Rossetti Archive Textual Transcription

Document Title: Poems. (Privately Printed).: First Trial Book, British Library copy (Ashley 1393)
Author: Dante Gabriel Rossetti
Date of publication: 1869 October 3
Printer: Strangeways and Walden

The full Rossetti Archive record for this transcribed document is available.

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Editorial Note (page ornament): bookplate: T. J. Wise bookplate
Note: This is the endpaper of the bound volume housing the document.
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POEMS.

(PRIVATELY PRINTED).



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[Most of these poems were written between 1847

and 1853; and are here printed, if not without

revision, yet generally much in their original

state. They are a few among a good many

then written, but of the others I have now no

complete copies. The ‘Sonnets and Songs’

are chiefly more recent work.]



D. G. R. 1869.
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Note: This page is actually the first of the volume's three sections. The section would eventually be headed POEMS on a separate half-title.
POEMS.

TROY TOWN.*
  • Helen knelt at Venus' shrine,
  • ( O Troy Town!)
  • Saying, ‘A little gift is mine,
  • A little gift for a heart's desire.
  • Hear me speak and make me a sign!
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • ‘Look, I bring thee a carven cup;
  • ( O Troy Town!)
  • 10See it here as I hold it up,—
  • Shaped it is to the heart's desire,
  • Fit to fill when the gods would sup.
  • ( O Troy's down,
  • Tall Troy's on fire!
Transcribed Footnote (page [1]):

*Herodotus says that Helen dedicated to Venus a cup made in

the likeness of her own bosom.

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  • ‘It was moulded like my breast;
  • ( O Troy Town!)
  • He that sees it may not rest,
  • Rest at all for his heart's desire.
  • O give ear to my heart's behest!
  • 20 ( O Troy's down,
  • Tall Troy's on fire!)
  • ‘See my breast, how like it is;
  • ( O Troy Town!)
  • See it bare for the air to kiss!
  • Is the cup to thy heart's desire?
  • O for the breast, O make it his!
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • ‘Yea, for my bosom here I sue;
  • 30 ( O Troy Town!)
  • Thou must give it where 'tis due,
  • Give it there to the heart's desire.
  • Whom do I give my bosom to?
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • ‘Each twin breast is an apple sweet!
  • ( O Troy Town!)
  • Once an apple stirred the beat
  • Of thy heart with the heart's desire:—
  • 40Say, who brought it then to thy feet?
  • ( O Troy's down,
  • Tall Troy's on fire!)
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  • ‘They that claimed it then were three:
  • ( O Troy Town!)
  • For thy sake two hearts did he
  • Make forlorn of the heart's desire.
  • Do for him as he did for thee!
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • 50‘Mine are apples grown to the south,
  • ( O Troy Town!)
  • Grown to taste in the days of drouth,
  • Taste and waste to the heart's desire:
  • Mine are apples meet for his mouth!’
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • Venus looked on Helen's gift,
  • ( O Troy Town!)
  • Looked and smiled with subtle drift,
  • 60Saw the work of her heart's desire:—
  • ‘There thou kneel'st for Love to lift!’
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • Venus looked in Helen's face,
  • ( O Troy Town!)
  • Knew far off an hour and place,
  • And fire lit from the heart's desire;
  • Laughed and said, ‘Thy gift hath grace!’
  • ( O Troy's down,
  • 70 Tall Troy's on fire!)
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  • Cupid looked on Helen's breast,
  • ( O Troy Town!)
  • Saw the heart within its nest,
  • Saw the flame of the heart's desire;
  • There his arrow stood confess'd.
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • Cupid took another dart,
  • ( O Troy Town!)
  • 80Fledged it for another heart,
  • Winged the shaft with the heart's desire,
  • Drew the string and said, ‘Depart!’
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • Paris turned upon his bed,
  • ( O Troy Town!)
  • Turned upon his bed and said,
  • Dead at heart with the heart's desire,—
  • ‘O to clasp her golden head!’
  • 90 ( O Troy's down,
  • Tall Troy's on fire!)
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EDEN BOWER.
  • It was Lilith the wife of Adam:
  • ( Eden bower's in flower.)
  • Not a drop of her blood was human,
  • But she was made like a soft sweet woman.
  • Lilith stood on the skirts of Eden;
  • ( And O the bower and the hour!)
  • She was the first that thence was driven;
  • With her was hell and with Eve was heaven.
  • In the ear of the Snake said Lilith:—
  • 10 ( Eden bower's in flower.)
  • ‘To thee I come when the rest is over;
  • A snake was I when thou wast my lover.
  • ‘I was the fairest snake in Eden:
  • ( And O the bower and the hour!)
  • By the earth's will, new form and feature
  • Made me a wife for the earth's new creature.
  • ‘Take me thou as I come from Adam:
  • ( Eden bower's in flower.)
  • Once again shall my love subdue thee;
  • 20The past is past and I am come to thee.
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  • ‘O but Adam was born for Lilith!
  • ( And O the bower and the hour!)
  • All the threads of my hair are golden,
  • And there in a net his heart was holden.
  • ‘O and Lilith was born for Adam!
  • Eden bower's in flower.)
  • All the day and the night together
  • My breath could shake his soul like a feather.
  • ‘What great joys had Adam and Lilith!—
  • 30 ( And O the bower and the hour!)
  • Sweet close rings of the serpent's twining,
  • As heart in heart lay sighing and pining.
  • ‘What bright babes had Lilith and Adam!—
  • ( Eden bower's in flower.)
  • Shapes that coiled in the woods and waters,
  • Glittering sons and jewelled daughters.
  • ‘O thou God, the Lord God of Eden!
  • ( And O the bower and the hour!)
  • Say, was this fair body for no man,
  • 40That from Adam's flesh thou mak'st him a woman?
  • ‘O thou Snake, the King-snake of Eden!
  • ( Eden bower's in flower.)
  • God's strong will our necks are under,
  • But thou and I may cleave it in sunder.
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  • ‘Help, sweet Snake, sweet lover of Lilith!
  • ( And O the bower and the hour!)
  • And let God learn how I loved and hated
  • Man in the image of God created.
  • ‘Help me once against Eve and Adam!
  • 50 ( Eden bower's in flower.)
  • Once for one hour this great endeavour,
  • And then my love shall be thine for ever!
  • ‘Strong is God, the fell foe of Lilith:
  • ( And O the bower and the hour!)
  • Nought in heaven or earth may affright him;
  • But join thou with me and we will smite him.
  • ‘Strong is God, the great God of Eden:
  • ( Eden bower's in flower.)
  • Over all he made he hath power;
  • 60But lend me thou thy shape for an hour!
  • ‘Lend thy shape for the love of Lilith!
  • ( And O the bower and the hour!)
  • Look, my mouth and my cheek are ruddy,
  • And thou art cold, and fire is my body.
  • ‘Lend thy shape for the hate of Adam!
  • ( Eden bower's in flower.)
  • That he may wail my joy that forsook him,
  • And curse the day when the bride-sleep took him.
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  • ‘Lend thy shape for the shame of Eden!
  • 70 ( And O the bower and the hour!)
  • Is not the foe-God weak as the foeman
  • When love grows hate in the heart of a woman?
  • ‘Would 'st thou know the heart's hope of Lilith?
  • ( Eden bower's in flower.)
  • Come then close till thy heart doth glisten
  • Along my breast, and lip me and listen.
  • ‘Am I sweet, O sweet Snake of Eden?
  • ( And O the bower and the hour!)
  • Then ope thine ear to my warm mouth's cooing
  • 80And learn what deed remains for our doing.
  • ‘Thou didst hear when God said to Adam:—
  • ( Eden bower's in flower.)
  • “Of all this wealth I have made thee warden;
  • Thou'rt free to eat of the trees of the garden:
  • ‘“Only of one tree eat not in Eden;
  • ( And O the bower and the hour!)
  • All save one I give to thy freewill,—
  • The Tree of the Knowledge of Good and Evil.”
  • ‘O my love, come nearer to Lilith!
  • 90 ( Eden bower's in flower.)
  • In thy sweet folds bind me and bend me,
  • And let me feel the shape thou shalt lend me!
Note: Pages 7-8 are duplicated in the proofs.
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  • ‘Help, sweet Snake, sweet lover of Lilith!
  • ( And O the bower and the hour!)
  • And let God learn how I loved and hated
  • Man in the image of God created.
  • ‘Help me once against Eve and Adam!
  • 50 ( Eden bower's in flower.)
  • Help me once for this one endeavour,
  • And then my love shall be thine for ever!
  • ‘Strong is God, the fell foe of Lilith:
  • ( And O the bower and the hour!)
  • Nought in heaven or earth may affright him;
  • But join thou with me and we will smite him.
  • ‘Strong is God, the great God of Eden:
  • ( Eden bower's in flower.)
  • Over all he made he hath power;
  • 60But lend me thou thy shape for an hour!
  • ‘Lend thy shape for the love of Lilith!
  • ( And O the bower and the hour!)
  • Look, my mouth and my cheek are ruddy,
  • And thou art cold, and fire is my body.
  • ‘Lend thy shape for the hate of Adam!
  • ( Eden bower's in flower.)
  • That he may wail my joy that forsook him,
  • And curse the day when the bride-sleep took him.
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  • ‘Lend thy shape for the shame of Eden!
  • 70 ( And O the bower and the hour!)
  • Is not the foe-God weak as the foeman
  • When love grows hate in the heart of a woman?
  • ‘Would'st thou know the heart's hope of Lilith?
  • ( Eden bower's in flower.)
  • Bring thy gemmed head close till it glisten
  • Along my breast, and lip me and listen.
  • ‘Am I sweet, O sweet Snake of Eden?
  • ( And O the bower and the hour!)
  • Then ope thine ear to my warm mouth's cooing
  • 80And learn what deed remains for our doing.
  • ‘Thou didst hear when God said to Adam:—
  • ( Eden bower's in flower.)
  • “Of all this wealth I have made thee warden;
  • Thou'rt free to eat of the trees of the garden:
  • ‘“Only of one tree eat not in Eden;
  • ( And O the bower and the hour!)
  • All save one I give to thy freewill,—
  • The Tree of the Knowledge of Good and Evil.”
  • ‘O my love, come nearer to Lilith!
  • 90 ( Eden bower's in flower.)
  • In thy sweet folds bind me and bend me,
  • And let me feel the shape thou shalt lend me!
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  • ‘In thy shape I'll go back to Eden;
  • ( And O the bower and the hour!)
  • In these coils that Tree will I grapple,
  • And stretch this crowned head forth by the apple.
  • ‘Lo, Eve bends to the breath of Lilith!
  • ( Eden bower's in flower.)
  • O how then shall my heart desire
  • 100All her blood as food to its fire!
  • ‘Lo, Eve bends to the words of Lilith!—
  • ( And O the bower and the hour!)
  • “Nay, this tree's fruit,—why should ye hate it,
  • Or Death be born the day that ye ate it?
  • ‘“Nay, but on that great day in Eden,
  • ( Eden bower's in flower.)
  • By the help that in this wise Tree is,
  • God knows well ye shall be as He is.”
  • ‘Then Eve shall eat and give unto Adam;
  • 110 ( And O the bower and the hour!)
  • And then they both shall know they are naked,
  • And their hearts ache as my heart hath achèd.
  • ‘Then they shall hide in the trees of Eden,
  • ( Eden bower's in flower.)
  • As in the cool of the day in the garden
  • God shall walk without pity or pardon.
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  • ‘Hear thou, Eve, the man's heart in Adam!
  • ( And O the bower and the hour!)
  • Of his brave words hark to the bravest:—
  • 120“This the woman gave that thou gavest.”
  • ‘Hear Eve speak, yea, list to her, Lilith!
  • ( Eden bower's in flower.)
  • Let thine heart hear words that shall sate it:—
  • “This the serpent gave and I ate it.”
  • ‘O proud Eve, cling close to thine Adam,
  • ( And O the bower and the hour!)
  • Driven forth as the beasts of his naming
  • By the sword that for ever is flaming.
  • ‘Know, thy path is known unto Lilith!
  • 130 ( Eden bower's in flower.)
  • While the blithe birds sang at thy wedding,
  • There her tears grew thorns for thy treading.
  • ‘O my love, O Love-snake of Eden!
  • ( And O the bower and the hour!)
  • O to-day and the day to come after!
  • Loose me, love,—give breath to my laughter!
  • ‘O bright Snake, the Death-worm of Adam!
  • ( Eden bower's in flower.)
  • Wreathe thy neck with my hair's bright tether,
  • 140And wear my gold and thy gold together!
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  • ‘On that day on the skirts of Eden,
  • ( And O the bower and the hour!)
  • In thy shape shall I glide back to thee,
  • And in my shape for an instant view thee.
  • ‘But when thou'rt thou and Lilith is Lilith,
  • ( Eden bower's in flower.)
  • In what bliss past hearing or seeing
  • Shall each one drink of the other's being.
  • ‘With cries of “Eve!” and “Eden!” and “Adam!”
  • 150 ( And O the bower and the hour!)
  • How shall we mingle our love's caresses,
  • I in thy folds, and thou in my tresses?
  • ‘With those names, ye echoes of Eden,
  • ( Eden bower's in flower.)
  • Fire shall cry from my heart that burneth,—
  • “Dust he is and to dust returneth!”
  • ‘Yet to-day, thou master of Lilith,—
  • ( And O the bower and the hour!)
  • Wrap me round in the coils I'll borrow
  • 160And let me tell thee of sweet to-morrow.
  • ‘In the planted garden eastward in Eden,
  • ( Eden bower's in flower.)
  • Where the river goes forth to water the garden,
  • The springs shall dry and the soil shall harden.
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  • ‘Yea, where the bride-sleep fell upon Adam,
  • ( And O the bower and the hour!)
  • None shall hear when the storm-wind whistles
  • Through roses choked among thorns and thistles.
  • ‘Yea, beside the east-gate of Eden,
  • 170 ( Eden bower's in flower.)
  • Where God joined them and none might sever,
  • The sword turns this way and that for ever.
  • ‘What of Adam cast out of Eden?
  • ( And O the bower and the hour!)
  • Lo! with care like a shadow shaken,
  • He tills the hard earth whence he was taken.
  • ‘What of Eve too, cast out of Eden?
  • ( Eden bower's in flower.)
  • Nay, but she, the bride of God's giving,
  • 180Must yet be mother of all men living.
  • ‘Lo, God's grace, by the grace of Lilith!
  • ( And O the bower and the hour!)
  • To Eve's womb, from our sweet to-morrow,
  • God shall greatly multiply sorrow.
  • ‘Fold me fast, O God-snake of Eden!
  • ( Eden bower's in flower.)
  • What more prize than love to impel thee?
  • Grip and lip my limbs as I tell thee!
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  • Lo! two babes for Eve and for Adam!
  • 190 ( And O the bower and the hour!)
  • Lo! sweet Snake, the travail and treasure,—
  • Two men-children born for their pleasure!
  • ‘The first is Cain and the second Abel:
  • ( Eden bower's in flower.)
  • The soul of one shall be made thy brother,
  • And thy tongue shall lap the blood of the other.’
  • ( And O the bower and the hour!)
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THE BLESSED DAMOZEL.
  • The blessed damozel leaned out
  • From the gold bar of Heaven;
  • Her eyes were deeper than the depth
  • Of waters stilled at even;
  • She had three lilies in her hand,
  • And the stars in her hair were seven.
  • Her robe, ungirt from clasp to hem,
  • No wrought flowers did adorn,
  • But a white rose of Mary's gift,
  • 10 For service meetly worn;
  • And her hair lying down her back
  • Was yellow like ripe corn.
  • Herseemed she scarce had been a day
  • One of God's choristers;
  • The wonder was not yet quite gone
  • From that still look of hers;
  • Albeit, to them she left, her day
  • Had counted as ten years.
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  • ( To one, it is ten years of years.
  • 20 . . . Yet now, and in this place,
  • Surely she leaned o'er me—her hair
  • Fell all about my face. . . .
  • Nothing: the autumn fall of leaves.
  • The whole year sets apace.)
  • It was the rampart of God's house
  • That she was standing on;
  • By God built over the sheer depth
  • The which is Space begun;
  • So high, that looking downward thence
  • 30 She scarce could see the sun.
  • It lies in Heaven, across the flood
  • Of ether, as a bridge.
  • Beneath, the tides of day and night
  • With flame and darkness ridge
  • The void, as low as where this earth
  • Spins like a fretful midge.
  • Heard hardly, some of her new friends
  • Amid their loving games
  • Spake evermore among themselves
  • 40 Their virginal chaste names;
  • And the souls mounting up to God
  • Went by her like thin flames.
  • And still she bowed above the vast
  • Waste sea of worlds that swarm;
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  • Until her bosom must have made
  • The bar she leaned on warm,
  • And the lilies lay as if asleep
  • Along her bended arm.
  • From the fixed place of Heaven she saw
  • 50 Time like a pulse shake fierce
  • Through all the worlds. Her gaze still strove
  • Within the gulf to pierce
  • Its path; and now she spoke as when
  • The stars sang in their spheres.
  • The sun was gone now; the curled moon
  • Was like a little feather
  • Fluttering far down the gulf; and now
  • She spoke through the still weather.
  • Her voice was like the voice the stars
  • 60 Had when they sang together.
  • ‘I wish that he were come to me,
  • For he will come,’ she said.
  • ‘Have I not prayed in Heaven?—on earth,
  • Lord, Lord, has he not pray'd?
  • Are not two prayers a perfect strength?
  • And shall I feel afraid?
  • ‘When round his head the aureole clings,
  • And he is clothed in white,
  • I'll take his hand and go with him
  • 70 To the deep wells of light;
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  • We will step down as to a stream,
  • And bathe there in God's sight.
  • ‘We two will stand beside that shrine,
  • Occult, withheld, untrod,
  • Whose lamps are stirred continually
  • With prayer sent up to God;
  • And see our old prayers, granted, melt
  • Each like a little cloud.
  • ‘We two will lie i'the shadow of
  • 80 That living mystic tree
  • Within whose secret growth the Dove
  • Is sometimes felt to be,
  • While every leaf that His plumes touch
  • Saith His Name audibly.
  • ‘And I myself will teach to him,
  • I myself, lying so,
  • The songs I sing here; which his voice
  • Shall pause in, hushed and slow,
  • And find some knowledge at each pause,
  • 90 Or some new thing to know.’
  • ( Ah sweet! Just now, in that bird's song,
  • Strove not her accents there,
  • Fain to be hearkened? When those bells
  • Possessed the midday air,
  • Was she not stepping to my side
  • Down all the trembling stair?)
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  • ‘We two,’ she said, ‘will seek the groves
  • Where the lady Mary is,
  • With her five handmaidens, whose names
  • 100 Are five sweet symphonies,
  • Cecily, Gertrude, Magdalen,
  • Margaret and Rosalys.
  • ‘Circlewise sit they, with bound locks
  • And foreheads garlanded;
  • Into the fine cloth white like flame
  • Weaving the golden thread,
  • To fashion the birth-robes for them
  • Who are just born, being dead.
  • ‘He shall fear, haply, and be dumb:
  • 110 Then will I lay my cheek
  • To his, and tell about our love,
  • Not once abashed or weak:
  • And the dear Mother will approve
  • My pride, and let me speak.
  • ‘Herself shall bring us, hand in hand,
  • To Him round whom all souls
  • Kneel, the clear-ranged unnumbered heads
  • Bowed with their aureoles:
  • And angels meeting us shall sing
  • 120 To their citherns and citoles.
  • ‘There will I ask of Christ the Lord
  • Thus much for him and me:—
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  • Only to live as once on earth
  • With Love,—only to be,
  • As then awhile, for ever now
  • Together, I and he.’
  • She gazed and listened and then said,
  • Less sad of speech than mild,—
  • ‘All this is when he comes.’ She ceased.
  • 130 The light thrilled towards her, fill'd
  • With angels in strong level flight.
  • Her eyes prayed, and she smil'd.
  • ( I saw her smile). But soon their path
  • Was vague in distant spheres:
  • And then she cast her arms along
  • The golden barriers,
  • And laid her face between her hands,
  • And wept. ( I heard her tears.)
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NOCTURN.
  • Master of the murmuring courts
  • Where the shapes of sleep convene!—
  • Lo! my spirit here exhorts
  • All the powers of thy demesne
  • For their aid to woo my queen.
  • What reports
  • Yield thy jealous courts unseen?
  • Vaporous, unaccountable,
  • Dreamland lies forlorn of light,
  • 10Hollow like a breathing shell.
  • Ah! that from all dreams I might
  • Choose one dream and guide its flight!
  • I know well
  • What her sleep should tell to-night.
  • There the dreams are multitudes:
  • Some whose buoyance waits not sleep,
  • Deep within the August woods;
  • Some that hum while rest may steep
  • Weary labour laid a-heap;
  • 20 Interludes,
  • Some, of grievous moods that weep.
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  • Poets' fancies all are there:
  • There the elf-girls flood with wings
  • Valleys full of plaintive air;
  • There breathe perfumes; there in rings
  • Whirl the foam-bewildered springs;
  • Siren there
  • Winds her dizzy hair and sings.
  • Thence the one dream mutually
  • 30 Dreamed in bridal unison,
  • Less than waking ecstasy;
  • Half-formed visions that make moan
  • In the house of birth alone;
  • And what we
  • At death's wicket see, unknown.
  • But for mine own sleep, it lies
  • In one gracious form's control,
  • Fair with honorable eyes,
  • Lamps of an auspicious soul:
  • 40 O their glance is loftiest dole,
  • Sweet and wise,
  • Wherein Love descries his goal.
  • Reft of her, my dreams are all
  • Clammy trance that fears the sky:
  • Changing footpaths shift and fall;
  • From polluted coverts nigh,
  • Miserable phantoms sigh;
  • Quakes the pall,
  • And the funeral goes by.
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  • 50Master, it is soothly said
  • That, as echoes of man's speech
  • Far in secret clefts are made,
  • So do all men's bodies reach
  • Shadows o'er thy sunken beach,—
  • Shape or shade
  • In those halls pourtrayed of each?
  • Ah! might I, by thy good grace
  • Groping in the windy stair,
  • (Darkness and the breath of space
  • 60 Like loud waters everywhere,)
  • Meeting mine own image there
  • Face to face,
  • Send it from that place to her!
  • Nay, not I; but oh! do thou,
  • Master, from thy shadowkind
  • Call my body's phantom now:
  • Bid it bear its face declin'd
  • Till its flight her slumbers find,
  • And her brow
  • 70 Feel its presence bow like the wind.
  • Where in groves the gracile Spring
  • Trembles, with mute orison
  • Confidently strengthening,
  • Water's voice and wind's as one
  • Shed an echo in the sun,
  • Soft as Spring,
  • Master, bid it sing and moan.
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  • Song shall tell how glad and strong
  • Is the night she soothes alway;
  • 80Moan shall grieve with that parched tongue
  • Of the brazen hours of day:
  • Sounds as of the springtide they,
  • Moan and song,
  • While the chill months long for May.
  • Not the prayers which with all leave
  • The world's fluent woes prefer,—
  • Not the praise the world doth give,
  • Dulcet fulsome whisperer;—
  • Let it yield man's love to her,
  • 90 And achieve
  • Strength that shall not grieve or err.
  • Wheresoe'er my sleep befall,
  • Both at night-watch, (let it say,)
  • And where round the sundial
  • The reluctant hours of day,
  • Heartless, hopeless of their way,
  • Rest and call;—
  • There her glance doth fall and stay.
  • Suddenly her face is there:
  • 100 So do mounting vapours wreathe
  • Subtle-scented transports where
  • The black firwood sets its teeth.
  • Part the boughs and look beneath,—
  • Lilies share
  • Secret waters there, and breathe.
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  • Master, bid my shadow bend
  • Whispering thus till birth of light,
  • Lest new shapes that sleep may send
  • Scatter all its work to flight;—
  • 110 Master, master of the night,
  • Bid it spend
  • Speech, song, prayer, and end aright.
  • Yet, ah me! if at her head
  • There another phantom lean
  • Murmuring o'er the fragrant bed,—
  • Ah! and if my spirit's queen
  • Smile those alien words between,—
  • Ah! poor shade!
  • Shall it strive, or fade unseen?
  • 120Like a vapour wan and mute,
  • Like a flame, so let it pass;
  • One low sigh across her lute,
  • One dull breath against her glass;
  • And to my sad soul, alas!
  • One salute
  • Cold as when death's foot shall pass.
  • How should love's own messenger
  • Strive with love and be love's foe?
  • Master, nay! If thus in her
  • 130 Sleep a wedded heart should show,—
  • Silent let mine image go,
  • Its old share
  • Of thy sunken air to know.
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  • Then, too, let all hopes of mine,
  • All vain hopes by night and day,
  • Master, at thy summoning sign
  • Rise up pallid and obey.
  • Dreams, if this is thus, were they:—
  • Be they thine,
  • 140 And to dreamland pine away.
  • (So a chief, who all night lies
  • Ambushed where no help appears,—
  • 'Mid his comrades' unseen eyes
  • Watching for the growth of spears,—
  • Like their ghosts, as morning nears,
  • Sees them rise,
  • Ready without sighs or tears.)
  • Yet from old time, life, not death,
  • Master, in thy rule is rife:
  • 150Lo! through thee, with mingling breath,
  • Adam woke beside his wife.
  • O Love bring me so, for strife,
  • Force and faith,
  • Bring me so not death but life!
  • Yea, to Love himself is pour'd
  • This frail song of hope and fear.
  • Thou art Love, of one accord
  • With kind Sleep to bring her near,
  • Still-eyed, deep-eyed, ah how dear!
  • 160 Master, Lord,
  • In her name implor'd, O hear!
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THE BURDEN OF NINEVEH.

‘Burden. Heavy calamity; The chorus of a song.’— Dictionary.

  • In our Museum galleries
  • To-day I lingered o'er the prize
  • Dead Greece vouchsafes to living eyes,—
  • Her Art for ever in fresh wise
  • From hour to hour rejoicing me.
  • Sighing I turned at last to win
  • Once more the London dirt and din;
  • And as I made the swing-door spin
  • And issued, they were hoisting in
  • 10 A wingèd beast from Nineveh.
  • A human face the creature wore,
  • And hoofs behind and hoofs before,
  • And flanks with dark runes fretted o'er.
  • 'Twas bull, 'twas mitred Minotaur,
  • A dead disbowelled mystery;
  • The mummy of a buried faith
  • Stark from the charnel without scathe,
  • Its wings stood for the light to bathe,—
  • Such fossil cerements as might swathe
  • 20 The very corpse of Nineveh.
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  • The print of its first rush-wrapping,
  • Wound ere it dried, still ribbed the thing.
  • What song did the brown maidens sing,
  • From purple mouths alternating,
  • When that was woven languidly?
  • What vows, what rites, what prayers preferr'd,
  • What songs has the strange image heard?
  • In what blind vigil stood interr'd
  • For ages, till an English word
  • 30 Broke silence first at Nineveh?
  • Oh when upon each sculptured court,
  • Where even the wind might not resort,—
  • O'er which Time passed, of like import
  • With the wild Arab boys at sport,—
  • A living face looked in to see:—
  • Oh seemed it not—the spell once broke—
  • As though the carven warriors woke,
  • As though the shaft the string forsook,
  • The cymbals clashed, the chariots shook,
  • 40 And there was life in Nineveh?
  • On London stones our sun anew
  • The beast's recovered shadow threw.
  • (No shade that plague of darkness knew,
  • No light, no shade, while older grew
  • By ages the old earth and sea.)
  • Lo thou! could all thy priests have shown
  • Such proof to make thy godhead known?
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  • From their dead Past thou liv'st alone;
  • And still thy shadow is thine own
  • 50 Even as of yore in Nineveh.
  • That day whereof we keep record,
  • When near thy city-gates the Lord
  • Sheltered his Jonah with a gourd,
  • This sun, (I said) here present, pour'd
  • Even thus this shadow that I see.
  • This shadow has been shed the same
  • From sun and moon,—from lamps which came
  • For prayer,—from fifteen days of flame,
  • The last, while smouldered to a name
  • 60 Sardanapalus' Nineveh.
  • Within thy shadow, haply, once
  • Sennacherib has knelt, whose sons
  • Smote him between the altar-stones:
  • Or pale Semiramis her zones
  • Of gold, her incense brought to thee,
  • In love for grace, in war for aid:....
  • Ay, and who else?.... till 'neath thy shade
  • Within his trenches newly made
  • Last year the Christian knelt and pray'd—
  • 70 Not to thy strength—in Nineveh.*
Transcribed Footnote (page 29):

* During the excavations, the Tiyari workmen held their ser-

vices in the shadow of the great bulls. ( Layard's ‘Nineveh,’ ch.ix.)

This poem was written when the sculptures were first brought to

England.

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  • Now, thou poor god, within this hall
  • Where the blank windows blind the wall
  • From pedestal to pedestal,
  • The kind of light shall on thee fall
  • Which London takes the day to be:
  • While school-foundations in the act
  • Of holiday, three files compact,
  • Shall learn to view thee as a fact
  • Connected with that zealous tract:
  • 80 ‘Rome,—Babylon and Nineveh.’
  • Deemed they of this, those worshippers,
  • When in some mythic chain of verse,
  • Which man shall not again rehearse,
  • The faces of thy ministers
  • Yearned pale with bitter ecstasy?
  • Greece, Egypt, Rome,—did any god
  • Before whose feet men knelt unshod
  • Deem that in this unblest abode
  • Another scarce more unknown god
  • 90 Should house with him from Nineveh?
  • Ah! in what quarries lay the stone
  • From which this pigmy pile has grown,
  • Unto man's need how long unknown,
  • Since thy vast temples, court and cone,
  • Rose far in desert history?
  • Ah! what is here that does not lie
  • All strange to thine awakened eye?
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  • Ah! what is here can testify
  • (Save that dumb presence of the sky)
  • 100 Unto thy day and Nineveh?
  • Why, of those mummies in the room
  • Above, there might indeed have come
  • One out of Egypt to thy home,
  • An alien. Nay, but were not some
  • Of these thine own ‘antiquity?’
  • And now,—they and their gods and thou
  • All relics here together,—now
  • Whose profit? whether bull or cow,
  • Isis or Ibis, who or how,
  • 110 Whether of Thebes or Nineveh?
  • The consecrated metals found,
  • And ivory tablets, underground,
  • Winged teraphim and creatures crown'd,
  • When air and daylight filled the mound,
  • Fell into dust immediately.
  • And even as these, the images
  • Of awe and worship,—even as these,—
  • So, smitten with the sun's increase,
  • Her glory mouldered and did cease
  • 120 From immemorial Nineveh.
  • The day her builders made their halt,
  • Those cities of the lake of salt
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  • Stood firmly 'stablished without fault,
  • Made proud with pillars of basalt,
  • With sardonyx and porphyry.
  • The day that Jonah bore abroad
  • To Nineveh the voice of God,
  • A brackish lake lay in his road,
  • Where erst Pride fixed her sure abode,
  • 130 As then in royal Nineveh.
  • The day when he, Pride's lord and Man's,
  • Showed all the kingdoms at a glance
  • To Him before whose countenance
  • The years recede, the years advance,
  • And said, Fall down and worship me:—
  • 'Mid all the pomp beneath that look,
  • Then stirred there, haply, some rebuke,
  • Where to the wind the salt pools shook,
  • And in those tracts, of life forsook,
  • 140 That knew thee not, O Nineveh!
  • Delicate harlot! On thy throne
  • Thou with a world beneath thee prone
  • In state for ages sat'st alone;
  • And needs were years and lustres flown
  • Ere strength of man could vanquish thee:
  • Whom even thy victor foes must bring,
  • Still royal, among maids that sing
  • As with doves' voices, taboring
  • Upon their breasts, unto the King,—
  • 150 A kingly conquest, Nineveh!
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Sig. D
  • ... Here woke my thought. The wind's slow sway
  • Had waxed; and like the human play
  • Of scorn that smiling spreads away,
  • The sunshine shivered off the day:
  • The callous wind, it seemed to me,
  • Swept up the shadow from the ground:
  • And pale as whom the Fates astound,
  • The god forlorn stood winged and crown'd:
  • Within I knew the cry lay bound
  • 160 Of the dumb soul of Nineveh.
  • And as I turned, my sense half shut
  • Still saw the crowds of kerb and rut
  • Go past as marshalled to the strut
  • Of ranks in gypsum quaintly cut.
  • It seemed in one same pageantry
  • They followed forms which had been erst;
  • To pass, till on my sight should burst
  • That future of the best or worst
  • When some may question which was first,
  • 170 Of London or of Nineveh.
  • For as that Bull-god once did stand
  • And watched the burial-clouds of sand,
  • Till these at last without a hand
  • Rose o'er his eyes, another land,
  • And blinded him with destiny:—
  • So may he stand again; till now,
  • In ships of unknown sail and prow,
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  • Some tribe of the Australian plough
  • Bear him afar,—a relic now
  • 180 Of London, not of Nineveh!
  • Or it may chance indeed that when
  • Man's age is hoary among men,—
  • His centuries threescore and ten,—
  • His furthest childhood shall seem then
  • More clear than later times may be:
  • Who, finding in this desert place
  • This form, shall hold us for some race
  • That walked not in Christ's lowly ways,
  • But bowed its pride and vowed its praise
  • 190 Unto the God of Nineveh.
  • The smile rose first,—anon drew nigh
  • The thought:... Those heavy wings spread high
  • So sure of flight, which do not fly;
  • That set gaze never on the sky;
  • Those scriptured flanks it cannot see;
  • Its crown, a brow-contracting load;
  • Its planted feet which trust the sod:...
  • (So grew the image as I trod:)
  • O Nineveh, was this thy God,—
  • 200 Thine also, mighty Nineveh?
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AVE.*
  • Mother of the Fair Delight,
  • Thou handmaid perfect in God's sight,
  • Now sitting fourth beside the Three,
  • Thyself a woman-Trinity,—
  • Being a daughter borne to God,
  • Mother of Christ from stall to rood,
  • And wife unto the Holy Ghost:—
  • Oh when our need is uttermost,
  • Think that to such as death may strike
  • 10Thou once wert sister sisterlike!
  • Thou headstone of humanity,
  • Groundstone of the great Mystery,
  • Fashioned like us, yet more than we!
  • Mind'st thou not (when June's heavy breath
  • Warmed the long days in Nazareth,)
  • That eve thou didst go forth to give
  • Thy flowers some drink that they might live
  • Transcribed Footnote (page 35):

    * This hymn was written as a prologue to a series of designs.

    Art still identifies herself with all faiths for her own purposes:

    and the emotional influence here employed demands above all an

    inner standing-point.

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  • One faint night more amid the sands?
  • Far off the trees were as pale wands
  • 20Against the fervid sky: the sea
  • Sighed further off eternally
  • As human sorrow sighs in sleep.
  • Then suddenly the awe grew deep,
  • As of a day to which all days
  • Were footsteps in God's secret ways:
  • Until a folding sense, like prayer,
  • Which is, as God is, everywhere,
  • Gathered about thee; and a voice
  • Spake to thee without any noise,
  • 30Being of the silence:—‘Hail,’ it said,
  • ‘Thou that art highly favourèd;
  • The Lord is with thee here and now;
  • Blessed among all women thou.’
  • Ah! knew'st thou of the end, when first
  • That Babe was on thy bosom nurs'd?—
  • Or when He tottered round thy knee
  • Did thy great sorrow dawn on thee?—
  • And through His boyhood, year by year
  • Eating with Him the Passover,
  • 40Didst thou discern confusedly
  • That holier sacrament, when He,
  • The bitter cup about to quaff,
  • Should break the bread and eat thereof?—
  • Or came not yet the knowledge, even
  • Till on some day forecast in Heaven
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  • His feet passed through thy door to press
  • Upon His Father's business?—
  • Or still was God's high secret kept?
  • Nay, but I think the whisper crept
  • 50Like growth through childhood. Work and play,
  • Things common to the course of day,
  • Awed thee with meanings unfulfill'd;
  • And all through girlhood, something still'd
  • Thy senses like the birth of light,
  • When thou hast trimmed thy lamp at night
  • Or washed thy garments in the stream;
  • To whose white bed had come the dream
  • That He was thine and thou wast His
  • Who feeds among the field-lilies.
  • 60O solemn shadow of the end
  • In that wise spirit long contain'd!
  • O awful end! and those unsaid
  • Long years when It was Finishèd!
  • Mind'st thou not (when the twilight gone
  • Left darkness in the house of John,)
  • Between the naked window-bars
  • That spacious vigil of the stars?—
  • For thou, a watcher even as they,
  • Wouldst rise from where throughout the day
  • 70Thou wroughtest raiment for His poor;
  • And, finding the fixed terms endure
  • Of day and night which never brought
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  • Sounds of His coming chariot,
  • Wouldst lift through cloud-waste unexplor'd
  • Those eyes which said, ‘How long, O Lord?’
  • Then that disciple whom He loved,
  • Well heeding, haply would be moved
  • To ask thy blessing in His name;
  • And that one thought in both, the same
  • 80Though silent, then would clasp ye round
  • To weep together,—tears long bound,
  • Sick tears of patience, dumb and slow.
  • Yet, ‘Surely I come quickly,’—so
  • He said, from life and death gone home.
  • ‘Amen; even so, Lord Jesus, come!’
  • But oh! what human tongue can speak
  • That day when death was sent to break
  • From the tir'd spirit, like a veil,
  • Its covenant with Gabriel
  • 90Endured at length unto the end?
  • What human thought can apprehend
  • That mystery of motherhood
  • When thy Beloved at length renew'd
  • The sweet communion severèd,—
  • His left hand underneath thine head
  • And His right hand embracing thee?—
  • Lo! He was thine, and this is He!
  • Soul, is it Faith, or Love, or Hope,
  • That lets me see her standing up
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  • 100Where the light of the Throne is bright?
  • Unto the left, unto the right,
  • The cherubim, arrayed, conjoint,
  • Float inward to a golden point,
  • And from between the seraphim
  • The glory issues like a hymn.
  • O Mary Mother, be not loth
  • To listen,—thou whom the stars clothe,
  • Who seest and mayst not be seen!
  • Hear us at last, O Mary Queen!
  • 110Into our shadow bend thy face,
  • Bowing thee from the secret place,
  • O Mary Virgin, full of grace!
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THE STAFF AND SCRIP.
  • ‘Who owns these lands?’ the Pilgrim said.
  • ‘Stranger, Queen Blanchelys.’
  • ‘And who has thus harried them?’ he said.
  • ‘It was Duke Luke did this:
  • God's ban be his!’
  • The Pilgrim said: ‘Where is your house?
  • I'll rest there, with your will.’
  • ‘Ye've but to climb these blackened boughs
  • And ye'll see it over the hill,
  • 10 For it burns still.’
  • ‘Which road, to seek your Queen?’ said he.
  • ‘Nay, nay, but with some wound
  • You'll fly back hither, it may be,
  • And by your blood i'the ground
  • My place be found.’
  • ‘Friend, stay in peace. God keep thy head,
  • And mine, where I will go;
  • For He is here and there,’ he said.
  • He passed the hill-side, slow,
  • 20 And stood below.
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  • The Queen sat idle by her loom:
  • She heard the arras stir,
  • And looked up sadly: through the room
  • The sweetness sickened her
  • Of musk and myrrh.
  • Her women, standing two and two,
  • In silence combed the fleece.
  • The pilgrim said, ‘Peace be with you,
  • Lady;’ and bent his knees.
  • 30 She answered, ‘Peace.’
  • Her eyes were like the wave within;
  • Like water-reeds the poise
  • Of her soft body, dainty thin;
  • And like the water's noise
  • Her plaintive voice.
  • For him, the stream had never well'd
  • In desert tracts malign
  • So sweet; nor had he ever felt
  • So faint in the sunshine
  • 40 Of Palestine.
  • Right so, he knew that he saw weep
  • Each night through every dream
  • The Queen's own face, confused in sleep
  • With visages supreme
  • Not known to him.
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  • ‘Lady,’ he said, ‘your lands lie burnt
  • And waste: to meet your foe
  • All fear: this I have seen and learnt.
  • Say that it shall be so,
  • 50 And I will go.’
  • She gazed at him. ‘Your cause is just,
  • For I have heard the same:’
  • He said: ‘God's strength shall be my trust.
  • Fall it to good or grame,
  • 'Tis in His name.’
  • ‘Sir, you are thanked. My cause is dead.
  • Why should you toil to break
  • A grave, and fall therein?’ she said.
  • He did not pause but spake:
  • 60 ‘For my vow's sake.’
  • ‘Can such vows be, Sir—to God's ear,
  • Not to God's will?’ ‘My vow
  • Remains: God heard me there as here,’
  • He said with reverent brow,
  • ‘Both then and now.’
  • They gazed together, he and she,
  • The minute while he spoke;
  • And when he ceased, she suddenly
  • Looked round upon her folk
  • 70 As though she woke.
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  • ‘Fight, Sir,’ she said: ‘my prayers in pain
  • Shall be your fellowship.’
  • He whispered one among her train,—
  • ‘To-night thou'lt bid her keep
  • This staff and scrip.’
  • She sent him a sharp sword, whose belt
  • About his body there
  • As sweet as her own arms he felt.
  • He kissed its blade, all bare,
  • 80 Instead of her.
  • She sent him a green banner wrought
  • With one white lily stem,
  • To bind his lance with when he fought.
  • He writ upon the same
  • And kissed her name.
  • She sent him a white shield, whereon
  • She bade that he should trace
  • His will. He blent fair hues that shone,
  • And in a golden space
  • 90 He kissed her face.
  • Right so, the sunset skies unseal'd,
  • Like lands he never knew,
  • Beyond to-morrow's battle-field
  • Lay open out of view
  • To ride into.
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  • Next day till dark the women pray'd:
  • Nor any might know there
  • How the fight went: the Queen has bade
  • That there do come to her
  • 100 No messenger.
  • Weak now to them the voice o' the priest
  • As any trance affords;
  • And when each anthem failed and ceas'd,
  • It seemed that the last chords
  • Still sang the words.
  • ‘Oh what is the light that shines so red?
  • 'Tis long since the sun set;’
  • Quoth the youngest to the eldest maid:
  • ‘'Twas dim but now, and yet
  • 110 The light is great.’
  • Quoth the other: ‘'Tis our sight is dazed
  • That we see flame i' the air.’
  • But the Queen held her brows and gazed,
  • And said, ‘It is the glare
  • Of torches there.’
  • ‘Oh what are the sounds that rise and spread?
  • All day it was so still;’
  • Quoth the youngest to the eldest maid;
  • ‘Unto the furthest hill
  • 120 The air they fill.’
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  • Quoth the other; ‘'Tis our sense is blurr'd
  • With all the chants gone by.’
  • But the Queen held her breath and heard,
  • And said, ‘It is the cry
  • Of Victory.’
  • The first of all the rout was sound,
  • The next were dust and flame,
  • And then the horses shook the ground:
  • And in the thick of them
  • 130 A still band came.
  • ‘Oh what do ye bring out of the fight,
  • Thus hid beneath these boughs?’
  • ‘One that shall be thy guest to-night,
  • And yet shall not carouse,
  • Queen, in thy house.’
  • ‘Uncover ye his face,’ she said.
  • ‘O changed in little space!’
  • She cried, ‘O pale that was so red!
  • O God, O God of grace!
  • 140 Cover his face.’
  • His sword was broken in his hand
  • Where he had kissed the blade.
  • ‘O soft steel that could not withstand!
  • O my hard heart unstayed,
  • That prayed and prayed!’
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  • His bloodied banner crossed his mouth
  • Where he had kissed her name.
  • ‘O east, and west, and north, and south,
  • Fair flew my web, for shame,
  • 150 To guide Death's aim!’
  • The tints were shredded from his shield
  • Where he had kissed her face.
  • ‘Oh, of all gifts that I could yield,
  • Death only keeps its place,
  • My gift and grace!’
  • Then stepped a damsel to her side,
  • And spake, and needs must weep:
  • ‘For his sake, lady, if he died,
  • He prayed of thee to keep
  • 160 This staff and scrip.’
  • That night they hung above her bed,
  • Till morning wet with tears.
  • Year after year above her head
  • Her bed his token wears,
  • Five years, ten years.
  • That night the passion of her grief
  • Shook them as there they hung.
  • Each year the wind that shed the leaf
  • Shook them and in its tongue
  • 170 A message flung.
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  • And she would wake with a clear mind
  • That letters writ to calm
  • Her soul lay in the scrip; and find
  • Only a torpid balm
  • And dust of palm.
  • They shook far off with palace sport
  • When joust and dance were rife;
  • And the hunt shook them from the court;
  • For hers, in peace or strife,
  • 180 Was a Queen's life.
  • A Queen's death now: as now they shake
  • To chaunts in chapel dim,—
  • Hung where she sleeps, not seen to wake,
  • (Carved lovely white and slim),
  • With them by him.
  • Stand up to-day, still armed, with her,
  • Good knight, before His brow
  • Who then as now was here and there,
  • Who had in mind thy vow
  • 190 Then even as now.
  • The lists are set in Heaven to-day,
  • The bright pavilions shine;
  • Fair hangs thy shield, and none gainsay;
  • The trumpets sound in sign
  • That she is thine.
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Sig. E
  • Not tithed with days' and years' decease
  • He pays thy wage He owed,
  • But with imperishable peace
  • Here in His own abode,
  • 200 Thy jealous God.
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SISTER HELEN.
  • ‘Why did you melt your waxen man,
  • Sister Helen?
  • To-day is the third since you began.’
  • ‘The time was long, yet the time ran,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • Three days to-day, between Hell and Heaven!)
  • ‘But if you have done your work aright,
  • Sister Helen,
  • 10 You'll let me play, for you said I might.’
  • ‘Be very still in your play to-night,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • Third night, to-night, between Hell and Heaven!)
  • ‘You said it must melt ere vesper-bell,
  • Sister Helen;
  • If now it be molten, all is well.’
  • ‘Even so,—nay, peace! you cannot tell,
  • Little brother.’
  • 20 ( O Mother, Mary Mother,
  • O what is this, between Hell and Heaven?)
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  • ‘Oh the waxen knave was plump to-day,
  • Sister Helen;
  • How like dead folk he has dropped away!’
  • ‘Nay now, of the dead what can you say,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • What of the dead, between Hell and Heaven?)
  • ‘See, see, the sunken pile of wood,
  • 30 Sister Helen,
  • Shines through the thinned wax red as blood!’
  • ‘Nay now, when looked you yet on blood,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • How pale she is, between Hell and Heaven!)
  • ‘Now close your eyes, for they're sick and sore,
  • Sister Helen,
  • And I'll play without the gallery door.’
  • ‘Aye, let me rest,—I'll lie on the floor,
  • 40 Little brother,’
  • ( O Mother, Mary Mother,
  • What rest to-night, between Hell and Heaven?)
  • ‘Here high up in the balcony,
  • Sister Helen,
  • The moon flies face to face with me.’
  • ‘Aye, look and say whatever you see,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • What sight to-night, between Hell and Heaven?)
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  • 50‘Outside it's merry in the wind's wake,
  • Sister Helen;
  • In the shaken trees the chill stars shake.’
  • ‘Hush, heard you a horse-tread as you spake,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • What sound to-night, between Hell and Heaven?)
  • ‘I hear a horse-tread, and I see,
  • Sister Helen,
  • Three horsemen that ride terribly.’
  • 60‘Little brother, whence come the three,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • Whence should they come, between Hell and Heaven?)
  • ‘They come by the hill-verge from Boyne Bar,
  • Sister Helen,
  • And one draws nigh, but two are afar.’
  • ‘Look, look, do you know them who they are,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • 70 Who should they be, between Hell and Heaven?)
  • ‘Oh, it's Holm of East Holm rides so fast,
  • Sister Helen,
  • For I know the white mane on the blast.’
  • ‘The hour has come, has come at last,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Her hour at last, between Hell and Heaven!)
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  • ‘He has made a sign and called Halloo!
  • Sister Helen,
  • 80 And he says that he would speak with you.’
  • ‘Oh tell him I fear the frozen dew,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • Why laughs she thus, between Hell and Heaven?)
  • ‘The wind is loud, but I hear him cry,
  • Sister Helen,
  • That Holm of Ewern's like to die.’
  • ‘And he and thou, and thou and I,
  • Little brother.’
  • 90 ( O Mother, Mary Mother,
  • And they and we, between Hell and Heaven!)
  • ‘For three days now he has lain abed,
  • Sister Helen,
  • And he prays in torment to be dead.’
  • ‘The thing may chance, if he have prayed,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • If he have prayed, between Hell and Heaven!)
  • ‘But he has not ceased to cry to-day,
  • 100 Sister Helen,
  • That you should take your curse away.’
  • My prayer was heard,—he need but pray,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Shall God not hear, between Hell and Heaven?)
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  • ‘But he says, till you take back your ban,
  • Sister Helen,
  • His soul would pass, yet never can.’
  • ‘Nay then, shall I slay a living man,
  • 110 Little brother?’
  • ( O Mother, Mary Mother,
  • A living soul, between Hell and Heaven!)
  • ‘But he calls for ever on your name,
  • Sister Helen,
  • And says that he melts before a flame.’
  • ‘My heart for his pleasure fared the same,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • Fire at the heart, between Hell and Heaven!)
  • 120‘Here's Holm of West Holm riding fast,
  • Sister Helen,
  • For I know the white plume on the blast.’
  • ‘The hour, the sweet hour I forecast,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Is the hour sweet, between Hell and Heaven?)
  • ‘He stops to speak, and he stills his horse,
  • Sister Helen;
  • But his words are drowned in the wind's course.’
  • 130‘Nay hear, nay hear, you must hear perforce,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • A word ill heard, between Hell and Heaven!)
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  • ‘Oh he says that Holm of Ewern's cry,
  • Sister Helen,
  • Is ever to see you ere he die.’
  • ‘He sees me in earth, in moon and sky,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • 140 Earth, moon and sky, between Hell and Heaven!)
  • ‘He sends a ring and a broken coin,
  • Sister Helen,
  • And bids you mind the banks of Boyne.’
  • ‘What else he broke will he ever join,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • Oh, never more, between Hell and Heaven!)
  • ‘He yields you these and craves full fain,
  • Sister Helen,
  • 150 You pardon him in his mortal pain.’
  • ‘What else he took will he give again,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • No more again, between Hell and Heaven!)
  • ‘He calls your name in an agony,
  • Sister Helen,
  • That even dead Love must weep to see.’
  • ‘Hate, born of Love, is blind as he,
  • Little brother!’
  • 160 ( O Mother, Mary Mother,
  • Love turned to hate, between Hell and Heaven!)
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  • ‘Oh it's Holm of Holm now that rides fast,
  • Sister Helen,
  • For I know the white hair on the blast.’
  • ‘The short short hour will soon be past,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Will soon be past, between Hell and Heaven!)
  • ‘He looks at me and he tries to speak,
  • 170 Sister Helen,
  • But oh! his voice is sad and weak!’
  • ‘What here should the mighty Baron seek,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Oh vainly sought, between Hell and Heaven!)
  • ‘Oh his son still cries, if you forgive,
  • Sister Helen,
  • The body dies but the soul shall live.’
  • ‘Fire shall forgive me as I forgive,
  • 180 Little brother!’
  • ( O Mother, Mary Mother,
  • As she forgives, between Hell and Heaven!)
  • ‘Oh he prays you, as his heart would rive,
  • Sister Helen,
  • To save his dear son's soul alive.
  • ‘Nay, flame cannot slay it, it shall thrive,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Alas, alas, between Hell and Heaven!)
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Note: There is no left quotation mark at the beginning of line 214.
  • 190‘He cries to you, kneeling in the road,
  • Sister Helen,
  • To go with him for the love of God!’
  • ‘The way is long to his son's abode,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • The way is long, between Hell and Heaven!)
  • ‘O Sister Helen, you heard the bell,
  • Sister Helen!
  • More loud than the vesper-chime it fell.’
  • 200‘No vesper-chime, but a dying knell,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • His dying knell, between Hell and Heaven!)
  • ‘Alas! but I fear the heavy sound,
  • Sister Helen;
  • Is it in the sky or in the ground?’
  • ‘Say, have they turned their horses round,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • 210 What would she more, between Hell and Heaven?)
  • ‘They have raised the old man from his knee,
  • Sister Helen,
  • And they ride in silence hastily.’
  • More fast the naked soul doth flee,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • The naked soul, between Hell and Heaven!)
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  • ‘Oh the wind is sad in the iron chill,
  • Sister Helen,
  • 220 And weary sad they look by the hill.’
  • ‘But he they mourn is sadder still,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Most sad of all, between Hell and Heaven!)
  • ‘See, see, the wax has dropped from its place,
  • Sister Helen,
  • And the flames are winning up apace!’
  • ‘Yet here they burn but for a space,
  • Little brother!’
  • 230 ( O Mother, Mary Mother,
  • Here for a space, between Hell and Heaven!)
  • ‘Ah! what white thing at the door has cross'd,
  • Sister Helen?
  • Ah! what is this that sighs in the frost?’
  • ‘A soul that's lost as mine is lost,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Lost, lost, all lost, between Hell and Heaven!)
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STRATTON WATER.
  • ‘O have you seen the Stratton flood
  • That's great with rain to-day?
  • It runs beneath your wall, Lord Sands,
  • Full of the new-mown hay.
  • ‘I led your hounds to Hutton bank
  • To bathe at early morn:
  • They got their bath by Borrowbrake
  • Above the standing corn.’
  • Out from the castle-stair Lord Sands
  • 10 Looked up the western lea;
  • The rook was grieving on her nest,
  • The flood was round her tree.
  • Over the castle-wall Lord Sands
  • Looked down the eastern hill:
  • The stakes swam free among the boats,
  • The flood was rising still.
  • ‘What's yonder far below that lies
  • So white against the slope?’
  • ‘O it's a sail o' your bonny barks
  • 20 The waters have washed up.
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  • ‘But I have never a sail so white,
  • And the water's not yet there.’
  • ‘O it's the swans o' your bonny lake
  • The rising flood doth scare.’
  • ‘The swans they would not hold so still,
  • So high they would not win.’
  • ‘O it's Joyce my wife has spread her smock
  • And fears to fetch it in.’
  • ‘Nay, knave, it's neither sail nor swans,
  • 30 Nor aught that you can say;
  • For though your wife might leave her smock,
  • Herself she'd bring away.’
  • Lord Sands has passed the turret-stair,
  • The court, and yard, and all;
  • The kine were in the byre that day,
  • The nags were in the stall.
  • Lord Sands has won the weltering slope
  • Whereon the white shape lay:
  • The clouds were still above the hill,
  • 40 And the shape was still as they.
  • Oh pleasant is the gaze of life
  • And sad is death's blind head;
  • But awful are the living eyes
  • In the face of one thought dead.
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  • ‘O Jean, O love! and is it me
  • Thy ghost has come to seek?’
  • ‘Nay, wait another hour, Lord Sands,—
  • Be sure my ghost shall speak.’
  • A moment stood he as a stone,
  • 50 Then grovelled to his knee.
  • ‘O Jean, O Jean my love, O love,
  • Rise up and come with me!’
  • ‘O once before you bade me come,
  • And it's here you have brought me!
  • ‘O many's the sweet word of love
  • You've spoken oft to me;
  • But all that I have from you to-day
  • Is the rain on my body.
  • ‘And many are the gifts of love
  • 60 You've promised oft to me;
  • But the gift of yours I keep to-day
  • Is the babe in my body.
  • ‘O it's not in any earthly bed
  • That first my babe I'll see;
  • For I have brought my body here
  • That the flood may cover me.’
  • His face was close against her face,
  • His hands of hers were fain:
  • O her wet cheeks were hot with tears,
  • 70 Her wet hands cold with rain.
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  • ‘Now keep you well, my brother Hugh,—
  • You told me she was dead!
  • As wan as your towers be to-day,
  • To-morrow they'll be red.
  • ‘Look down, look down, my false mother,
  • That bade me not to grieve:
  • You'll look up when our marriage fires
  • Are lit to-morrow eve.
  • ‘O more than one and more than two
  • 80 The sorrow of this shall see:
  • But it's to-morrow, love, for them,—
  • To-day's for thee and me.’
  • He's drawn her face between his hands
  • And her pale mouth to his:
  • No bird that was so still that day
  • Chirps sweeter than his kiss.
  • He's ta'en her by the short girdle
  • And by the dripping sleeve:
  • ‘Go fetch Sir Jock my mother's priest,—
  • 90 You'll ask of him no leave.
  • ‘O it's one half-hour to reach the kirk
  • And one for the marriage-rite;
  • And kirk and castle and castle-lands
  • Shall be our babe's to-night.’
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Sig. F
  • ‘The flood's in the kirkyard, Lord Sands,
  • And round the belfry-stair.’
  • ‘I bade ye fetch the priest,’ he said,
  • ‘Myself shall bring him there.
  • ‘It's for the lilt of wedding bells
  • 100 We'll have the hail to pour,
  • And for the clink of bridle-reins
  • The plashing of the oar.’
  • Beneath them on the nether hill
  • A boat was floating wide:
  • Lord Sands swam out and caught the oars
  • And backed to the hill-side.
  • He's wrapped her in a green mantle,
  • And set her softly in;
  • Her hair was wet upon her face,
  • 110 Her face was grey and thin;
  • And ‘Oh!’ she said, ‘lie still, my babe,
  • It's out you must not win!’
  • But woe's my heart for Father John!
  • As hard as he might pray,
  • There seemed no help but Noah's ark
  • Or Jonah's fish that day.
  • The first strokes that the oars struck
  • Were over the broad leas;
  • The next strokes that the oars struck
  • 120 They pushed beneath the trees;
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  • The last stroke that the oars struck,
  • The good boat's head was met,
  • And there the door of the kirkyard
  • Stood like a ferry-gate.
  • He's set his hand upon the bar
  • And lightly leaped within:
  • He's lifted her to his left shoulder,
  • Her knees beside his chin.
  • The graves stood deep beneath the flood
  • 130 Under the rain alone;
  • And when the foot-stone made him slip,
  • He held by the head-stone.
  • The empty boat thrawed i' the wind,
  • Against the postern tied.
  • ‘Hold still, you've brought my love with me,
  • You shall take back my bride.’
  • And ‘Oh!’ she said, ‘on men's shoulders
  • I well had thought to wend,
  • And well to travel with a priest,
  • 140 But not to have cared or ken'd.
  • ‘And oh!’ she said, ‘it's well this way
  • That I thought to have fared,—
  • Not to have lighted at the kirk
  • But stopped in the kirkyard.
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  • ‘For it's oh and oh I prayed to God,
  • Whose rest I hoped to win,
  • That when to-night at your board-head
  • You'd bid the feast begin,
  • This water past your window-sill
  • 150 Might bear my body in.’
  • Now make the white bed warm and soft
  • And greet the merry morn.
  • The night the mother should have died
  • The young son shall be born.
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DENNIS SHAND.
  • The shadows fall along the wall,
  • It's night at Haye-la-Serre;
  • The maidens weave since day grew eve,
  • The lady's in her chair.
  • O passing slow the long hours go
  • With time to think and sigh,
  • When weary maidens weave beneath
  • A listless lady's eye.
  • It's two days that Earl Simon's gone
  • 10 And it's the second night;
  • At Haye-la-Serre the lady's fair,
  • In June the moon is light.
  • O it's ‘Maids, ye'll wake till I come back,’
  • And the hound's i' the lady's chair:
  • No shuttles fly, the work stands by,
  • It's play at Haye-la-Serre.
  • The night is worn, the lamp's forlorn,
  • The shadows waste and ail;
  • There's morning air at Haye-la-Serre,
  • 20 The watching maids look pale.
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  • O all unmarked the birds at dawn
  • Where drowsy maidens be;
  • But heard too soon the lark's first tune
  • Beneath the trysting-tree.
  • ‘Hold me thy hand, sweet Dennis Shand,
  • Says the Lady Joan de Haye,
  • ‘That thou to-morrow do forget
  • To-day and yesterday.
  • ‘O it's the autumn nights are chill,
  • 30 The winter nights are long,
  • And my lord'll bide at home o' nights
  • As long as the swallow's gone.
  • ‘This summer he'll not be forth again
  • And not again till spring;
  • The wind is cold to him that's old
  • And the frost withering.
  • ‘We've all to fear; there's Maud the spy,
  • There's Ann whose face I scor'd,
  • There's Blanch tells Huot everything,
  • 40 And Huot loves my lord.
  • ‘But O and it's my Dennis'll know,
  • When my eyes look weary dim,
  • Who finds the gold for his girdle-fee
  • And who keeps love for him.’
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Note: A space is missing between “come” and “and” in line 45.
  • The morrow's comeand the morrow-night,
  • It's feast at Haye-la-Serre,
  • And Dennis Shand the cup must hand
  • Beside Earl Simon's chair.
  • And still when the high pouring's done
  • 50 And cup and flagon clink,
  • Till his lady's lips have touched the brim
  • Earl Simon will not drink.
  • ‘But it's ‘Joan my wife,’ Earl Simon says,
  • ‘Your maids are white and wan,’
  • And it's ‘O,’ she says, ‘they've watched the night
  • With Maud's sick sister Ann.’
  • But it's, ‘Lady Joan and Joan my bird,
  • Yourself look white and wan.’
  • And it's, ‘O, I've walked the night myself
  • 60 To pull the herbs for Ann:
  • And some of your knaves were at the hutch
  • And some in the cellarage,
  • But the only one that watched with us
  • Was Dennis Shand your page.
  • ‘Look on the boy, sweet honey lord,
  • And mark his drooping e'e:
  • The rosy colour's not yet back
  • That paled in serving me.’
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  • O it's, ‘Wife, your maids are foolish jades,
  • 70 And you're a silly chuck,
  • And the lazy knaves shall get their staves
  • About their ears for luck:
  • ‘But Dennis Shand may take the cup
  • And pour the wine to his hand;
  • Wife, thou shalt touch it with thy lips,
  • And drink thou, Dennis Shand!’
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THE CARD-DEALER.
  • Could you not drink her gaze like wine?
  • Yet though its splendour swoon
  • Into the silence languidly
  • As a tune into a tune,
  • Those eyes unravel the coiled night
  • And know the stars at noon.
  • The gold that's heaped beside her hand,
  • In truth rich prize it were;
  • And rich the dreams that wreathe her brows
  • 10 With magic stillness there;
  • And he were rich who should unwind
  • That woven golden hair.
  • Around her, where she sits, the dance
  • Now breathes its eager heat;
  • And not more lightly or more true
  • Fall there the dancer's feet
  • Than fall her cards on the bright board
  • As 'twere an heart that beat.
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  • Her fingers let them softly through,
  • 20 Smooth polished silent things;
  • And each one as it falls reflects
  • In swift light-shadowings,
  • Crimson and purple, green and blue,
  • The great eyes of her rings.
  • Whom plays she with? With thee, who lov'st
  • Those gems upon her hand;
  • With me, who search her secret brows;
  • With all men, bless'd or bann'd.
  • We play together, she and we,
  • 30 Within a vain strange land:
  • A land without any order,—
  • Day even as night, (one saith,)—
  • Where who lieth down ariseth not
  • Nor the sleeper awakeneth;
  • A land of darkness as darkness itself
  • And of the shadow of death.
  • What be her cards, you ask? Even these:—
  • The heart, that doth but crave
  • Yet more, being fed; the diamond,
  • 40 Skilled to make base seem brave;
  • The club, for smiting in the dark;
  • The spade, to dig a grave.
  • And do you ask what game she plays?
  • With me 'tis lost or won;
  • Image of page 75 page: 75
  • With thee it is playing still; with him
  • It is not well begun;
  • But 'tis a game she plays with all
  • Beneath the sway o' the sun.
  • Thou seest the card that falls,—she knows
  • 50 The card that followeth:
  • Her game in thy tongue is called Life,
  • As ebbs thy daily breath:
  • When she shall speak, thou'lt learn her tongue
  • And know she calls it Death.
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MY SISTER'S SLEEP.*
  • She fell asleep on Christmas Eve:
  • At length her eyes were in the shade
  • Of weary lids; her arms, uplaid,
  • Covered her bosom, I believe.
  • Our mother, who had leaned all day
  • Over the bed from chime to chime,
  • Then raised herself for the first time,
  • And as she sat her down, did pray.
  • Her little work-table was spread
  • 10 With work to finish. For the glare
  • Made by her candle, she had care
  • To work some distance from the bed.
  • Without, there was a cold moon up,
  • Of winter radiance sheer and thin;
  • The hollow halo it was in
  • Was like an icy crystal cup.
Transcribed Footnote (page 77):

* This little poem, written in 1847, was printed in a periodical

at the outset of 1850, a month or two before the appearance of ‘ In

Memoriam
,’ with which the metre (to be met with in old English

writers) is now identified.

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  • Through the small room, with subtle sound
  • Of flame, by vents the fireshine drove
  • And reddened. In its dim alcove
  • 20The mirror shed a clearness round.
  • I had been sitting up some nights,
  • And my tired mind felt weak and blank;
  • Like a sharp strengthening wine it drank
  • The stillness and the broken lights.
  • Twelve struck. That sound, which all the years
  • Hear in each hour, crept off; and then
  • The ruffled silence spread again,
  • Like water that a pebble stirs.
  • Our mother rose from where she sat:
  • 30 Her needles, as she laid them down,
  • Met lightly, and her silken gown
  • Settled: no other noise than that.
  • ‘Glory unto the Newly Born!’
  • So, as said angels, she did say;
  • Because we were in Christmas Day,
  • Though it would still be long till morn.
  • Just then in the room over us
  • There was a pushing back of chairs,
  • As some who had sat unawares
  • 40So late, now heard the hour, and rose.
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  • With anxious softly-stepping haste
  • Our mother went where Margaret lay,
  • Fearing the sounds o'erhead—should they
  • Have broken her long watched-for rest!
  • She stooped an instant, calm, and turned;
  • But suddenly turned back again;
  • And all her features seemed in pain
  • With woe, and her eyes gazed and yearned.
  • For my part, I but hid my face,
  • 50 And held my breath, and spake no word:
  • There was none spoken; but I heard
  • The silence for a little space.
  • Our mother bowed herself and wept:
  • And both my arms fell, and I said,
  • ‘God knows I knew that she was dead.’
  • And there, all white, my sister slept.
  • Then kneeling, upon Christmas morn
  • A little after twelve o'clock
  • We said, ere the first quarter struck,
  • 60‘Christ's blessing on the newly born!’
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Sig. G
AN OLD SONG ENDED.
  • ‘How should I your true love know
  • From another one?’
  • ‘By his cockle-hat and staff
  • And his sandal-shoon.’
  • ‘And what signs have told you now
  • That he hastens home?’
  • ‘Lo! the spring is nearly gone,
  • He is nearly come.’
  • ‘For a token is there nought,
  • 10 Say, that he should bring?’
  • ‘He will bear a ring I gave
  • And another ring.’
  • ‘How may I, when he shall ask,
  • Tell him who lies there?’
  • ‘Nay, but leave my face unveiled
  • And unbound my hair.’
  • ‘Can you say to me some word
  • I shall say to him?’
  • ‘Say I'm looking in his eyes
  • 20 Though my eyes are dim.’
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THE SEED OF DAVID.

( Inscription for a Picture.*)
  • Christ sprang from David shepherd, and even so
  • From David king; being born of high and low.
  • The shepherd lays his crook, the king his crown,
  • Here at Christ's feet, and high and low bow down.
  • And high and low, Christ's self is shown here; even
  • Christ the Good Shepherd, Christ the King of Heaven.
Transcribed Footnote (page 83):

* A Triptych. In the centre, the Adoration: at the two sides,

David as shepherd and David as king.

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THE BALLAD OF DEAD LADIES.

(François Villon, 1450.)
  • Tell me now in what hidden way is
  • Lady Flora the lovely Roman?
  • Where's Hipparchia, and where is Thais,
  • Neither of them the fairer woman?
  • Where is Echo, beheld of no man,
  • Only heard on river and mere,—
  • She whose beauty was more than human?...
  • But where are the snows of yester-year?
  • Where's Héloise, the learned nun,
  • 10 For whose sake Abeillard, I ween,
  • Lost manhood and put priesthood on?
  • (How dire, O Love, thy sway hath been!)
  • And where, I pray you, is the Queen
  • Who willed that Buridan should steer
  • Sewed in a sack's mouth down the Seine?...
  • But where are the snows of yester-year?
  • White Queen Blanche, like a queen of lilies,
  • With a voice like any mermaiden,—
  • Bertha Broadfoot, Beatrice, Alice,
  • 20 And Ermengarde the lady of Maine,—
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  • And that good Joan whom Englishmen
  • At Rouen doomed and burned her there,—
  • Mother of God, where are they then?...
  • But where are the snows of yester-year?
  • Nay, never ask this week, fair lord,
  • Where they are gone, nor yet this year,
  • Except with this for an overword,—
  • But where are the snows of yester-year?
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TO DEATH, OF HIS LADY.

(François Villon, 1450.)
  • Death, of thee do I make my moan,
  • Who hadst my lady away from me,
  • Nor wilt assuage thine enmity
  • Till with her life thou hast mine own;
  • For since that hour my strength has flown.
  • Lo! what wrong was her life to thee,
  • Death?
  • Two we were, and the heart was one;
  • Which now being dead, dead I must be,
  • 10 Or seem alive as lifelessly
  • As in the choir the painted stone,
  • Death!
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JOHN OF TOURS.

( Old French.)
  • John of Tours is back with peace,
  • But he comes home ill at ease.
  • ‘Good-morrow, mother.’ ‘Good-morrow, son;
  • Your wife has borne you a little one.’
  • ‘Go now, mother, go before,
  • Make me a bed upon the floor;
  • ‘Very low your foot must fall,
  • That my wife hear not at all.’
  • As it neared the midnight toll,
  • 10John of Tours gave up his soul.
  • ‘Tell me now, my mother, my dear,
  • What's the singing that I hear?’
  • ‘Daughter, it's the priests in rows
  • Going round about our house.’
  • ‘Tell me though, my mother, my dear,
  • What's the knocking that I hear?’
  • ‘Daughter, it's the carpenter
  • Mending planks upon the stair.’
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  • ‘Well, but tell, my mother, my dear,
  • 20What's the crying that I hear?’
  • ‘Daughter, the children are awake,
  • Crying with their teeth that ache.’
  • ‘Nay, but say, my mother, my dear,
  • Why do you stand weeping here?’
  • ‘Oh! the truth must be said,—
  • It's that John of Tours is dead.’
  • ‘Mother, let the sexton know
  • That the grave must be for two;
  • ‘Aye, and still have room to spare,
  • 30For you must shut the baby there.’
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MY FATHER'S CLOSE.

( Old French.)
  • Inside my father's close,
  • (Fly away O my heart away!)
  • Sweet apple-blossom blows
  • So sweet.
  • Three king's daughters fair,
  • (Fly away O my heart away!)
  • They lie below it there
  • So sweet.
  • ‘Ah!’ says the eldest one,
  • 10 (Fly away O my heart away!)
  • ‘I think the day's begun
  • So sweet.’
  • ‘Ah!’ says the second one,
  • (Fly away O my heart away!)
  • ‘Far off I hear the drum
  • So sweet.’
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  • ‘Ah!’ says the youngest one,
  • (Fly away O my heart away!)
  • ‘It's my true love, my own,
  • 20 So sweet.
  • ‘Oh! if he fight and win,’
  • (Fly away O my heart away!)
  • ‘I keep my love for him,
  • So sweet:
  • Oh! if he lose or win,
  • He hath it still complete.’
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ONE GIRL.

( A combination from Sappho.)
  • I.
  • Like the sweet apple which reddens upon the topmost
  • bough,
  • A-top on the topmost twig,—which the pluckers forgot,
  • somehow,—
  • Forgot it not, nay, but got it not, for none could get it
  • till now.
  • II.
  • Like the wild hyacinth flower which on the hills is found,
  • Which the passing feet of the shepherds for ever tear and
  • wound,
  • Until the purple blossom is trodden into the ground.
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SONNETS AND SONGS,

Towards a Work to be called

‘THE HOUSE OF LIFE.’
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Sig. H
INCLUSIVENESS.
  • The changing guests, each in a different mood,
  • Sit at the roadside table and arise:
  • And every life among them in likewise
  • Is a soul's board set daily with new food.
  • What man has bent o'er his son's sleep, to brood
  • How that face shall watch his when cold it lies?—
  • Or thought, as his own mother kissed his eyes,
  • Of what her kiss was when his father wooed?
  • May not this ancient room thou sit'st in dwell
  • 10 In separate living souls for joy or pain?
  • Nay, all its corners may be painted plain
  • Where Heaven shows pictures of some life spent well;
  • And may be stamped, a memory all in vain,
  • Upon the sight of lidless eyes in Hell.
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KNOWN IN VAIN.
  • As two whose love, first foolish, widening scope,
  • Knows suddenly, with music high and soft,
  • The Holy of holies; who because they scoff'd
  • Are now amazed with shame, nor dare to cope
  • With the whole truth in words, lest heaven should ope;
  • Yet, at their meetings, laugh not as they laugh'd
  • In speech; nor speak, at length; but sitting oft
  • Together, within hopeless sight of hope
  • For hours are silent:—So it happeneth
  • 10 When Work and Will awake too late, to gaze
  • After their life sailed by, and hold their breath.
  • Ah! who shall dare to search through what sad maze
  • Thenceforth their incommunicable ways
  • Follow the desultory feet of Death?
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THE LANDMARK.
  • Was that the landmark? What,—the foolish well
  • Whose wave, low down, I did not stoop to drink,
  • But sat and flung the pebbles from its brink
  • In sport to send its imaged skies pell-mell,
  • (And mine own image, had I noted well!)—
  • Was that my point of turning?—I had thought
  • The stations of my course should loom unsought,
  • As altar-stone or ensigned citadel.
  • But lo! the path is missed, I must go back,
  • 10 And thirst to drink when next I reach the spring
  • Which once I stained, which since may have grown black.
  • Yet though no light be left nor bird now sing
  • As here I turn, I'll thank God, hastening,
  • That the same goal is still on the same track.
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A DARK DAY.
  • The gloom that breathes upon me with these airs
  • Is like the drops which strike the traveller's brow
  • Who knows not, darkling, if they bring him now
  • Fresh storm, or be old rain the covert bears.
  • Ah! bodes this hour some harvest of new tares,
  • Or hath but memory of the day whose plough
  • Sowed hunger once,—the night at length when thou,
  • O prayer found vain, didst fall from out my prayers?
  • How prickly were the growths which yet how smooth,
  • 10 Along the hedgerows of this journey shed,
  • Lie by Time's grace till night and sleep may soothe!
  • Even as the thistledown from pathsides dead
  • Gleaned by a girl in autumns of her youth,
  • Which one new year makes soft her marriage-bed.
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THE HILL SUMMIT.
  • This feast-day of the sun, his altar there
  • In the broad west has blazed for vesper-song;
  • And I have loitered in the vale too long
  • And gaze now a belated worshipper.
  • Yet may I not forget that I was 'ware,
  • So journeying, of his face at intervals
  • Transfigured where the fringed horizon falls,—
  • A fiery bush with coruscating hair.
  • And now that I have climbed and won this height,
  • 10 I must tread downward through the sloping shade
  • And travel the bewildered tracks till night.
  • Yet for this hour I still may here be stayed
  • And see the gold air and the silver fade
  • And the last bird fly into the last light.
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THE CHOICE.

( Three Sonnets.)
I.
  • Eat thou and drink; to-morrow thou shalt die.
  • Surely the earth, that's wise being very old,
  • Needs not our help. Then loose me, love, and hold
  • Thy sultry hair up from my face; that I
  • May pour for thee this yellow wine, brim-high,
  • Till round the glass thy fingers glow like gold.
  • We'll hear no hours: thy song, while hours are toll'd,
  • Shall leap, as fountains veil the changing sky.
  • Now kiss, and think that there are really those,
  • 10 My own high-bosomed lady, who increase
  • Vain gold, vain lore, in reach of our true wealth!
  • Eleven long days they toil; upon the twelfth
  • They die not,—never having lived,—but cease;
  • And round their narrow lips the mould falls close.
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II.
  • Watch thou and fear; to-morrow thou shalt die.
  • Or art thou sure thou shalt have time for death?
  • Is not the day which God's word promiseth
  • To come man knows not when? In yonder sky,
  • Now while we speak, the sun sets forth: Can I
  • Or thou assure him of his goal? God's breath
  • Perchance even at this moment quickeneth
  • The air to a flame; till spirits, always nigh
  • Though screened and hid, shall walk the daylight here.
  • 10 And dost thou prate of that which man shall do?
  • Canst thou, who hast but plagues, presume to be
  • Glad in his gladness that comes after thee?
  • Will his strength slay thy worm in Hell? Go to:
  • Cover thy countenance, and watch, and fear.
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III.
  • Think thou and act; to-morrow thou shalt die.
  • Stretching thyself i' the sun upon the shore,
  • Thou say'st: ‘Man's measured path is all gone o'er:
  • Up all his years, steeply, with strain and sigh,
  • Man clomb until he touched the truth; and I,
  • Even I, am he whom it was destined for.’
  • How should this be? Art thou then so much more
  • Than they who sowed, that thou shouldst reap thereby?
  • Nay, come up hither. From this wave-washed mound
  • 10 Unto the horizon-brim look thou with me;
  • Then reach on with thy thought till it be drown'd.
  • Miles and miles distant though the horizon be,
  • And though thy thought sail leagues and leagues beyond,—
  • Still, leagues beyond those leagues, there is more sea.
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HOARDED JOY.
  • I said: ‘Nay, pluck not,—let the first fruit be
  • Even as thou sayest, it is sweet and red,
  • But let it ripen still. The tree's bent head
  • Sees in the stream its own fecundity
  • And bides the day of fulness. Shall not we
  • At the sun's hour that day possess the shade,
  • And claim our fruit before its ripeness fade,
  • And eat it from the branch and praise the tree?’
  • I say: ‘Alas! our fruit hath wooed the sun
  • 10 Too long,—'tis fallen and floats adown the stream.
  • Lo, the last clusters! Pluck them every one,
  • And let us sup with summer; ere the gleam
  • Of autumn set the year's pent sorrow free,
  • And the woods wail like echoes from the sea.’
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Sig. I
VAIN VIRTUES.
  • What is the sorriest thing that enters Hell?
  • None of the sins,—but this and that fair deed
  • Which a soul's sin at length could supersede.
  • These yet are virgins, whom death's timely knell
  • Might once have sainted; whom the fiends compel
  • Together now, in snake-bound shuddering sheaves
  • Of anguish, while the scorching bridegroom leaves
  • Their refuse maidenhood abominable.
  • Night sucks them down, the garbage of the pit,
  • 10 Whose names, half entered in the book of Life,
  • Were God's desire at noon. And as their hair
  • And eyes sink last, the Torturer deigns no whit
  • To gaze, but, yearning, waits his worthier wife,
  • The Sin still blithe on earth that sent them there.
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LOST DAYS.
  • The lost days of my life until to-day,
  • What were they, could I see them on the street
  • Lie as they fell? Would they be ears of wheat
  • Sown once for food but trodden into clay?
  • Or golden coins squandered and still to pay?
  • Or drops of blood dabbling the guilty feet?
  • Or such spilt water as in dreams must cheat
  • The throats of men in Hell, who thirst alway?
  • I do not see them here; but after death
  • 10 God knows I know the faces I shall see,
  • Each one a murdered self, with low last breath.
  • ‘I am thyself,—what hast thou done to me?’
  • ‘And I—and I—thyself,’ (lo! each one saith,)
  • ‘And thou thyself to all eternity!’
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DEATH'S SONGSTERS.
  • When first that horse, within whose populous womb
  • The birth was Death, o'ershadowed Troy with fate,
  • Her elders, dubious of its Grecian freight,
  • Brought Helen there to sing the songs of home:
  • She whispered, ‘Friends, I am alone; come, come!’
  • Then, crouched within, Ulysses waxed afraid,
  • And on his comrades' quivering mouths he laid
  • His hands, and held them till the voice was dumb.
  • The same was he who, lashed to his own mast,
  • 10 There where the sea-flowers screen the charnel-caves,
  • Beside the sirens' singing island pass'd,
  • Till sweetness failed along the inveterate waves. . . .
  • Say, soul,—are songs of Death no heaven to thee,
  • Nor shames her lip the cheek of Victory?
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RETRO ME, SATHANA!
  • Get thee behind me. Even as, heavy-curled,
  • Stooping against the wind, a charioteer
  • Is caught from out his chariot by the hair,
  • So shall Time be; and as the void car, hurled
  • Abroad by reinless steeds, even so the world:
  • Yea, even as chariot-dust upon the air,
  • It shall be sought and not found anywhere.
  • Get thee behind me, Satan. Oft unfurled,
  • Thy perilous wings can beat and break like lath
  • 10 Much mightiness of men to win thee praise.
  • Leave these weak feet to tread in narrow ways.
  • Thou still, upon the broad vine-sheltered path,
  • Mayst wait the turning of the phials of wrath
  • For certain years, for certain months and days.
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LOST ON BOTH SIDES.
  • As when two men have loved a woman well,
  • Each hating each, through Love's and Death's deceit;
  • Since not for either this strait marriage-sheet
  • And the long pauses of this wedding-bell;
  • Yet o'er her grave the night and day dispel
  • At last their feud forlorn, with cold and heat;
  • Nor other than dear friends to death may fleet
  • The two lives left that most of her can tell:—
  • So separate hopes, which in a soul had wooed
  • 10 The one same Peace, strove with each other long,
  • And Peace before their faces perished since:
  • So through that soul, in restless brotherhood,
  • They roam together now, and wind among
  • Its bye-streets, knocking at the dusty inns.
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THE SUN'S SHAME.
  • Beholding youth and hope in mockery caught
  • From life; and mocking pulses that remain
  • When the soul's death of bodily death is fain;
  • Honour unknown, and honour known unsought;
  • And penury's sedulous self-torturing thought
  • On gold, whose master therewith buys his bane;
  • And longed-for woman longing all in vain
  • For lonely man with love's desire distraught;
  • And wealth, and strength, and power, and pleasantness,
  • 10 Given unto bodies of whose souls men say,
  • None poor and weak, slavish and foul, as they:—
  • Beholding these things, I behold no less
  • The blushing morn and blushing eve confess
  • The shame that loads the intolerable day.
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RUN AND WON.
  • Around the vase of Life at your slow pace
  • He has not crept, but turned it with his hands,
  • And all its sides already understands.
  • There, girt, one breathes alert for some great race;
  • Whose road runs far by sands and fruitful space;
  • Who laughs, yet through the jolly throng has pass'd;
  • Who weeps, nor stays for weeping; who at last,
  • A youth, stands somewhere crowned, with silent face.
  • And he has filled this vase with wine for blood,
  • 10 With blood for tears, with spice for burning vow,
  • With watered flowers for buried love most fit;
  • And would have cast it shattered to the flood,
  • Yet in Fate's name has kept it whole; which now
  • Stands empty till his ashes fall in it.
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NEWBORN DEATH.

( Two Sonnets.)
I.
  • To-day Death seems to me an infant child
  • Which her worn mother Life upon my knee
  • Has set to grow my friend and play with me;
  • If haply so my heart might be beguil'd
  • To find no terrors in a face so mild,—
  • If haply so my weary heart might be
  • Unto the newborn milky eyes of thee,
  • O Death, before resentment reconcil'd.
  • How long, O Death? And shall thy feet depart
  • 10 Still a young child's with mine, or wilt thou stand
  • Fullgrown the helpful daughter of my heart,
  • What time with thee indeed I reach the strand
  • Of the pale wave which knows thee what thou art,
  • And drink it in the hollow of thy hand?
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II.
  • And thou, O Life, the lady of all bliss,
  • With whom, when our first heart beat full and fast,
  • I wandered till the haunts of men were pass'd,
  • And in fair places found all bowers amiss
  • Till only woods and waves might hear our kiss,
  • While to the winds all thought of Death we cast:—
  • Ah! Life, and must I have from thee at last
  • No smile to greet me and no babe but this?
  • Lo! Love, the child once ours; and Song, whose hair
  • 10 Blew like a flame and blossomed like a wreath;
  • And Art, whose eyes were worlds by God found fair;
  • These o'er the book of Nature mixed their breath
  • With neck-twined arms, as oft we watched them there:
  • And did these die that thou mightst bear me Death?
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Sig. K
A SUPERSCRIPTION.
  • Look in my face; my name is Might-have-been;
  • I am also called No-more, Too-late, Farewell;
  • Unto thine ear I hold the dead-sea shell
  • Cast up thy Life's foam-fretted feet between;
  • Unto thine eyes the glass where that is seen
  • Which had Life's form and Love's, but by my spell
  • Is now a shaken shadow intolerable,
  • Of ultimate things unuttered the frail screen.
  • Mark me, how still I am! But should there dart
  • 10 One moment through thy soul the soft surprise
  • Of that winged Peace which lulls the breath of sighs,—
  • Then shalt thou see me smile, and turn apart
  • Thy visage to mine ambush at thy heart
  • Sleepless with cold commemorative eyes.
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ASPECTA MEDUSA.
  • Andromeda, by Perseus saved and wed,
  • Hankered each day to see the Gorgon's head:
  • Till o'er a fount he held it, bade her lean,
  • And mirrored in the wave was safely seen
  • That death she lived by.
  • Let not thine eyes know
  • Any forbidden thing itself, although
  • It once should save as well as kill: but be
  • Its shadow upon life enough for thee.
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THE SEA-LIMIT.
  • Consider the sea's listless chime:
  • Time's self it is, made audible,—
  • The murmur of the earth's own shell.
  • Secret continuance sublime
  • Is the sea's end: our sight may pass
  • No furlong further. Since time was,
  • This sound hath told the lapse of time.
  • No stagnance that death wins: it hath
  • The mournfulness of ancient life,
  • 10 Enduring always at dull strife.
  • As the world's heart of rest and wrath,
  • Its painful pulse is in the sands.
  • Last utterly, the whole sky stands,
  • Grey and not known, along its path.
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A YOUNG FIR-WOOD.
  • These little firs to-day are things
  • To clasp into a giant's cap,
  • Or fans to suit his lady's lap.
  • From many winters many springs
  • Shall cherish them in strength and sap,
  • Till they be marked upon the map,
  • A wood for the wind's wanderings.
  • All seed is in the sower's hands:
  • And what at first was trained to spread
  • 10 Its shelter for some single head,—
  • Yea, even such fellowship of wands,—
  • May hide the sunset, and the shade
  • Of its great multitude be laid
  • Upon the earth and elder sands.
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THE HONEYSUCKLE.
  • I plucked a honeysuckle where
  • The hedge on high is quick with thorn,
  • And climbing for the prize, was torn,
  • And fouled my feet in quag-water;
  • And by the thorns and by the wind
  • The blossom that I took was thinn'd,
  • And yet I found it sweet and fair.
  • Thence to a richer growth I came,
  • Where, nursed in mellow intercourse,
  • 10 The honeysuckles sprang by scores,
  • Not harried like my single stem,
  • All virgin lamps of scent and dew.
  • So from my hand that first I threw,
  • Yet plucked not any more of them.
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THE WOODSPURGE.
  • The wind flapped loose, the wind was still,
  • Shaken out dead from tree and hill:
  • I had walked on at the wind's will,—
  • I sat now, for the wind was still.
  • Between my knees my forehead was,—
  • My lips, drawn in, said not Alas!
  • My hair was over in the grass,
  • My naked ears heard the day pass.
  • Mine eyes, wide open, had the run
  • 10Of some ten weeds to fix upon,
  • Among the which, out of the sun,
  • The woodspurge bloomed, three cups in one.
  • From perfect grief there need not be
  • Knowledge or even memory:
  • One thing then learnt remains to me,—
  • The woodspurge has a cup of three.
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LOVE-LILY.
  • Between the hands, between the brows,
  • Between the lips of Love-Lily,
  • A spirit is born whose birth endows
  • My blood with fire to burn through me;
  • Who breathes upon my gazing eyes,
  • Who laughs and murmurs in mine ear,
  • At whose least touch my colour flies,
  • And whom my life grows faint to hear.
  • Within the voice, within the heart,
  • 10 Within the mind of Love-Lily,
  • A spirit is born who lifts apart
  • His tremulous wings and looks at me;
  • Who on my mouth his finger lays,
  • And shows, while whispering lutes confer,
  • That Eden of Love's watered ways
  • Whose winds and spirits worship her.
  • Brows, hands, and lips, heart, mind, and voice,
  • Kisses and words of Love-Lily,—
  • Oh! bid me with your joy rejoice
  • 20 Till riotous longing rest in me!
  • Ah! let not hope be still distraught,
  • But find in her its gracious goal,
  • Whose speech Truth knows not from her thought
  • Nor Love her body from her soul.
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FIRST LOVE REMEMBERED.
  • Peace in her chamber, wheresoe'er
  • It be, a holy place:
  • The thought still brings my soul such grace
  • As morning meadows wear.
  • Whether it still be small and light,
  • A maid's who dreams alone,
  • As from her orchard-gate the moon
  • Its ceiling showed at night:
  • Or whether, in a shadow dense
  • 10 As nuptial hymns invoke,
  • Innocent maidenhood awoke
  • To married innocence:
  • There still the thanks unheard await
  • The unconscious gift bequeathed,
  • And there my soul this hour has breathed
  • An air inviolate.
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Sig. L
THE MOON-STAR.
  • In a soft-complexioned sky,
  • Fleeting rose and kindling grey,
  • Have you seen Aurora fly
  • At the break of day?
  • So my maiden, so my modest may
  • Blushing cheek and gleaming eye
  • Lifts to look my way.
  • Where the inmost leaf is stirred
  • With the heart-beat of the grove,
  • 10 Have you heard a hidden bird
  • Cast her note above?
  • So my lady, so my lovely love,
  • Echoing Cupid's prompted word,
  • Makes a tune thereof.
  • Have you seen, at heaven's mid-height,
  • In the moon-wrack's ebb and tide,
  • Venus leap forth burning white,
  • Dian pale and hide?
  • So my bright breast-jewel, so my bride,
  • 20 One sweet night, when fear takes flight,
  • Shall leap against my side.
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SUDDEN LIGHT.
  • I have been here before,
  • But when or how I cannot tell:
  • I know the grass beyond the door,
  • The sweet keen smell,
  • The sighing sound, the lights around the shore.
  • You have been mine before,—
  • How long ago I may not know:
  • But just when at that swallow's soar
  • Your neck turned so,
  • 10Some veil did fall,—I knew it all of yore.
  • Then, now,—perchance again!....
  • O round mine eyes your tresses shake!
  • Shall we not lie as we have lain
  • Thus for Love's sake,
  • And sleep, and wake, yet never break the chain?
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A LITTLE WHILE.
  • A little while a little love
  • The hour yet bears for thee and me
  • Who have not drawn the veil to see
  • If still our heaven be lit above.
  • Thou merely, at the day's last sigh,
  • Hast felt thy soul prolong the tone;
  • And I have heard the night-wind cry
  • And deemed its speech mine own.
  • A little while a little love
  • 10 The scattering autumn hoards for us
  • Whose bower is not yet ruinous
  • Nor quite unleaved our songless grove.
  • Only across the shaken boughs
  • We hear the flood-tides seek the sea,
  • And deep in both our hearts they rouse
  • One wail for thee and me.
  • A little while a little love
  • May yet be ours who have not said
  • The word it makes our eyes afraid
  • 20To know that each is thinking of.
  • Not yet the end: be our lips dumb
  • In smiles a little season yet:
  • I'll tell thee, when the end is come
  • How we may best forget.
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THE SONG OF THE BOWER.
  • Say, is it day, is it dusk in thy bower,
  • Thou whom I long for, who longest for me?
  • Oh! be it light, be it night, 'tis Love's hour,
  • Love's that is fettered as Love's that is free.
  • Free Love has leaped to that innermost chamber,
  • Oh! the last time, and the hundred before:
  • Fettered Love, motionless, can but remember,
  • Yet something that sighs from him passes the door.
  • What were my prize, could I enter thy bower,
  • 10 This day, to-morrow, at eve or at morn?
  • Large lovely arms and a neck like a tower,
  • Bosom then heaving that now lies forlorn.
  • Deep in warm pillows, (the sun's bed is colder!)
  • Thy sweetness all near me, so distant to-day;
  • My hand round thy neck and thy hand on my shoulder,
  • My mouth to thy mouth as the world melts away.
  • What is it keeps me afar from thy bower,—
  • My spirit, my body, so fain to be there?
  • Waters engulfing or fires that devour?—
  • 20 Earth heaped against me or death in the air?
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  • Nay, but in day-dreams, for terror, for pity,
  • The trees wave their heads with an omen to tell;
  • Nay, but in night-dreams, throughout the dark city,
  • The hours, clashed together, lose count in the bell.
  • Shall I not one day remember thy bower,
  • One day when all days are one day to me?—
  • Thinking, ‘I stirred not, and yet had the power,’—
  • Yearning, ‘Ah God, if again it might be!’
  • Peace, peace! such a small lamp illumes, on this highway,
  • 30 So dimly so few steps in front of my feet,—
  • Yet shows me that her way is parted from my way....
  • Out of sight, beyond light, at what goal shall we meet?
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PENUMBRA.
  • I did not look upon her eyes,
  • (Though scarcely seen, with no surprise,
  • 'Mid many eyes a single look,)
  • Because they should not gaze rebuke,
  • Thenceforth, from stars in sky and brook.
  • I did not take her by the hand,
  • (Though little was to understand
  • From touch of hand all friends might take,)
  • Because it should not prove a flake
  • 10Burnt in my palm to boil and ache.
  • I did not listen to her voice,
  • (Though none had noted, where at choice
  • All might rejoice in listening,)
  • Because no such a thing should cling
  • In the sea-wind at evening.
  • I did not cross her shadow once,
  • (Though from the hollow west the sun's
  • Last shadow runs along so far,)
  • Because in June it should not bar
  • 20My ways, at noon when fevers are.
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  • They told me she was there: but I,
  • Who saw her not, did fear and fly
  • The means brought nigh of seeing her.
  • Thus must this day be bitterer,
  • I felt; yet did not speak nor stir.
  • So nightly shall the crows troop home
  • One less; one less the wailings come
  • From tongues of foam that chafe the sand;
  • One less, from sleep's dumb quaking land,
  • 30The dreams shall at my bed's foot stand.
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A NEW YEAR'S BURDEN.
  • Along the grass sweet airs are blown
  • Our way this day in Spring.
  • Of all the songs that we have known
  • Now which one shall we sing?
  • Not that, my love, ah no!—
  • Not this, my love? why, so!—
  • Yet both were ours, but hours will come and go.
  • The grove is all a pale frail mist,
  • The new year sucks the sun.
  • 10Of all the kisses that we kissed
  • Now which shall be the one?
  • Not that, my love, ah no!—
  • Not this, my love?—heigh-ho
  • For all the sweets that all the winds can blow!
  • The branches cross above our eyes,
  • The skies are in a net:
  • And what's the thing beneath the skies
  • We two would most forget?
  • Not birth, my love, no, no,—
  • 20 Not death, my love, no, no,—
  • The love once ours, but ours long hours ago.
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EVEN SO.
  • So it is, my dear.
  • All such things touch secret strings
  • For heavy hearts to hear.
  • So it is, my dear.
  • Very like indeed:
  • Sea and sky, afar, on high,
  • Sand and strewn seaweed,—
  • Very like indeed.
  • But the sea stands spread
  • 10As one wall with the flat skies,
  • Where the lean black craft like flies
  • Seem well-nigh stagnated,
  • Soon to drop off dead.
  • Seemed it so to us
  • When I was thine and thou wast mine,
  • And all these things were thus,
  • But all our world in us?
  • Could we be so now?
  • Not if all beneath heaven's pall
  • 20 Lay dead but I and thou,
  • Could we be so now!
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BRIDAL BIRTH.
  • As when desire, long darkling, dawns, and first
  • The mother looks upon the newborn child,
  • Even so my lady stood at gaze and smiled
  • When her soul knew at length the Love it nursed.
  • Born with her life, creature of poignant thirst
  • And exquisite hunger, at her heart Love lay
  • Quickening in darkness, till a voice that day
  • Cried on him, and the bonds of birth were burst.
  • Now, shielded in his wings, our faces yearn
  • 10 Together, as his fullgrown feet now range
  • The grove, and his warm hands our couch prepare:
  • Till to his song our bodiless souls in turn
  • Be born his children, when Death's nuptial change
  • Leaves us for light the halo of his hair.
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Sig. M
FLAMMIFERA.
  • O thou who at Love's hour ecstatically
  • Unto my lips dost evermore present
  • The body and blood of Love in sacrament;
  • Whom I have neared and felt thy breath to be
  • The inmost incense of his sanctuary;
  • Who without speech hast owned him, and intent
  • Upon his will, thy life with mine hast blent,
  • And murmured o'er the cup, Remember me!—
  • O what from thee the grace, for me the prize,
  • 10 And what to Love the glory,—when the whole
  • Of the deep stair thou tread'st to the dim shoal
  • And weary water of the place of sighs,
  • And there dost work deliverance, as thine eyes
  • Draw up my prisoned spirit to thy soul!
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LOVESIGHT.
  • When do I see thee most, beloved one?
  • When in the light the spirits of mine eyes
  • Before thy face, their altar, solemnize
  • The worship of that Love through thee made known
  • Or when in the dusk hours, (we two alone,)
  • Close-kissed and eloquent of still replies
  • Thy twilight-hidden glimmering visage lies,
  • And my soul only sees thy soul its own?
  • O love, my love! if I no more should see
  • 10Thyself, nor on the earth the shadow of thee,
  • Nor image of thine eyes in any spring,—
  • How then should sound upon Life's darkening slope
  • The ground-whirl of the perished leaves of Hope,
  • The wind of Death's imperishable wing?
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THE KISS.
  • What smouldering senses in death's sick delay
  • Or seizure of malign vicissitude
  • Can rob this body of honour, or denude
  • This soul of wedding-raiment worn to-day?
  • For lo! even now my lady's lips did play
  • With these my lips such consonant interlude
  • As laurelled Orpheus longed for when he wooed
  • The half-drawn hungering face with that last lay.
  • I was a child beneath her touch,—a man
  • 10 When breast to breast we clung, even I and she,—
  • A spirit when her spirit looked through me,—
  • A god when all our life-breath met to fan
  • Our life-blood, till love's emulous ardours ran,
  • Fire within fire, desire in deity.
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NUPTIAL SLEEP.
  • At length their long kiss severed, with sweet smart:
  • And as the last slow sudden drops are shed
  • From sparkling eaves when all the storm has fled,
  • So singly flagged the pulses of each heart.
  • Their bosoms sundered, with the opening start
  • Of married flowers to either side outspread
  • From the knit stem; yet still their mouths, burnt red,
  • Moaned to each other where they lay apart.
  • Sleep sank them lower than the tide of dreams,
  • 10 And their dreams watched them sink, and slid away.
  • Slowly their souls swam up again, through gleams
  • Of watered light and dull drowned waifs of day;
  • Till from some wonder of new woods and streams
  • He woke, and wondered more: for there she lay.
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SUPREME SURRENDER.
  • To all the spirits of love that wander by
  • Along the love-sown fallowfield of sleep
  • My lady lies apparent; and the deep
  • Calls to the deep; and no man sees but I.
  • The bliss so long afar, at length so nigh,
  • Rests there attained. Methinks proud Love must weep
  • When Fate's one day doth from his harvest reap
  • The sacred hour for which the years did sigh.
  • First touched, the hand now warm beneath my neck
  • 10 Taught memory long to mock desire: and lo!
  • Across my breast the abandoned hair doth flow,
  • Where one shorn tress long stirred the longing ache:
  • And next the heart that trembled for its sake
  • Lies the queen-heart in sovereign overthrow.
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LOVE'S LOVERS.
  • Some ladies love the jewels in Love's zone,
  • And gold-tipped darts he hath for painless play
  • In idle scornful hours he flings away;
  • And some that listen to his lute's soft tone
  • Do love to deem the silver praise their own;
  • Some prize his blindfold sight; and there be they
  • Who kissed his wings which brought him yesterday
  • And thank his wings to-day that he is flown.
  • My lady only loves the heart of Love:
  • 10 Therefore Love's heart, my lady, hath for thee
  • His bower of unimagined flower and tree:
  • There kneels he now, and all-anhungered of
  • Thine eyes grey-lit in shadowing hair above,
  • Seals with thy mouth his immortality.
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LOVE AND WORSHIP.
  • Love brought to us a white-stoled harp-player
  • Even as my lady and I lay all alone;
  • Saying: ‘Behold, this minstrel is unknown;
  • Bid him depart, for I am minstrel here:
  • Only my strains are to my servants dear.’
  • Then said I: ‘Through thy music's passionate tone
  • Even now, Lord Love, I heard this harp make moan,
  • And still methought the note was deep and clear.’
  • Then said my lady: ‘Even as thou art Love,
  • 10 Lo, this is Worship this man hath for me.
  • Thy mastering music walks the sunlit sea:
  • But where wan water rests within the grove
  • And the wan moon is all the light thereof,
  • This harp still makes my name its voluntary.’
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THE PORTRAIT.
  • O Lord of all compassionate control,
  • O Love! let this my Lady's picture glow
  • Under my hand to praise her name, and show
  • Even of her inner self the perfect whole:
  • That he who seeks her beauty's furthest goal,
  • Beyond the light that the sweet glances throw
  • And refluent wave of the sweet smile, may know
  • The very sky and sea-line of her soul.
  • Lo! it is done. Above the long lithe throat
  • 10 The mouth's mould testifies of voice and kiss,
  • The shadowed eyes remember and foresee.
  • Her face is made her shrine. Let all men note
  • That in all years (O Love, thy gift is this!)
  • They that would look on her must come to me.
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Sig. N
NEAREST KINDRED.
  • Have you not noted, in some family
  • Where two were born of a first marriage-bed,
  • How still they own their fragrant bond, though fed
  • And nursed on the forgotten breast and knee?—
  • How to their father's children they shall be
  • In act and thought of one goodwill; but each
  • Shall for the other have, in silence speech,
  • And in a word complete community?
  • Even so, when first I saw you, seemed it, love,
  • 10 That among souls allied to mine was yet
  • One nearer kindred than birth hinted of.
  • O born with me somewhere that men forget,
  • And though in years of sight and sound unmet,
  • Known for my life's own sister well enough!
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LOVE'S BAUBLES.
  • I stood where Love in brimming armfuls bore
  • Slight wanton flowers and foolish toys of fruit:
  • And round him ladies thronged in close pursuit,
  • Fingered and lipped and proffered the strange store:
  • And from one hand the petal and the core
  • Savoured of sleep; and cluster and curled shoot
  • Seemed from another hand like shame's salute,—
  • Gifts that I felt my cheek was blushing for.
  • At last Love bade my Lady give the same:
  • 10 And as I looked, the dew was light thereon;
  • And as I took them, at her touch they shone
  • With inmost heaven-hue of the heart of flame,
  • And then Love said: ‘Lo! when the hand is hers,
  • Follies of love are love's high ministers.’
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WINGED HOURS.
  • Each hour until we meet is as a bird
  • That wings from far his gradual way along
  • The rustling covert of my soul,—his song
  • Still loudlier trilled through leaves more deeply stirr'd:
  • But at the hour of meeting, a clear word
  • Is every note he sings, in Love's own tongue;
  • Yet, Love, thou know'st the sweet strain suffers wrong,
  • Through our contending kisses oft unheard.
  • What of that hour at last, when for her sake
  • 10 No wing may fly to me nor song may flow;
  • When, wandering round my life unleaved, I know
  • The bloodied feathers scattered in the brake,
  • And think how she, far from me, with like eyes
  • Sees through the untuneful bough the wingless skies?
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THE LOVE-MOON.
  • ‘When that dead face, bowered in the furthest years,
  • Which once was all the life years held for thee,
  • Can now scarce bid the tides of memory
  • Cast on thy soul a little spray of tears,—
  • How canst thou gaze into these eyes of hers
  • Whom now thy heart delights in, and not see
  • Within each orb Love's philtred euphrasy
  • Make them of buried troth remembrancers?’
  • ‘Nay, pitiful Love, nay, loving Pity! Well
  • 10 Thou knowest that in these twain I have confess'd
  • Two very voices of thy summoning bell.
  • Nay, Master, shall not Death make manifest
  • In these the culminant changes which approve
  • The love-moon that must light my soul to Love?’
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THE MORROW'S MESSAGE.
  • ‘Thou Ghost,’ I said, ‘and is thy name To-day?—
  • Yesterday's son, with such an abject brow!—
  • And can To-morrow be more pale than thou?’
  • While yet I spoke, the silence answered: ‘Yea,
  • Henceforth our issue is all grieved and grey,
  • And each beforehand makes such poor avow
  • As of old leaves beneath the budding bough
  • Or night-drift that the sundawn shreds away.’
  • Then cried I: ‘Mother of many malisons,
  • 10 O Earth, receive me to thy dusty bed!’
  • But therewithal the tremulous silence said:
  • ‘Lo! Love yet bids thy lady greet thee once:—
  • Yea, twice,—whereby thy life is still the sun's;
  • And thrice,—whereby the shadow of death is dead.’
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SLEEPLESS DREAMS.
  • Girt in dark growths, yet glimmering with one star,
  • O night desirous as the nights of youth!
  • Why should my heart within thy spell, forsooth,
  • Now beat, as the bride's finger-pulses are
  • Quickened within the girdling golden bar?
  • What wings are these that fan my pillow smooth?
  • And why does Sleep, waved back by Joy and Ruth,
  • Tread softly round and gaze at me from far?
  • Nay, night! Would vain Love counterfeit in thee
  • 10 Some shadowy palpitating grove that bears
  • Rest for man's eyes and music for his ears?
  • O lonely night! art thou not known to me,
  • A thicket hung with masks of mockery
  • And watered with the wasteful warmth of tears?
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SECRET PARTING.
  • Because our talk was of the cloud-control
  • And moon-track of the journeying face of Fate,
  • Her tremulous kisses faltered at love's gate
  • And her eyes dreamed against a distant goal:
  • But soon, remembering her how brief the whole
  • Of joy, which its own hours annihilate,
  • Her set gaze gathered, thirstier than of late,
  • And as she kissed, her mouth became her soul.
  • Thence in what ways we wandered, and how strove
  • 10 To build with fire-tried vows the piteous home
  • Which memory haunts and whither sleep may roam,—
  • They only know for whom the roof of Love
  • Is the still-seated secret of the grove,
  • Nor spire may rise nor bell be heard therefrom.
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PARTED LOVE.
  • What shall be said of this embattled day
  • And armed occupation of this night
  • By all thy foes beleaguered,—now when sight
  • Nor sound denotes the loved one far away?
  • Of the live hours of death what shalt thou say,—
  • As every sense to which she dealt delight
  • Now labours lonely o'er the stark noon-height
  • To reach the sunset's desolate disarray?
  • Stand still, fond fettered wretch! while Memory's art
  • 10 Parades the Past before thy face, and lures
  • Thy spirit to her passionate portraitures:
  • Till the tempestuous tide-gates flung apart
  • Flood with wild will the hollows of thy heart,
  • And thy heart rends thee, and thy body endures.
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Sig. O
BROKEN MUSIC.
  • The mother will not turn, who thinks she hears
  • Her nursling's speech first grow articulate;
  • But breathless with averted eyes elate
  • She sits, with open lips and open ears,
  • That it may call her twice. 'Mid doubts and fears
  • Thus oft my soul has hearkened; till the song,
  • A central moan for days, at length found tongue,
  • And the sweet music welled and the sweet tears.
  • But now, whatever while the soul is fain
  • 10 To list that wonted murmur, as it were
  • The speech-bound sea-shell's low importunate strain;
  • No breath of song,—thy voice alone is there,
  • O bitterly beloved! And all her gain
  • Is but the pang of unpermitted prayer.
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DEATH-IN-LOVE.
  • There came an image in Life's retinue
  • That had Love's wings and bore his gonfalon:
  • Fair was the web, and nobly wrought thereon,
  • O soul-sequestered face, thy form and hue!
  • Bewildering sounds, such as Spring wakens to,
  • Shook in its folds; and through my heart its power
  • Sped trackless as the immemorable hour
  • When birth's dark portal groaned and all was new.
  • But a veiled woman followed, and she caught
  • 10 The banner round its staff, to furl and cling,—
  • Then plucked a feather from the bearer's wing,
  • And held it to his lips that stirred it not,
  • And said to me, ‘Behold, there is no breath:
  • I and this Love are one, and I am Death.’
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WILLOWWOOD.



( Four Sonnets.)
I.
  • I sat with Love upon a woodside well,
  • Leaning across the water, I and he;
  • Nor ever did he speak nor looked at me,
  • But touched his lute wherein was audible
  • The certain secret thing he had to tell:
  • Only our mirrored eyes met silently
  • In the low wave; and that sound came to be
  • The passionate voice I knew; and my tears fell.
  • And at their fall, his eyes beneath grew hers;
  • 10And with his foot and with his wing-feathers
  • He swept the spring that watered my heart's drouth.
  • Then the dark ripples spread to waving hair,
  • And as I stooped, her own lips rising there
  • Bubbled with brimming kisses at my mouth.
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II.
  • And now Love sang: but his was such a song,
  • So meshed with half-remembrance hard to free,
  • As souls disused in death's sterility
  • May sing when the new birthday tarries long.
  • And I was made aware of a dumb throng
  • That stood aloof, one form by every tree,
  • All mournful forms, for each was I or she,
  • The shades of those our days that had no tongue.
  • They looked on us, and knew us and were known;
  • 10 While fast together, alive from the abyss,
  • Clung the soul-wrung implacable close kiss;
  • And pity of self through all made broken moan
  • Which said, ‘For once, for once, for once alone!’
  • And still Love sang, and what he sang was this:—
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III.
  • ‘O ye, all ye that walk in Willowwood,
  • That walk with hollow faces burning white;
  • What fathom-depth of soul-struck widowhood,
  • What long, what longer hours, one lifelong night,
  • Ere ye again, who so in vain have wooed
  • Your last hope lost, who so in vain invite
  • Your lips to that their unforgotten food,
  • Ere ye, ere ye again shall see the light!
  • Alas! the bitter banks in Willowwood,
  • 10 With tear-spurge wan, with blood-wort burning red:
  • Alas! if ever such a pillow could
  • Steep deep the soul in sleep till she were dead,—
  • Better all life forget her than this thing,
  • That Willowwood should hold her wandering!’
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IV.
  • So sang he: and as meeting rose and rose
  • Together cling through the wind's wellaway
  • Nor change at once, yet near the end of day
  • The leaves drop loosened where the heart-stain glows,—
  • So when the song died did the kiss unclose;
  • And her face fell back drowned, and was as grey
  • As its grey eyes; and if it ever may
  • Meet mine again I know not if Love knows.
  • Only I know that I leaned low and drank
  • 10A long draught from the water where she sank,
  • Her breath and all her tears and all her soul:
  • And as I drank I know I felt Love's face
  • Pressed on my neck with moan of pity and grace,
  • Till both our heads were in his aureole.
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STILLBORN LOVE.
  • The hour which might have been yet might not be,
  • Which man's and woman's heart conceived and bore
  • Yet whereof life was barren,—on what shore
  • Bides it the breaking of Time's weary sea?
  • Bondchild of all consummate joys set free,
  • It somewhere sighs and serves, and mute before
  • The house of Love, hears through the echoing door
  • His hours elect in choral consonancy.
  • But lo! what wedded souls now hand in hand
  • 10Together tread at last the immortal strand
  • With eyes where burning memory lights love home?
  • Lo! how the little outcast hour has turned
  • And leaped to them and in their faces yearned:—
  • ‘I am your child: O parents, ye have come!’
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SONNETS FOR PICTURES,



AND OTHER SONNETS.
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FOR

OUR LADY OF THE ROCKS

By Leonardo da Vinci.
  • Mother, is this the darkness of the end,
  • The Shadow of Death? and is that outer sea
  • Infinite imminent Eternity?
  • And does the death-pang by man's seed sustain'd
  • In Time's each instant cause thy face to bend
  • Its silent prayer upon the Son, while he
  • Blesses the dead with his hand silently
  • To his long day which hours no more offend?
  • Mother of grace, the pass is difficult,
  • 10 Keen as these rocks, and the bewildered souls
  • Throng it like echoes, blindly shuddering through.
  • Thy name, O Lord, each spirit's voice extols,
  • Whose peace abides in the dark avenue
  • Amid the bitterness of things occult.
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FOR

A VENETIAN PASTORAL

By Giorgione.

( In the Louvre.)
  • Water, for anguish of the solstice:—nay,
  • But dip the vessel slowly,—nay, but lean
  • And mark how at its verge the wave sighs in
  • Reluctant. Hush! Beyond all depth away
  • The heat lies silent at the brink of day:
  • Now trails the hand upon the viol-string
  • That sobs, and the brown faces cease to sing,
  • Sad with the whole of pleasure. Her eyes stray
  • In sunset; from her mouth the pipe doth creep
  • 10 And leaves it pouting; shadowed here, the grass
  • Is cool against her naked side. Let be:—
  • Do not now speak unto her, lest she weep.
  • Nor name this ever. Be it as it was,—
  • Life touching lips with Immortality.
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Sig. P
FOR

AN ALLEGORICAL DANCE OF WOMEN

By Andrea Mantegna.

( In the Louvre.)
  • Scarcely, I think; yet it indeed may be
  • The meaning reached him, when this music rang
  • Clear through his frame, a sweet possessive pang,
  • And he beheld these rocks and that ridged sea.
  • But I believe that, leaning tow'rds them, he
  • Just felt their hair carried across his face
  • As each girl passed him; nor gave ear to trace
  • How many feet; nor bent assuredly
  • His eyes from the blind fixedness of thought
  • 10 To know the dancers. It is bitter glad
  • Even unto tears. Its meaning filleth it,
  • A secret of the wells of Life: to wit:—
  • The heart's each pulse shall keep the sense it had
  • With all, though the mind's labour run to nought.
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FOR

RUGGIERO AND ANGELICA

By Ingres.

( Two Sonnets.)
I.
  • A remote sky, prolonged to the sea's brim:
  • One rock-point standing buffeted alone,
  • Vexed at its base with a foul beast unknown,
  • Hell-birth of geomaunt and teraphim:
  • A knight, and a winged creature bearing him,
  • Reared at the rock: a woman fettered there,
  • Leaning into the hollow with loose hair
  • And throat let back and heartsick trail of limb.
  • The sky is harsh, and the sea shrewd and salt:
  • 10 Under his lord the griffin-horse ramps blind
  • With rigid wings and tail. The spear's lithe stem
  • Thrills in the roaring of those jaws: behind,
  • That evil length of body chafes at fault.
  • She doth not hear nor see—she knows of them.
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II.
  • Clench thine eyes now,—'tis the last instant, girl:
  • Draw in thy senses, set thy knees, and take
  • One breath for all: thy life is keen awake,—
  • Thou mayst not swoon. Was that the scattered whirl
  • Of its foam drenched thee?—or the waves that curl
  • And split, bleak spray wherein thy temples ache?
  • Or was it his the champion's blood to flake
  • Thy flesh?—or thine own blood's anointing, girl?
  • Now, silence: for the sea's is such a sound
  • 10 As irks not silence; and except the sea,
  • All now is still. Now the dead thing doth cease
  • To writhe, and drifts. He turns to her: and she,
  • Cast from the jaws of Death, remains there, bound,
  • Again a woman in her nakedness.
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MARY'S GIRLHOOD.

( For a Picture.)
  • This is that blessed Mary, pre-elect
  • God's Virgin. Gone is a great while, and she
  • Dwelt young in Nazareth of Galilee.
  • Unto God's will she brought devout respect,
  • Profound simplicity of intellect,
  • And supreme patience. From her mother's knee
  • Faithful and hopeful; wise in charity;
  • Strong in grave peace; in pity circumspect.
  • So held she through her girlhood; as it were
  • 10 An angel-watered lily, that near God
  • Grows and is quiet. Till, one dawn at home,
  • She woke in her white bed, and had no fear
  • At all,—yet wept till sunshine, and felt awed:
  • Because the fulness of the time was come.
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VENUS.

( For a Picture.)
  • She hath the apple in her hand for thee,
  • Yet almost in her heart would hold it back;
  • She muses, with her eyes upon the track
  • Of that which in thy spirit they can see.
  • Haply, ‘Behold, he is at peace,’ saith she;
  • ‘Alas! the apple for his lips,—the dart
  • That follows its brief sweetness to his heart,—
  • The wandering of his feet perpetually!’
  • A little space her glance is still and coy;
  • 10 But if she give the fruit that works her spell,
  • Those eyes shall flame as for her Phrygian boy.
  • Then shall her bird's strained throat the woe foretell,
  • And her far seas moan as a single shell,
  • And her grove glow with love-lit fires of Troy.
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LILITH.

( For a Picture.)
  • Of Adam's first wife, Lilith, it is told
  • (The witch he loved before the gift of Eve,)
  • That, ere the snake's, her sweet tongue could deceive,
  • And her enchanted hair was the first gold.
  • And still she sits, young while the earth is old,
  • And, subtly of herself contemplative,
  • Draws men to watch the bright net she can weave,
  • Till heart and body and life are in its hold.
  • The rose and poppy are her flowers; for where
  • 10 Is he not found, O Lilith, whom shed scent
  • And soft-shed kisses and soft sleep shall snare?
  • Lo! as that youth's eyes burned at thine, so went
  • Thy spell through him, and left his straight neck bent,
  • And round his heart one strangling golden hair.
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SIBYLLA PALMIFERA.

( For a Picture.)
  • Under the arch of Life, where love and death,
  • Terror and mystery, guard her shrine, I saw
  • Beauty enthroned; and though her gaze struck awe,
  • I drew it in as simply as my breath.
  • Hers are the eyes which, over and beneath,
  • The sky and sea bend on thee,—which can draw,
  • By sea or sky or woman, to one law,
  • The allotted bondman of her palm and wreath.
  • This is that Lady Beauty, in whose praise
  • 10 Thy voice and hand shake still,—long known to thee
  • By flying hair and fluttering hem,—the beat
  • Following her daily of thy heart and feet,
  • How passionately and irretrievably,
  • In what fond flight, how many ways and days!
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