• Lazy laughing languid Jenny,
• Fond of a kiss and fond of a guinea,
• Whose head is on my knee to-night;—
• (Have all our dances left it light
• With their wild tunes?)—Ah, Jenny, queen
• Of kisses which the blush between
• Could hardly make much daintier!—Nay,
• Poor flower left torn since yesterday
• Until to-morrow leave you bare;
• 10Poor handful of bright spring-water
• Flung in the whirlpool's shrieking face!—
• Poor shameful Jenny, full of grace
• Thus with your head upon my knee;—
• Whose person or whose purse may be
• The lodestar of your reverie?

• This room of yours, my Jenny, looks
• A change from mine so full of books,
• Whose serried ranks hold fast, forsooth,
• So many captive hours of youth,—
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• 20The hours they thieve from day and night
• To make one's cherished work come right,
• And leave it wrong for all their theft,
• Even as to-night my work was left:
• Until I vowed that since my brain
• And eyes of dancing seemed so fain,
• My feet should have some dancing too:—
• And thus it was I met with you.
• Well, I suppose 'twas hard to part,
• For here I am. And now, sweetheart,
• 30You seem too tired to get to bed.

• It was a careless life I led
• When rooms like this were scarce so strange
• Not long ago. What breeds the change,—
• The many aims or the few years?
• Because to-night it all appears
• Something I do not know again.

• The cloud's not danced out of my brain,—
• The cloud that made it turn & swim
• the books so swim
• At every effort's interim.
  Added Text At While hour by hour the books grew dim
• 40Why, Jenny, as I watch you there,—
• For all your wealth of loosened hair,
• Your silk ungirdled and unlac'd
• And warm sweets open to the waist,
• All golden in the lamplight's gleam,—
• You know not what a book you seem,
• Half-read by lightning in a dream!
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Editorial Description: Lower-case letter hand-written in upper left-hand corner of page. Not in DGR's penmanship
• How should you know, my Jenny? Nay,
• And I should be ashamed to say:—
• Poor beauty, so well worth a kiss!
• 50But while my thought runs on like this
• With wasteful whims more than enough,
• I wonder what you're thinking of.

• If of myself you think at all,
• What is the thought?—conjectural
• On sorry matters best unsolved?—
• Or inly is each grace revolved
• To fit me with a lure?—or (sad
• To think!) perhaps you're merely glad
• That I'm not drunk or ruffianly
• 60And let you rest upon my knee.

• For sometimes, were the truth confess'd,
• You're thankful for a little rest,—
• Glad from the crush to rest within.
• From the heart-sickness and the din
• Where envy's voice at virtue's pitch
• Mocks you because your gown is rich;
• And from the pale girl's dumb rebuke,
• Whose ill-clad grace and toil-worn look
• Proclaim the strength that keeps her weak
• 70And other nights than yours bespeak;
• And from the wise unchildish elf,
• To schoolmate lesser than himself
• Pointing you out, what thing you are:—
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• Yes, from the daily jeer and jar,
• From shame and shame's outbraving too,
• Is rest not sometimes sweet to you?—
• But most from the hatefulness of man
• Who spares not to end what he began,
• Whose acts are foul ill and his speech hard, ill,
• 80Who, having used you , afterward at his will,
• Thrusts you aside, as when I dine
• I serve the dishes and the wine.

• Well, handsome Jenny mine, sit up,
• I've filled our glasses, let us sup,
• And do not let me think of you,
• Lest shame of yours suffice for two.
• What, still so tired? Well, well then, keep
• Your head there, so you do not sleep;
• But that the weariness may pass
• 90And leave you merry, take this glass.
• Ah! lazy lily hand, more bless'd
• If ne'er in rings it had been dress'd
• Nor ever by a glove conceal'd!

• Behold the lilies of the field,
• They toil not neither do they spin;
• (So doth the ancient text begin,—
• Not of such rest as one of these
• Can share.) Another rest and ease
• Along each summer-sated path
• 100From its new lord the garden hath,
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• Than that whose spring in blessings ran
• Which praised the righteous husbandman,
• Ere yet, in days of hankering breath,
• The lilies sickened unto death.

• What, Jenny, are your lilies dead?
• Aye, and the snow-white leaves are spread
• Like winter on the garden-bed.
• But you had roses left in May,—
• They were not gone too. Jenny, nay,
• 110But must your roses die away?
• Even so; the leaves are curled apart,
• Still red as from the broken heart,
• And here's the naked stem of thorns.

• Nay, nay, mere words. Here nothing warns
• As yet of winter. Sickness here
• Or want alone could waken fear,—
• Nothing but passion wrings a tear.
• Except when there may rise unsought
• Haply at times a passing thought
• 120Of the old days which seem to be
• Much older than any history
• That is written in any book;
• When she would lie in fields and look
• Along the ground through the thick blown grass,
• And wonder where the city was,
• Far out of sight, whose broil and bale
• They told her then for a child's tale.

• Jenny, you know the city now.
• A child can tell the tale there, how
• 130Some things, which are not yet enroll'd
• In market-lists are bought and sold
• Even till the early Sunday light,
• When Saturday night is market-night
• Everywhere, be it dry or wet,
• And market-night in the Haymarket.
• Our learned London children know,
• Poor Jenny, all your mirth and woe;
• Have seen your lifted silken skirt
• Advertize dainties through the dirt;
• 140Have seen your coach-wheels splash rebuke
• On virtue; and have learned your look
• When, wealth and health slipped past, you stare
• Along the streets alone, and there,
• Round the long park, across the bridge,
• The cold lamps at the pavement's edge
• Wind on together and apart,
• A fiery serpent for your heart.

• Let the thoughts pass, an empty cloud !
• Suppose I were to think aloud,—
• 150What if to her all this were said?
• Why, as a volume seldom read
• Being opened halfway shuts again,
• So might the pages of her brain
• Be parted at such words, and thence
• Close back upon the dusty sense.

   

• Consider the sea's listless chime:
• Time's self it is, made audible,—
• The murmur of the earth's own shell.
• Secret continuance sublime
• Is the sea's end; our sight may pass
• No furlong further. Since time was,
• This sound hath told the lapse of time.

• No quiet, which is death's,—it hath
• The mournfulness of ancient life,
• 10 Enduring always at dull strife.
• As the world's heart of rest and wrath,
• Its painful pulse is in the sands.
• Last utterly, the whole sky stands,
• Grey and not known, along its path.

• Listen alone beside the sea,
• Listen alone among the woods;
• Those voices of twin solitudes
• Shall have one sound alike to thee:
• Hark where the murmurs of thronged men
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• 20 Surge and sink back and surge again,—
• Still the one voice of wave and tree.

• Gather a shell from the strown beach
• And listen at its lips: they sigh
• The same desire and mystery,
• The echo of the whole sea's speech.
• And all mankind is thus at heart
• Not anything but what thou art:
• And Earth, Sea, Man, are all in each.

   

• Give honour unto Luke Evangelist;
• For he it was (the aged legends say)
• Who first taught Art to fold her hands and pray.
• Scarcely at once she dared to re a nd the mist
• Of devious symbols: but soon having wist
• How sky-breadth and field-silence and this day
• Are symbols also in some deeper way,
• She looked through these to God and was God's priest.

• And if, past noon, her toil began to irk,
• 10And she sought talismans, and turned in vain
• To soulless self-reflections of man's skill,—
• Yet now, in this the twilight, she might still
• Kneel in the latter grass to pray again,
• Ere the night cometh and she may not work.