God's secret ways:
  • Until a folding sense, like prayer,
  • Which is, as God is, everywhere,
  • Gathered about thee; and a voice
  • Spake to thee without any noise,
  • 30Being of the silence:—‘Hail,’ it said,
  • ‘Thou that art highly favourèd;
  • The Lord is with thee here and now;
  • Blessed among all women thou.’
  • Ah! knew'st thou of the end, when first
  • That Babe was on thy bosom nurs'd?—
  • Or when He tottered round thy knee
  • Did thy great sorrow dawn on thee?—
  • And through His boyhood, year by year
  • Eating with Him the Passover,
  • 40Didst thou discern confusedly
  • That holier sacrament, when He,
  • The bitter cup about to quaff,
  • Should break the bread and eat thereof?—
    Image of page 25 page: 25
  • Or came not yet the knowledge, even
  • Till on some day forecast in Heaven
  • His feet passed through thy door to press
  • Upon His Father's business?—
  • Or still was God's high secret kept?
  • Nay, but I think the whisper crept
  • 50Like growth through childhood. Work and play,
  • Things common to the course of day,
  • Awed thee with meanings unfulfill'd;
  • And all through girlhood, something still'd
  • Thy senses like the birth of light,
  • When thou hast trimmed thy lamp at night
  • Or washed thy garments in the stream;
  • To whose white bed had come the dream
  • That He was thine and thou wast His
  • Who feeds among the field-lilies.
  • 60O solemn shadow of the end
  • In that wise spirit long contain'd!
  • O awful end! and those unsaid
  • Long years when It was Finishèd!
  • Mind'st thou not (when the twilight gone
  • Left darkness in the house of John,)
  • Between the naked window-bars
  • That spacious vigil of the stars?—
  • For thou, a watcher even as they,
  • Wouldst rise from where throughout the day
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Editorial Description: Someone, perhaps Janet Camp Troxell, has written a small “A” in the upper left corner, presumably to indicate this set of proofs.
  • 70Thou wroughtest raiment for His poor;
  • And, finding the fixed terms endure
  • Of day and night which never brought
  • Sounds of His coming chariot,
  • Wouldst lift through cloud-waste unexplor'd
  • Those eyes which said, ‘How long, O Lord?’
  • Then that disciple whom He loved,
  • Well heeding, haply would be moved
  • To ask thy blessing in His name;
  • And that one thought in both, the same
  • 80Though silent, then would clasp ye round
  • To weep together,—tears long bound,
  • Sick tears of patience, dumb and slow.
  • Yet, ‘Surely I come quickly,’—so
  • He said, from life and death gone home.
  • Amen; even so, Lord Jesus, come!’
  • But oh! what human tongue can speak
  • That day when death was sent to break
  • From the tir'd spirit, like a veil,
  • Its covenant with Gabriel
  • 90Endured at length unto the end?
  • What human thought can apprehend
  • That mystery of motherhood
  • When thy Beloved at length renew'd
  • The sweet communion severèd,—
  • His left hand underneath thine head
  • And His right hand embracing thee?—
  • Lo! He was thine, and this is He!
Image of page 27 page: 27
Printer's Direction: In resetting this poem (2 lines being omitted now at page 24) take care that the division between 2 paragraphs also does not come, as now, at the top of the present page. It will be necessary to begin this poem (page 23) two lines lower down, in order that the division between two paragraphs may not pass unperceived at the top of the present page.
Editorial Description: DGR's directions to the printer.
  • Soul, is it Faith, or Love, or Hope,
  • That lets me see her standing up
  • 100Where the light of the Throne is bright?
  • Unto the left, unto the right,
  • The cherubim, arrayed, conjoint,
  • Float inward to a golden point,
  • And from between the seraphim
  • The glory issues like a hymn.
  • O Mary Mother, be not loth
  • To listen,—thou whom the stars clothe,
  • Who seest and mayst not be seen!
  • Hear us at last, O Mary Queen!
  • 110Into our shadow bend thy face,
  • Bowing thee from the secret place,
  • O Mary Virgin, full of grace!
Image of page [28] page: [28]
Note: blank page
Image of page 29 page: 29
Editorial Description: Someone, perhaps Janet Camp Troxell, has written a small “A” in the upper left corner, presumably to indicate this set of proofs.
THE STAFF AND SCRIP.
  • ‘Who rules owns these lands?’ the Pilgrim said.
  • ‘Stranger, Queen Blanchelys.’
  • ‘And who has thus harried them?’ he said.
  • ‘It was Duke Luke did this:
  • God's ban be his!’
  • The Pilgrim said: ‘Where is your house?
  • I'll rest there, with your will.’
  • ‘Ye've but to climb these blackened boughs
  • And ye'll see it over the hill,
  • 10 For it burns still.’
  • ‘Which road, to seek your Queen?’ said he.
  • ‘Nay, nay, but with some wound
  • Thou'lt fly back hither, it may be,
  • And by thy blood i'the ground
  • My place be found.’
  • ‘Friend, stay in peace. God keep thy head,
  • And mine, where I will go;
  • For He is here and there,’ he said.
  • He passed the hill-side, slow,
  • 20 And stood below.
Image of page 30 page: 30
  • The Queen sat idle by her loom:
  • She heard the arras stir,
  • And looked up sadly: through the room
  • The sweetness sickened her
  • Of musk and myrrh.
  • Her women, standing two and two,
  • In silence combed the fleece.
  • The pilgrim said, ‘Peace be with you,
  • Lady;’ and bent his knees.
  • 30 She answered, ‘Peace.’
  • Her eyes were like the wave within;
  • Like water-reeds the poise
  • Of her soft body, dainty thin;
  • And like the water's noise
  • Her plaintive voice.
  • For him, the stream had never well'd
  • In desert tracts malign
  • So sweet; nor had he ever felt
  • So faint in the sunshine
  • 40 Of Palestine.
  • Right so, he knew that he saw weep
  • Each night through every dream
  • The Queen's own face, confused in sleep
  • With visages supreme
  • Not known to him.
Note: Pages 31-38, apparently containing the remainder of the poem, are missing from this set of proofs.
Image of page 39 page: 39
Note: The epigraph, added by DGR by hand at the top of the page, was never published with the poem.
  • Voudrais-tu Veux-tu bien prendre la vie
  • D'un homme ton ennemi?
  • Fair un cire son image
  • Et mets devant un feu en cage.
  • Pendant que diras son nom
    Added TextPour trois jours son nom diras,—
  • Added Text Pour trois jours diras son nom
  • Added Text En Faire jours ou [?]
  • Chair et cire se fondra is.”
La Souricière aux Sorcières. (1580.)
SISTER HELEN.
  • ‘Why did you melt your waxen man,
  • Sister Helen?
  • To-night is the third since you began.’
  • ‘The days were long, yet the days ran,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • Three days to-day, between Hell and Heaven!)
  • ‘But if you have done your work aright,
  • Sister Helen,
  • 10 You'll let me play, for you said I might.’
  • ‘Be very still in your play to-night,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • Third night, to-night, between Hell and Heaven!)
  • ‘You said it must melt ere vesper-bell,
  • Sister Helen;
  • If now it be molten, all is well.’
  • ‘Even so,—nay, peace! you cannot tell,
  • Little brother.’
  • 20 ( O Mother, Mary Mother,
  • O what is this, between Hell and Heaven?)
Image of page 40 page: 40
  • ‘Oh the waxen knave was plump to-day,
  • Sister Helen;
  • How like dead folk he has dropped away!’
  • ‘Nay now, of the dead what can you say,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • What of the dead, between Hell and Heaven?)
  • ‘See, see, the sunken pile of wood,
  • 30 Sister Helen,
  • Shines through the thinned wax red as blood!’
  • ‘Nay now, when looked you yet on blood,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • How pale she is, between Hell and Heaven!)
  • ‘Now close your eyes, for they're sick and sore,
  • Sister Helen,
  • And I'll play without the gallery door.’
  • ‘Aye, let me rest,—I'll lie on the floor,
  • 40 Little brother,’
  • ( O Mother, Mary Mother,
  • What rest to-night, between Hell and Heaven?)
  • ‘Here high up in the balcony,
  • Sister Helen,
  • The moon flies face to face with me.’
  • ‘Aye, look and say whatever you see,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • What sight to-night, between Hell and Heaven?)
Image of page 39[a] page: 39[a]
Note: These are duplicate proofs of pages 39-40.
SISTER HELEN.
  • ‘Why did you melt your waxen man,
  • Sister Helen?
  • To-night To-day is the third since you began.’
  • ‘The days were/days time was long, yet the time ran,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • Three days to-day, between Hell and Heaven!)
  • ‘But if you have done your work aright,
  • Sister Helen,
  • 10 You'll let me play, for you said I might.’
  • ‘Be very still in your play to-night,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • Third night, to-night, between Hell and Heaven!)
  • ‘You said it must melt ere vesper-bell,
  • Sister Helen;
  • If now it be molten, all is well.’
  • ‘Even so,—nay, peace! you cannot tell,
  • Little brother.’
  • 20 ( O Mother, Mary Mother,
  • O what is this, between Hell and Heaven?)
Image of page 40[a] page: 40[a]
  • ‘Oh the waxen knave was plump to-day,
  • Sister Helen;
  • How like dead folk he has dropped away!’
  • ‘Nay now, of the dead what can you say,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • What of the dead, between Hell and Heaven?)
  • ‘See, see, the sunken pile of wood,
  • 30 Sister Helen,
  • Shines through the thinned wax red as blood!’
  • ‘Nay now, when looked you yet on blood,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • How pale she is, between Hell and Heaven!)
  • ‘Now close your eyes, for they're sick and sore,
  • Sister Helen,
  • And I'll play without the gallery door.’
  • ‘Aye, let me rest,—I'll lie on the floor,
  • 40 Little brother,’
  • ( O Mother, Mary Mother,
  • What rest to-night, between Hell and Heaven?)
  • ‘Here high up in the balcony,
  • Sister Helen,
  • The moon flies face to face with me.’
  • ‘Aye, look and say whatever you see,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • What sight to-night, between Hell and Heaven?)
Note: Pages 41-42 not in this proof.
Image of page 43 page: 43
  • ‘But he says, till you take back your ban,
  • Sister Helen,
  • His soul would pass, yet never can.’
  • ‘Nay then, shall I slay a living man,
  • 110 Little brother?’
  • ( O Mother, Mary Mother,
  • A living soul, between Hell and Heaven!)
  • ‘But he calls for ever on your name,
  • Sister Helen,
  • And says that his body melts with he melts before a flame.’
  • ‘My heart was there till his body came, for his pleasure fared the same,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • Fire at the heart, between Hell and Heaven!)
  • 120‘Here's Holm of West Holm riding fast,
  • Sister Helen,
  • For I know the white plume on the blast.’
  • ‘The hour, the sweet hour I forecast,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Is the hour sweet, between Hell and Heaven?)
  • ‘He stops to speak, and he stills his horse,
  • Sister Helen;
  • But his words are drowned in the wind's course.’
  • 130‘Nay hear, nay hear, you must hear perforce,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • A word ill heard, between Hell and Heaven!)
Image of page 44 page: 44
  • ‘Oh he says that Holm of Ewern's cry,
  • Sister Helen,
  • Is ever to see you ere he die.’
  • ‘He sees me in earth, in moon and sky,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • 140 Earth, moon and sky, between Hell and Heaven!)
  • ‘He sends a ring and a broken coin,
  • Sister Helen,
  • And bids you mind the banks of Boyne.’
  • ‘What else he broke will he ever join,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • Oh, never more, between Hell and Heaven!)
  • ‘He yields you these and craves full fain,
  • Sister Helen,
  • 150 You pardon him in his mortal pain.’
  • ‘What else he took will he give again,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • No more again, between Hell and Heaven!)
  • ‘He calls your name in an agony,
  • Sister Helen,
  • That even dead Love must weep to see.’
  • ‘Hate, born of Love, is blind as he,
  • Little brother!’
  • 160 ( O Mother, Mary Mother,
  • Love turned to hate, between Hell and Heaven!)
Note: Pages 45-48, apparently containing the remainder of the poem, are missing from this set of proofs.
Image of page 49 page: 49
Editorial Description: Someone, perhaps Janet Camp Troxell, has written a small “A” in the upper left corner, presumably to indicate this set of proofs.
STRATTON WATER.
  • ‘O have you seen the Stratton flood
  • That's great with rain to-day?
  • It runs beneath your wall, Lord Sands,
  • Full of the new-mown hay.
  • ‘I led your hounds to Hutton bank
  • To bathe at early morn:
  • They got their bath by Borrowbrake
  • Above the standing corn.’
  • Out from the castle-stair Lord Sands
  • 10 Looked up the western lea;
  • The rook was grieving on her nest,
  • The flood was round her tree.
  • Over the castle-wall Lord Sands
  • Looked down the eastern hill:
  • The stakes swam free among the boats,
  • The flood was rising still.
  • ‘What's yonder far below that lies
  • So white against the slope?’
  • ‘O it's a sail o' your bonny barks
  • 20 The waters have washed up.
Sig. E
Image of page 50 page: 50
Editorial Description: Someone, perhaps Janet Camp Troxell, has written a small “A” in the upper left corner, presumably to indicate this set of proofs.