Rossetti Archive Textual Transcription

Document Title: Poems. (Privately Printed.): Proofs for the Second Trial Book (partial), Princeton/Troxell.
Author: Dante Gabriel Rossetti
Date of publication: 1869 November 25-26
Printer: Strangeways and Walden

The full Rossetti Archive record for this transcribed document is available.

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Manuscript Addition: [Rossetti, Dante Gabriel 1828-18
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/ Poems. (Privately printed). / London, Strangeways and Wald
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/ 1869] / Proofs of Second Trial / book / Between Oct. 14 and Nov. / 1869.
Editorial Description: This is the Princeton University Library's cover-sheet to these proofs.
Note: This page contains hand-written editorial notes which are obscured in the electronic image.
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Note: Pages 1-26 not in these proofs.
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Manuscript Addition: p. 14 repeated
Editorial Description: Pencil markings in upper right corner.
Note: An X is marked in the upper left corner of this page.
  • The print of its first rush-wrapping,
  • Wound ere it dried, still ribbed the thing.
  • What song did the brown maidens sing,
  • From purple mouths alternating,
  • When that was woven languidly?
  • What vows, what rites, what prayers preferr'd,
  • What songs has the strange image heard?
  • In what blind vigil stood interr'd
  • For ages, till an English word
  • 30 Broke silence first at Nineveh?
  • Oh when upon each sculptured court,
  • Where even the wind might not resort,—
  • O'er which Time passed, of like import
  • With the wild Arab boys at sport,—
  • A living face looked in to see:—
  • Oh seemed it not—the spell once broke—
  • As though the carven warriors woke,
  • As though the shaft the string forsook,
  • The cymbals clashed, the chariots shook,
  • 40 And there was life in Nineveh?
  • On London stones our sun anew
  • The beast's recovered shadow threw.
  • (No shade that plague of darkness knew,
  • No light, no shade, while older grew
  • By ages the old earth and sea.)
  • Lo thou! could all thy priests have shown
  • Such proof to make thy godhead known?
  • Image of page 28 page: 28
    Editorial Description: The number 15 has been written in the top right margin.
  • From their dead Past thou liv'st alone;
  • And still thy shadow is thine own
  • 50 Even as of yore in Nineveh.
  • That day whereof we keep record,
  • When near thy city-gates the Lord
  • Sheltered his Jonah with a gourd,
  • This sun, (I said) here present, pour'd
  • Even thus this shadow that I see.
  • This shadow has been shed the same
  • From sun and moon,—from lamps which came
  • For prayer,—from fifteen days of flame,
  • The last, while smouldered to a name
  • 60 Sardanapalus' Nineveh.
  • Within thy shadow, haply, once
  • Sennacherib has knelt, whose sons
  • Smote him between the altar-stones:
  • Or pale Semiramis her zones
  • Of gold, her incense brought to thee,
  • In love for grace, in war for aid: . . . .
  • Ay, and who else? . . . . till 'neath thy shade
  • Within his trenches newly made
  • Last year the Christian knelt and pray'd—
  • 70 Not to thy strength—in Nineveh.*
Transcribed Footnote (page 28):

* During the excavations, the Tiyari workmen held their ser-

vices in the shadow of the great bulls. ( Layard's ‘Nineveh,’ ch ix.)

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  • Now, thou poor god, within this hall
  • Where the blank windows blind the wall
  • From pedestal to pedestal,
  • The kind of light shall on thee fall
  • Which London takes the day to be:
  • While school-foundations in the act
  • Of holiday, three files compact,
  • Shall learn to view thee as a fact
  • Connected with that zealous tract:
  • 80 ‘Rome,—Babylon and Nineveh.’
  • Deemed they of this, those worshippers,
  • When, in some mythic chain of verse
  • Which man shall not again rehearse,
  • The faces of thy ministers
  • Yearned pale with bitter ecstasy?
  • Greece, Egypt, Rome,—did any god
  • Before whose feet men knelt unshod
  • Deem that in this unblest abode
  • Another scarce more unknown god
  • 90 Should house with him from Nineveh?
  • Ah! in what quarries lay the stone
  • From which this pigmy pile has grown,
  • Unto man's need how long unknown,
  • Since thy vast temples, court and cone,
  • Rose far in desert history?
  • Ah! what is here that does not lie
  • All strange to thine awakened eye?
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    Editorial Description: The number 17 is written in the upper left margin.
  • Ah! what is here can testify
  • (Save that dumb presence of the sky)
  • 100 Unto thy day and Nineveh?
  • Why, of those mummies in the room
  • Above, there might indeed have come
  • One out of Egypt to thy home,
  • An alien. Nay, but were not some
  • Of these thine own ‘antiquity?’
  • And now,—they and their gods and thou
  • All relics here together,—now
  • Whose profit? whether bull or cow,
  • Isis or Ibis, who or how,
  • 110 Whether of Thebes or Nineveh?
  • The consecrated metals found,
  • And ivory tablets, underground,
  • Winged teraphim and creatures crown'd,
  • When air and daylight filled the mound,
  • Fell into dust immediately.
  • And even as these, the images
  • Of awe and worship,—even as these,—
  • So, smitten with the sun's increase,
  • Her glory mouldered and did cease
  • 120 From immemorial Nineveh.
  • The day her builders made their halt,
  • Those cities of the lake of salt
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  • Stood firmly 'stablished without fault,
  • Made proud with pillars of basalt,
  • With sardonyx and porphyry.
  • The day that Jonah bore abroad
  • To Nineveh the voice of God,
  • A brackish lake lay in his road,
  • Where erst Pride fixed her sure abode,
  • 130 As then in royal Nineveh.
  • The day when he, Pride's lord and Man's,
  • Showed all the kingdoms at a glance
  • To Him before whose countenance
  • The years recede, the years advance,
  • And said, Fall down and worship me:—
  • 'Mid all the pomp beneath that look,
  • Then stirred there, haply, some rebuke,
  • Where to the wind the salt pools shook,
  • And in those tracts, of life forsook,
  • 140 That knew thee not, O Nineveh!
  • Delicate harlot! On thy throne
  • Thou with a world beneath thee prone
  • In state for ages sat'st alone;
  • And needs were years and lustres flown
  • Ere strength of man could vanquish thee:
  • Whom even thy victor foes must bring,
  • Still royal, among maids that sing
  • As with doves' voices, taboring
  • Upon their breasts, unto the King,—
  • 150 A kingly conquest, Nineveh!
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Editorial Description: The number 19 has been added to the top margin in manuscript.
  • . . . Here woke my thought. The wind's slow sway
  • Had waxed; and like the human play
  • Of scorn that smiling spreads away,
  • The sunshine shivered off the day:
  • The callous wind, it seemed to me,
  • Swept up the shadow from the ground:
  • And pale as whom the Fates astound,
  • The god forlorn stood winged and crown'd:
  • Within I knew the cry lay bound
  • 160 Of the dumb soul of Nineveh.
  • And as I turned, my sense half shut
  • Still saw the crowds of kerb and rut
  • Go past as marshalled to the strut
  • Of ranks in gypsum quaintly cut.
  • It seemed in one same pageantry
  • They followed forms which had been erst;
  • To pass, till on my sight should burst
  • That future of the best or worst
  • When some may question which was first,
  • 170 Of London or of Nineveh.
  • For as that Bull-god once did stand
  • And watched the burial-clouds of sand,
  • Till these at last without a hand
  • Rose o'er his eyes, another land,
  • And blinded him with destiny:—
  • So may he stand again; till now,
  • In ships of unknown sail and prow,
Note: Pages 32-64 not in these proofs.
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Sig. F
DENNIS SHAND.
  • The shadows fall along the wall,
  • It's night at Haye-la-Serre;
  • The maidens weave since day grew eve,
  • The lady's in her chair.
  • O passing slow the long hours go
  • With time to think and sigh,
  • When weary maidens weave beneath
  • A listless lady's eye.
  • It's two days that Earl Simon's gone
  • 10 And it's the second night;
  • At Haye-la-Serre the lady's fair,
  • In June the moon is light.
  • O it's ‘Maids, ye'll wake till I come back,’
  • And the hound's i' the lady's chair:
  • No shuttles fly, the work stands by,
  • It's play at Haye-la-Serre.
  • The night is worn, the lamp's forlorn,
  • The shadows waste and fail;
  • There's morning air at Haye-la-Serre,
  • 20 The watching maids look pale.
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  • O all unmarked the birds at dawn
  • Where drowsy maidens be;
  • But heard too soon the lark's first tune
  • Beneath the trysting-tree.
  • ‘Hold me thy hand, sweet Dennis Shand,
  • Says the Lady Joan de Haye,
  • ‘That thou to-morrow do forget
  • To-day and yesterday.
  • ‘For many a weary month to come
  • 30 My lord keeps house with me,
  • And sighing summer must lie cold
  • In winter's company.
  • ‘And many an hour I'll pass thee by
  • And see thee and be seen;
  • Yet not a glance must tell by chance
  • How sweet these hours have been.
  • ‘We've all to fear; there's Maud the spy,
  • There's Ann whose face I scor'd,
  • There's Blanch tells Huot everything,
  • 40 And Huot loves my lord.
  • ‘But O and it's my Dennis'll know,
  • When my eyes look weary dim,
  • Who finds the gold for his girdle-fee
  • And who keeps love for him.’
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  • The morrow's come and the morrow-night,
  • It's feast at Haye-la-Serre,
  • And Dennis Shand the cup must hand
  • Beside Earl Simon's chair.
  • And still when the high pouring's done
  • 50 And cup and flagon clink,
  • Till his lady's lips have touched the brim
  • Earl Simon will not drink.
  • ‘But it's, ‘Joan my wife,’ Earl Simon says,
  • ‘Your maids are white and wan.’
  • And it's, ‘O,’ she says, ‘they've watched the night
  • With Maud's sick sister Ann.’
  • But it's, ‘Lady Joan and Joan my bird,
  • Yourself look white and wan.’
  • And it's, ‘O, I've walked the night myself
  • 60 To pull the herbs for Ann:
  • ‘And some of your knaves were at the hutch
  • And some in the cellarage,
  • But the only one that watched with us
  • Was Dennis Shand your page.
  • ‘Look on the boy, sweet honey lord,
  • And mark his drooping e'e:
  • The rosy colour's not yet back
  • That paled in serving me.’
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  • O it's, ‘Wife, your maids are foolish jades,
  • 70 And you're a silly chuck,
  • And the lazy knaves shall get their staves
  • About their ears for luck:
  • ‘But Dennis Shand may take the cup
  • And pour the wine to his hand;
  • Wife, thou shalt touch it with thy lips,
  • And drink thou, Dennis Shand!’
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THE CARD-DEALER.
  • Could you not drink her gaze like wine?
  • Yet though its splendour swoon
  • Into the silence languidly
  • As a tune into a tune,
  • Those eyes unravel the coiled night
  • And know the stars at noon.
  • The gold that's heaped beside her hand,
  • In truth rich prize it were;
  • And rich the dreams that wreathe her brows
  • 10 With magic stillness there;
  • And he were rich who should unwind
  • That woven golden hair.
  • Around her, where she sits, the dance
  • Now breathes its eager heat;
  • And not more lightly or more true
  • Fall there the dancers' feet
  • Than fall her cards on the bright board
  • As 'twere an heart that beat.
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  • Her fingers let them softly through,
  • 20 Smooth polished silent things;
  • And each one as it falls reflects
  • In swift light-shadowings,
  • Blood-red and purple, green and blue,
  • The great eyes of her rings.
  • Whom plays she with? With thee, who lov'st
  • Those gems upon her hand;
  • With me, who search her secret brows;
  • With all men, bless'd or bann'd.
  • We play together, she and we,
  • 30 Within a vain strange land:
  • A land without any order,—
  • Day even as night, (one saith,)—
  • Where who lieth down ariseth not
  • Nor the sleeper awakeneth;
  • A land of darkness as darkness itself
  • And of the shadow of death.
  • What be her cards, you ask? Even these:—
  • The heart, that doth but crave
  • More, having fed; the diamond,
  • 40 Skilled to make base seem brave;
  • The club, for smiting in the dark;
  • The spade, to dig a grave.
  • And do you ask what game she plays?
  • With me 'tis lost or won;
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  • With thee it is playing still; with him
  • It is not well begun;
  • But 'tis a game she plays with all
  • Beneath the sway o' the sun.
  • Thou seest the card that falls,—she knows
  • 50 The card that followeth:
  • Her game in thy tongue is called Life,
  • As ebbs thy daily breath:
  • When she shall speak, thou'lt learn her tongue
  • And know she calls it Death.
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MY SISTER'S SLEEP.*
Transcribed Footnote (page 72):

* This little poem, written in 1847, was printed in a periodical

at the outset of 1850, a month or two before the appearance of ‘ In

Memoriam
,’ with which the metre (to be met with in old English

writers) is now identified.

  • She fell asleep on Christmas Eve:
  • At length the long ungranted shade
  • Of weary eyelide overweigh'd
  • The pain nought else might yet relieve.
  • Our mother, who had leaned all day
  • Over the bed from chime to chime,
  • Then raised herself for the first time,
  • And as she sat her down, did pray.
  • Her little work-table was spread
  • 10 With work to finish. For the glare
  • Made by her candle, she had care
  • To work some distance from the bed.
  • Without, there was a cold moon up,
  • Of winter radiance sheer and thin;
  • The hollow halo it was in
  • Was like an icy crystal cup.
Image of page 73 page: 73
  • Through the small room, with subtle sound
  • Of flame, by vents the fireshine drove
  • And reddened. In its dim alcove
  • 20The mirror shed a clearness round.
  • I had been sitting up some nights,
  • And my tired mind felt weak and blank;
  • Like a sharp strengthening wine it drank
  • The stillness and the broken lights.
  • Twelve struck. That sound, which all the years
  • Hear in each hour, crept off; and then
  • The ruffled silence spread again,
  • Like water that a pebble stirs.
  • Our mother rose from where she sat:
  • 30 Her needles, as she laid them down,
  • Met lightly, and her silken gown
  • Settled: no other noise than that.
  • ‘Glory unto the Newly Born!’
  • So, as said angels, she did say;
  • Because we were in Christmas Day,
  • Though it would still be long till morn.
  • Just then in the room over us
  • There was a pushing back of chairs,
  • As some who had sat unawares
  • 40So late, now heard the hour, and rose.
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  • With anxious softly-stepping haste
  • Our mother went where Margaret lay,
  • Fearing the sounds o'erhead—should they
  • Have broken her long watched-for rest!
  • She stooped an instant, calm, and turned;
  • But suddenly turned back again;
  • And all her features seemed in pain
  • With woe, and her eyes gazed and yearned.
  • For my part, I but hid my face,
  • 50 And held my breath, and spoke no word:
  • There was none spoken; but I heard
  • The silence for a little space.
  • Our mother bowed herself and wept:
  • And both my arms fell, and I said,
  • ‘God knows I knew that she was dead.’
  • And there, all white, my sister slept.
  • Then kneeling, upon Christmas morn
  • A little after twelve o'clock
  • We said, ere the first quarter struck,
  • 60‘Christ's blessing on the newly born!’
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AN OLD SONG ENDED.
  • ‘How should I your true love know
  • From another one?’
  • ‘By his cockle-hat and staff
  • And his sandal-shoon.’
  • ‘And what signs have told you now
  • That he hastens home?’
  • ‘Lo! the spring is nearly gone,
  • He is nearly come.’
  • ‘For a token is there nought,
  • 10 Say, that he should bring?’
  • ‘He will bear a ring I gave
  • And another ring.’
  • ‘How may I, when he shall ask,
  • Tell him who lies there?’
  • ‘Nay, but leave my face unveiled
  • And unbound my hair.’
  • ‘Can you say to me some word
  • I shall say to him?’
  • ‘Say I'm looking in his eyes
  • 20 Though my eyes are dim.’
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THE SEED OF DAVID.

( Inscription for a Picture.*)
  • Christ sprang from David shepherd, and even so
  • From David king; being born of high and low.
  • The shepherd lays his crook, the king his crown,
  • Here at Christ's feet, and high and low bow down.
  • And high and low, Christ's self is shown here; even
  • Christ the Good Shepherd, Christ the King of Heaven.
Transcribed Footnote (page 76):

* A Triptych. In the centre, the Adoration: at the two sides,

David as shepherd and David as king.

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THE BALLAD OF DEAD LADIES.

(François Villon, 1450.)
  • Tell me now in what hidden way is
  • Lady Flora the lovely Roman?
  • Where's Hipparchia, and where is Thais,
  • Neither of them the fairer woman?
  • Where is Echo, beheld of no man,
  • Only heard on river and mere,—
  • She whose beauty was more than human? . . .
  • But where are the snows of yester-year?
  • Where's Héloise, the learned nun,
  • 10 For whose sake Abeillard, I ween,
  • Lost manhood and put priesthood on?
  • (From Love he won such dule and teen!)
  • And where, I pray you, is the Queen
  • Who willed that Buridan should steer
  • Sewed in a sack's mouth down the Seine? . . .
  • But where are the snows of yester-year?
  • White Queen Blanche, like a queen of lilies,
  • With a voice like any mermaiden,—
  • Bertha Broadfoot, Beatrice, Alice,
  • 20 And Ermengarde the lady of Maine,—
  • Image of page 78 page: 78
  • And that good Joan whom Englishmen
  • At Rouen doomed and burned her there,—
  • Mother of God, where are they then? . . .
  • But where are the snows of yester-year?
  • Nay, never ask this week, fair lord,
  • Where they are gone, nor yet this year,
  • Except with this for an overword,—
  • But where are the snows of yester-year?
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TO DEATH, OF HIS LADY.

(François Villon, 1450.)
  • Death, of thee do I make my moan,
  • Who hadst my lady away from me,
  • Nor wilt assuage thine enmity
  • Till with her life thou hast mine own;
  • For since that hour my strength has flown.
  • Lo! what wrong was her life to thee,
  • Death?
  • Two we were, and the heart was one;
  • Which now being dead, dead I must be,
  • 10 Or seem alive as lifelessly
  • As in the choir the painted stone,
  • Death!
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JOHN OF TOURS.

( Old French.)
  • John of Tours is back with peace,
  • But he comes home ill at ease.
  • ‘Good-morrow, mother.’ ‘Good-morrow, son;
  • Your wife has borne you a little one.’
  • ‘Go now, mother, go before,
  • Make me a bed upon the floor;
  • ‘Very low your foot must fall,
  • That my wife hear not at all.’
  • As it neared the midnight toll,
  • 10John of Tours gave up his soul.
  • ‘Tell me now, my mother my dear,
  • What's the crying that I hear?’
  • ‘Daughter, the children are awake,
  • Crying with their teeth that ache.’
  • ‘Tell me though, my mother my dear,
  • What's the knocking that I hear?’
  • ‘Daughter, it's the carpenter
  • Mending planks upon the stair.’
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Sig. G
  • ‘Tell me too, my mother my dear,
  • 20What's the singing that I hear?’
  • ‘Daughter, it's the priests in rows
  • Going round about our house.’
  • ‘Tell me then, my mother my dear
  • What's the dress that I should wear?’
  • ‘Daughter, any reds or blues,
  • But the black is most in use.’
  • ‘Nay, but say, my mother my dear,
  • Why do you fall weeping here?’
  • ‘Oh! the truth must be said,—
  • 30It's that John of Tours is dead.’
  • ‘Mother, let the sexton know
  • That the grave must be for two;
  • ‘Aye, and still have room to spare,
  • For you must shut the baby there.’
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MY FATHER'S CLOSE.

( Old French.)
  • Inside my father's close,
  • (Fly away O my heart away!)
  • Sweet apple-blossom blows
  • So sweet.
  • Three king's daughters fair,
  • (Fly away O my heart away!)
  • They lie below it there
  • So sweet.
  • ‘Ah!’ says the eldest one,
  • 10 (Fly away O my heart away!)
  • ‘I think the day's begun
  • So sweet.’
  • ‘Ah!’ says the second one,
  • (Fly away O my heart away!)
  • ‘Far off I hear the drum
  • So sweet.’
Image of page 83 page: 83
  • ‘Ah!’ says the youngest one,
  • (Fly away O my heart away!)
  • ‘It's my true love, my own,
  • 20 So sweet.
  • ‘Oh! if he fight and win,’
  • (Fly away O my heart away!)
  • ‘I keep my love for him,
  • So sweet:
  • Oh! let him lose or win,
  • He hath it still complete.’
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ONE GIRL.

( A combination from Sappho.)
  • I.
  • Like the sweet apple which reddens upon the topmost
  • bough,
  • A-top on the topmost twig,—which the pluckers forgot,
  • somehow,—
  • Forgot it not, nay, but got it not, for none could get it
  • till now.
  • II.
  • Like the wild hyacinth flower which on the hills is found,
  • Which the passing feet of the shepherds for ever tear and
  • wound,
  • Until the purple blossom is trodden into the ground.
Image of page [85] page: [85]
SONNETS AND SONGS,

Towards a Work to be called

‘THE HOUSE OF LIFE.’
Image of page [86] page: [86]
Note: blank page
Image of page 87 page: 87
INCLUSIVENESS.
  • The changing guests, each in a different mood,
  • Sit at the roadside table and arise:
  • And every life among them in likewise
  • Is a soul's board set daily with new food.
  • What man has bent o'er his son's sleep, to brood
  • How that face shall watch his when cold it lies?—
  • Or thought, as his own mother kissed his eyes,
  • Of what her kiss was when his father wooed?
  • May not this ancient room thou sit'st in dwell
  • 10 In separate living souls for joy or pain?
  • Nay, all its corners may be painted plain
  • Where Heaven shows pictures of some life spent well;
  • And may be stamped, a memory all in vain,
  • Upon the sight of lidless eyes in Hell.
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KNOWN IN VAIN.
  • As two whose love, first foolish, widening scope,
  • Knows suddenly, with music high and soft,
  • The Holy of holies; who because they scoff'd
  • Are now amazed with shame, nor dare to cope
  • With the whole truth in words, lest heaven should ope;
  • Yet, at their meetings, laugh not as they laugh'd
  • In speech; nor speak, at length; but sitting oft
  • Together, within hopeless sight of hope
  • For hours are silent:—So it happeneth
  • 10 When Work and Will awake too late, to gaze
  • After their life sailed by, and hold their breath.
  • Ah! who shall dare to search through what sad maze
  • Thenceforth their incommunicable ways
  • Follow the desultory feet of Death?
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THE LANDMARK.
  • Was that the landmark? What,—the foolish well
  • Whose wave, low down, I did not stoop to drink,
  • But sat and flung the pebbles from its brink
  • In sport to send its imaged skies pell-mell,
  • (And mine own image, had I noted well!)—
  • Was that my point of turning?—I had thought
  • The stations of my course should loom unsought,
  • As altar-stone or ensigned citadel.
  • But lo! the path is missed, I must go back,
  • 10 And thirst to drink when next I reach the spring
  • Which once I stained, which since may have grown black.
  • Yet though no light be left nor bird now sing
  • As here I turn, I'll thank God, hastening,
  • That the same goal is still on the same track.
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A DARK DAY.
  • The gloom that breathes upon me with these airs
  • Is like the drops which strike the traveller's brow
  • Who knows not, darkling, if they bring him now
  • Fresh storm, or be old rain the covert bears.
  • Ah! bodes this hour some harvest of new tares,
  • Or hath but memory of the day whose plough
  • Sowed hunger once,—the night at length when thou,
  • O prayer found vain, didst fall from out my prayers?
  • How prickly were the growths which yet how smooth,
  • 10 Along the hedgerows of this journey shed,
  • Lie by Time's grace till night and sleep may soothe!
  • Even as the thistledown from pathsides dead
  • Gleaned by a girl in autumns of her youth,
  • Which one new year makes soft her marriage-bed.
Note: Pages 91-94 not in these proofs.
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HOARDED JOY.
  • I said: ‘Nay, pluck not,—let the first fruit be:
  • Even as thou sayest, it is sweet and red,
  • But let it ripen still. The tree's bent head
  • Sees in the stream its own fecundity
  • And bides the day of fulness. Shall not we
  • At the sun's hour that day possess the shade,
  • And claim our fruit before its ripeness fade,
  • And eat it from the branch and praise the tree?’
  • I say: ‘Alas! our fruit hath wooed the sun
  • 10 Too long,—'tis fallen and floats adown the stream.
  • Lo, the last clusters! Pluck them every one,
  • And let us sup with summer; ere the gleam
  • Of autumn set the year's pent sorrow free,
  • And the woods wail like echoes from the sea.’
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VAIN VIRTUES.
  • What is the sorriest thing that enters Hell?
  • None of the sins,—but this and that fair deed
  • Which a soul's sin at length could supersede.
  • These yet are virgins, whom death's timely knell
  • Might once have sainted; whom the fiends compel
  • Together now, in snake-bound shuddering sheaves
  • Of anguish, while the scorching bridegroom leaves
  • Their refuse maidenhood abominable.
  • Night sucks them down, the garbage of the pit,
  • 10 Whose names, half entered in the book of Life,
  • Were God's desire at noon. And as their hair
  • And eyes sink last, the Torturer deigns no whit
  • To gaze, but, yearning, waits his worthier wife,
  • The Sin still blithe on earth that sent them there.
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Sig. H
LOST DAYS.
  • The lost days of my life until to-day,
  • What were they, could I see them on the street
  • Lie as they fell? Would they be ears of wheat
  • Sown once for food but trodden into clay?
  • Or golden coins squandered and still to pay?
  • Or drops of blood dabbling the guilty feet?
  • Or such spilt water as in dreams must cheat
  • The throats of men in Hell, who thirst alway?
  • I do not see them here; but after death
  • 10 God knows I know the faces I shall see,
  • Each one a murdered self, with low last breath.
  • ‘I am thyself,—what hast thou done to me?’
  • ‘And I—and I—thyself,’ (lo! each one saith,)
  • ‘And thou thyself to all eternity!’
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DEATH'S SONGSTERS.
  • When first that horse, within whose populous womb
  • The birth was Death, o'ershadowed Troy with fate,
  • Her elders, dubious of its Grecian freight,
  • Brought Helen there to sing the songs of home:
  • She whispered, ‘Friends, I am alone; come, come!’
  • Then, crouched within, Ulysses waxed afraid,
  • And on his comrades' quivering mouths he laid
  • His hands, and held them till the voice was dumb.
  • The same was he who, lashed to his own mast,
  • 10 There where the sea-flowers screen the charnel-caves,
  • Beside the sirens' singing island pass'd,
  • Till sweetness failed along the inveterate waves. . . .
  • Say, soul,—are songs of Death no heaven to thee,
  • Nor shames her lip the cheek of Victory?
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‘RETRO ME, SATHANA!’
  • Get thee behind me. Even as, heavy-curled,
  • Stooping against the wind, a charioteer
  • Is caught from out his chariot by the hair,
  • So shall Time be; and as the void car, hurled
  • Abroad by reinless steeds, even so the world:
  • Yea, even as chariot-dust upon the air,
  • It shall be sought and not found anywhere.
  • Get thee behind me, Satan. Oft unfurled,
  • Thy perilous wings can beat and break like lath
  • 10 Much mightiness of men to win thee praise.
  • Leave these weak feet to tread in narrow ways.
  • Thou still, upon the broad vine-sheltered path,
  • Mayst wait the turning of the phials of wrath
  • For certain years, for certain months and days.
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LOST ON BOTH SIDES.
  • As when two men have loved a woman well,
  • Each hating each, through Love's and Death's deceit;
  • Since not for either this stark marriage-sheet
  • And the long pauses of this wedding-bell;
  • Yet o'er her grave the night and day dispel
  • At last their feud forlorn, with cold and heat;
  • Nor other than dear friends to death may fleet
  • The two lives left that most of her can tell:—
  • So separate hopes, which in a soul had wooed
  • 10 The one same Peace, strove with each other long,
  • And Peace before their faces perished since:
  • So through that soul, in restless brotherhood,
  • They roam together now, and wind among
  • Its bye-streets, knocking at the dusty inns.
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THE SUN'S SHAME.
  • Beholding youth and hope in mockery caught
  • From life; and mocking pulses that remain
  • When the soul's death of bodily death is fain;
  • Honour unknown, and honour known unsought;
  • And penury's sedulous self-torturing thought
  • On gold, whose master therewith buys his bane;
  • And longed-for woman longing all in vain
  • For lonely man with love's desire distraught;
  • And wealth, and strength, and power, and pleasantness,
  • 10 Given unto bodies of whose souls men say,
  • None poor and weak, slavish and foul, as they:—
  • Beholding these things, I behold no less
  • The blushing morn and blushing eve confess
  • The shame that loads the intolerable day.
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RUN AND WON.
  • Around the vase of Life at your slow pace
  • He has not crept, but turned it with his hands,
  • And all its sides already understands.
  • There, girt, one breathes alert for some great race;
  • Whose road runs far by sands and fruitful space;
  • Who laughs, yet through the jolly throng has pass'd;
  • Who weeps, nor stays for weeping; who at last,
  • A youth, stands somewhere crowned, with silent face.
  • And he has filled this vase with wine for blood,
  • 10 With blood for tears, with spice for burning vow,
  • With watered flowers for buried love most fit;
  • And would have cast it shattered to the flood,
  • Yet in Fate's name has kept it whole; which now
  • Stands empty till his ashes fall in it.
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NEWBORN DEATH.

( Two Sonnets.)
I.
  • To-day Death seems to me an infant child
  • Which her worn mother Life upon my knee
  • Has set to grow my friend and play with me;
  • If haply so my heart might be beguil'd
  • To find no terrors in a face so mild,—
  • If haply so my weary heart might be
  • Unto the newborn milky eyes of thee,
  • O Death, before resentment reconcil'd.
  • How long, O Death? And shall thy feet depart
  • 10 Still a young child's with mine, or wilt thou stand
  • Fullgrown the helpful daughter of my heart,
  • What time with thee indeed I reach the strand
  • Of the pale wave which knows thee what thou art,
  • And drink it in the hollow of thy hand?
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II.
  • And thou, O Life, the lady of all bliss,
  • With whom, when our first heart beat full and fast,
  • I wandered till the haunts of men were pass'd,
  • And in fair places found all bowers amiss
  • Till only woods and waves might hear our kiss,
  • While to the winds all thought of Death we cast:—
  • Ah, Life, and must I have from thee at last
  • No smile to greet me and no babe but this?
  • Lo! Love, the child once ours; and Song, whose hair
  • 10 Blew like a flame and blossomed like a wreath;
  • And Art, whose eyes were worlds by God found fair;
  • These o'er the book of Nature mixed their breath
  • With neck-twined arms, as oft we watched them there:
  • And did these die that thou mightst bear me Death?
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A SUPERSCRIPTION.
  • Look in my face; my name is Might-have-been;
  • I am also called No-more, Too-late, Farewell;
  • Unto thine ear I hold the dead-sea shell
  • Cast up thy Life's foam-fretted feet between;
  • Unto thine eyes the glass where that is seen
  • Which had Life's form and Love's, but by my spell
  • Is now a shaken shadow intolerable,
  • Of ultimate things unuttered the frail screen.
  • Mark me, how still I am! But should there dart
  • 10 One moment through thy soul the soft surprise
  • Of that winged Peace which lulls the breath of sighs,—
  • Then shalt thou see me smile, and turn apart
  • Thy visage to mine ambush at thy heart
  • Sleepless with cold commemorative eyes.
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ASPECTA MEDUSA.
  • Andromeda, by Perseus saved and wed,
  • Hankered each day to see the Gorgon's head:
  • Till o'er a fount he held it, bade her lean,
  • And mirrored in the wave was safely seen
  • That death she lived by.