Rossetti Archive Textual Transcription

Document Title: Poems and Sonnets (Fitzwilliam Museum bound volume of miscellaneous poems)
Author: Dante Gabriel Rossetti
Date of Composition: 1848-1881
Type of Manuscript: various

The full Rossetti Archive record for this transcribed document is available.

Image of page [i] page: [i]
Actual Size: 18 x 11 cm.
Paper Lineation: unlined
Paper Stock: laid white
Actual Watermark: none
Advertisement
Note: DGR decided against including this advertisement in his 1881 Poems. A New Edition .
“Many poems in this volume were

written between 1847 & 1853. Others

are of recent date, and a few belong

to the intervening per intervening

period. It has been thought unnec-

cessary to specify the earlier work,

as nothing is included which the

author believes to be immature.”
The above/Such was the The above brief note was

prefixed to these poems when first

published in 1870. After several

editions they have now been for

some time out of print.
The fifty sonnets of the House of Life

which first appeared here are now

embodied in within the full series in the

volume entitled “Ballads & Sonnets”.
It is not unlikely that some may

be offended displeased at seeing the addition

here made thus late for the ballad

“Sister Helen”. My The writer's best excuse

is the belief that others will consider

with my himself how such a climax

failed to enter into his first conception.
The fragment of The Bride's Prelude,

Image of page [ii] page: [ii]
now first printed, was written abo

earlier than almost anything in

the present volume. There may

perhaps be readers not unwilling

to have it preserved; though its

appearance in an unfinished

state needs some indulgence.
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Actual Size: 22.1 x 17.4 cm.
Paper Lineation: lined
Paper Stock: laid white
Actual Watermark: none
Manuscript Addition: 1
Editorial Description: Pagination in upper right, might not be DGR
Her The Portrait
  • Her portrait looks [?] unnatural /seems a miracle
    Added TextThis is her portrait as she was:
  • As strange a It seems a thing useless[?] to wonder on,
  • Than if As though mine image in the glass
  • Should tarry when myself am gone.
  • While her mere semblance (I would say)
  • Has for its home from, May to May,
  • This pleasant place made Her very bower still sweet for me
  • Wherein I see and hear With many thoughts of her, is she
  • In the dark always, deaf with clay?
  • 10 She stands there painted among trees 'Twas well to paint her dear lost The Her portrait shrines her sweet still face
  • Between whose growth of mystic [?] Through whose thick tops the light falls in Now among trees where Mid
    Added TextIn mystic leaves where light falls in
  • Hardly at all; a covert place
  • Where you might think to find a din
  • Of doubtful talk, and a live flame
  • Wandering, and many a shape whose name
  • Not itself knoweth, and old dew,
  • And silent faces breathless marvels meeting you,
  • And all things going as they came.
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Note: These two stanzas, marked for insertion on the next page, are additions made while this text was in process.
  • It is herself. Even so she stood.
    Added Text That Such was the place; and there she stands
  • 20 That within that grove As in that grove that place that day . At last
  • Such Thus was the movement of her hands was so
  • And so thus the carriage of her waist.
  • And passing fair the type must seem,
  • Unknown the presence & the dream.
  • 'Tis she: though of herself, alas!
  • Less than her shadow on the grass
  • Or than her image in the stream.
  • 'Twas there we wandered, all that day
    Added TextThat day we passed there, I and she
  • One with the other all alone;
  • 30 And we were blithe; yet memory
  • Saddens those hours, as when the moon
  • Looks upon daylight. And with her
  • I stooped to drink the spring-water,
  • Athirst where other waters sprang:
  • And where the echo is, she sang,—
  • My soul another echo there.
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  • All yesternight That face/Her soul was with me yestereve Last night at last I would could have slept,
  • And I yet delayed my sleep till dawn,
  • Still wandering. Then at last it was I wept:
  • 40 For unawares I came upon
  • That shade wood where then she would walk walked with me:
  • And as I stood there suddenly,
  • All wan with traversing the night,
  • Upon the desolate verge of light
  • Yearned loud the iron-bosomed sea.
  • Even so, where Heaven most deep appears holds breath & hears
  • Ah! there where in the inner Heaven The ecstasy broods holiest
    Added Text And the/ And The beating heart in its own breast,
  • And Where round the secret of the light all spheres
  • All angels lay their wings to rest,
  • 50 How stood her spirit/sweet soul new life hushed and awed,
  • When, having borne its song joy abroad
  • Throughout the music of the suns,
  • It comes into some place at once
  • And knew the silence there for God!
  • Here with her portrait oft/will I let me sit
  • Past noon into the day's decline,
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  • Till all grows awful through the room Till other eyes more awful shall look from it,
  • As it includes a/ [?] Eyes of the spirit's Palestine,—
  • Calmer, more silent/awful, holier
    Added TextEven in Love's [?] sweetness tenderer
  • 60 Then shall the hopes and [?] long lost with her
  • Stand round her image side by side,
  • Like tombs of pilgrims that have died
  • About the Holy Sepulchre.
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Actual Size: 22.1 x 17.7 cm.
Paper Lineation: lined
Paper Stock: laid white
Actual Watermark: none
Manuscript Addition: 4
Editorial Description: Pagination in upper right, not be DGR
The Portrait
  • This is her portrait as she was:
  • It seems a thing to wonder on,
  • As though mine image in the glass
  • Should tarry when myself am gone.
  • I gaze until she seems to stir,—
  • Until mine eyes almost aver
  • That now, even now, the sweet lips part
  • To breathe the words of the sweet heart:—
  • And yet the earth is over her.
  • 10 Her picture has enshrined In painting this her, I shrined her face
  • 'Mid mystic trees, where light falls in
  • Hardly at all; a covert place
  • Where you might think to find a din
  • Of doubtful talk, and a live flame
  • Wandering, and many a shape whose name
  • Not itself knoweth, and old dew,
  • And your own footsteps meeting you,
  • And all things going as they came.
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Manuscript Addition: 42/5
Editorial Description: Two numbers in upper right hand corner, the “42” perhaps autograph
  • A sweet deep dim place wood; and there she stands
  • 20 As in that place wood that day. At least,
  • Thus was the movement of her hands
  • And thus the carriage of her waist.
  • And passing fair the type must seem,
  • Unknown the presence and the dream.
  • 'Tis she: though of herself, alas!
  • Less than her shadow on the grass
  • Or than her image in the stream.
  • That day we met there, I and she
  • One with the other all alone;
  • 30 And we were blithe; yet memory
  • Saddens those hours, as when the moon
  • Looks upon daylight. And with her
  • I stooped to drink the spring-water,
  • Athirst where other waters sprang:
  • And where the echo is, she sang,—
  • My soul another echo there.
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Manuscript Addition: 6
Editorial Description: Non-autograph number in upper right hand corner.
  • Last night at last I could have slept,
  • And yet delayed my sleep till dawn
  • Still wandering. Then it was I wept:
  • 40 For unawares I came upon
  • Those glades where then she walked with me:
  • And as I stood there suddenly,
  • All wan with traversing the night,
  • Upon the desolate verge of light
  • Yearned loud the iron-bosomed sea.
  • Even so, where Heaven holds breath & hears
  • The beating heart of Love's own breast,
  • Where round the Secret of all spheres
  • All angels lay their wings to rest,
  • 50 How shall my soul stand rapt and awed,
  • When, by the new birth borne abroad
  • Throughout the music of the suns,
  • It enters in her soul 's love at once
  • And knows the radiance/presence silence there for God!
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Manuscript Addition: 7
Editorial Description: Pagination in upper right, not be DGR
  • Here with her face doth memory sit
  • Meanwhile, and wait the day's decline,
  • Till other eyes shall look from it,
  • Eyes of the spirit's Palestine,
  • Even than the old gaze tenderer:
  • 60 While hopes and aims long lost with her
  • Stand round her image side by side,
  • Like tombs of pilgrims that have died
  • About the Holy Sepulchre.
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Manuscript Addition: 45/8
Editorial Description: Two numbers written in upper right corner, the “45” possibly autograph
Actual Size: 22.1 x 17.9 cm.
Paper Lineation: lined
Paper Stock: laid white
Actual Watermark: none
The Sea-Limits
  • Consider the sea's listless chime:
  • Time's self it is, made audible,—
  • The murmur of the earth's own shell.
  • Secret continuance sublime
  • Is the sea's end: our sight may pass
  • No furlong further. Since time was,
  • This sound hath told the lapse of time.
  • No quiet, which is death's,—it hath
  • The mournfulness of ancient life,
  • 10 Enduring always at dull strife.
  • As the world's heart of rest and wrath,
  • Its painful pulse is in the sands.
  • Last utterly, the whole sky stands,
  • Grey and not known, along its path.
  • Listen alone beside the sea,
  • Listen alone among the woods;
  • Those voices of twin solitudes
  • Shall have one sound alike to thee:
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    Manuscript Addition: 46/9
    Editorial Description: Two numbers written in upper right corner, the “46” possibly autograph
  • Listen Hark where the murmurs of thronged men
  • 20 Surge and sink back and surge again,—
  • Still the one voice of wave and tree.
  • Gather a shell from the strown beach
  • And listen at its lips: they sigh
  • The same desire and mystery,
  • The echo of the whole sea's speech.
  • And all mankind is thus at heart
  • Not anything but what thou art:
  • And Earth, Sea, Man, are all in each.
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Manuscript Addition: 51/10/16
Editorial Description: Three numbers written in upper right corner, the “51” possibly autograph
Printer's Direction: Kelley
Editorial Description: Compositor's name in upper left corner, added by F.S. Ellis or his surrogate.
Actual Size: 21.8 x 17.6 cm
Paper Lineation: lined
Paper Stock: laid white
Actual Watermark: B & H / SUPERFINE / KENT
Nocturn
  • Master of the murmuring courts
  • Where the shapes of sleep convene,—
  • When among thy dim resorts
  • This my soul in dreams hath been,
  • What of her whom it hath seen?
  • No reports
  • From thy those jealous courts I glean.
  • There the dreams are multitudes:
  • Some whose bouyance waits not sleep,
  • 10Deep within the August woods;
  • Some that hum while rest may steep
  • Weary labour laid a-heap;
  • Interludes,
  • Some, of grievous moods that weep.
  • Youth's warm fancies all are there: Those Thence are youth's warm fancies: there
  • Women fill thrill with whisperings
  • Valleys full of plaintive air;
  • There breathe s perfume s; there in rings
  • Whirl the foam-bewildered springs;
  • 20 Syren there
  • Winds her dizzy hair and sings.
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Manuscript Addition: 52/11
Editorial Description: Two numbers written in upper right corner, the “52” possibly autograph
  • Thence the one dream mutually
  • Dream'd in bridal unison,
  • Less than waking ecstasy;
  • Half-formed visions that make moan
  • In the house of birth alone;
  • And what we
  • At death's wicket see, unknown —
  • Reft of her, m But for mine own sleep, it lies
  • 30 In one gracious form's control,
  • Fair with honorable eyes,
  • Lamps of an implicit auspicious soul:
  • O their glance is bounteous dole,
  • Sweet and wise,
  • Wherein Love descries his goal.
  • Reft of her, my dreams are all
  • Clammy trance that fears the sky:
  • Changing footpaths shift and fall;
  • From polluted coverts nigh,
  • 40 Miserable phantoms sigh;
  • Quakes the pall,
  • And the funeral goes by.
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Manuscript Addition: 2
Editorial Description: Pagination in upper right, not be DGR
  • As, since man waxed deathly wise,
  • Secret somewhere on this earth
  • Unpermitted Eden lies,—
  • So within the world's wide girth
  • Hides she from my spirit's dearth,—
  • Paradise
  • Of a love that cries for birth.
  • 50Master, it is soothly said
  • That, as echoes of man's speech
  • Far in secret clefts are made,—
  • So do all men's bodies reach
  • Shadows o'er thy sunken beach,—
  • Shape or shade
  • In those halls pourtrayed of each?
  • Ah! might I, by thy good grace
  • Groping in the windy stair,
  • (Darkness and the breath of space
  • 60 Like loud waters everywhere,)
  • Meeting mine own image there
  • Face to face,
  • Send it from that place to her!
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Note: This page is cut short, its final stanza being thus excised. Fairfax Murray has copied the stanza into the book manuscript page.
Manuscript Addition: 53/13
Editorial Description: Two numbers written in upper right corner, the “53” possibly autograph
  • Nay, not I; but oh! do thou,
  • Master, from thy shadowkind
  • Call my body's phantom now:
  • Bid it bear its face declin'd
  • Till its flight her slumbers find,
  • And her brow
  • 70 Feel its presence bow like wind.
  • Where in groves the gracile Spring
  • Trembles, with mute orison
  • Confidently strengthening,
  • Water's voice and wind's as one
  • Shed an echo in the sun,
  • Soft as Spring,
  • Master, bid it Let mine image Master, bid it sing and moan.
  • Song shall tell how glad and strong
  • Is the night she soothes alway;
  • 80Moan shall grieve with that parched tongue
  • Of the brazen hours of day:
  • Sounds as of the springtide they,
  • Moan and song,
  • While the chill months long for May.
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Manuscript Addition: 54/14
Editorial Description: Two numbers written in upper right corner, the “54” possibly autograph
  • Not the prayers which with all leave
  • The world's fluent woes prefer,—
  • Not the praise the world doth give,
  • Dulcet fulsome whisperer;—
  • Let it yield man's love to her,
  • 90 And achieve
  • Strength that shall not grieve or err.
  • Wheresoe'er my sleep befall may fall,
  • Both at night- time watch, (let it say,)
  • And where round the sundial
  • The reluctant hours of day,
  • Heartless, hopeless of their way,
  • Rest and call,—
  • Craving conduct, There her glance doth fall all astray,—
  • Suddenly her face is there.
  • 100 So do mounting vapours wreathe
  • Subtle-scented transports where
  • The black [hill?] firwood sets its teeth.
  • Part the boughs and look beneath,—
  • Lilies share
  • Secret waters there, and breathe.
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Manuscript Addition: 55/15
Editorial Description: Two numbers written in upper right corner, the “55” possibly autograph
  • Master, bid my shadow bend
  • Whispering thus till birth of light,
  • Lest new shapes that sleep may send
  • Scatter all its work to flight;—
  • 110 Master, master of the night,
  • Bid it spend
  • Speech, song, prayer, and end aright.
  • Yet, ah me! if at her head
  • There another phantom lean
  • Murmuring o'er the fragrant bed,
  • And Ah! and if my spirit's sleeping queen
  • Smile those others' speech those alien words between,—
  • Ah! poor shade!
  • Shall it strive, or fade unseen?
  • 120Like a vapour wan and mute,
  • Like a flame, so let it pass;
  • One low sigh across her lute,
  • One dull breath against her glass;
  • And to my sad soul, alas!
  • One salute
  • Cold as when death's foot shall pass.
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Manuscript Addition: 56/16
Editorial Description: Two numbers written in upper right corner, the “56” possibly autograph.
  • But from old time, life, not death,
  • Master, in thy rule is rife:
  • Lo! through thee, with mingling breath,
  • 130 Adam woke beside his wife.
  • O Love bring me so, for strife,
  • Force and faith,
  • Bring me so not death but life!
  • Yea, to Love himself is pour'd
  • This frail song of hope and fear.
  • Thou art Love, of one accord
  • With kind Sleep to bring her here,
  • Still-eyed, deep-eyed, ah how dear!
  • Master, Lord,
  • 140 In her name implor'd, O hear!
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Bridal Birthdays
Added TextBridal Birth
Note: The cancelled alternative lines 12-13 are scripted at the bottom of the page.
  • As when desire, long darkling, dawns, and first
  • The mother looks upon the newborn child,
  • Even so my Lady stood at gaze and smiled
  • When her soul knew at length the Love it nursed.
  • Born with her life, creature of poignant thirst
  • And exquisite hunger, at her heart Love lay
  • Quickening in darkness, till a voice that day
  • Cried on him, and the bonds of birth were burst.
  • Now, shielded in his wings, our faces yearn
  • 10 Together, as his fullgrown feet now range
  • Above us The grove, and his kind warm hands our couch prepare:
  • Till our united clinging to his song our bodiless souls in turn
  • Be born his children, as/when the shadowy when Death's bridal nuptial change
  • Leaves us for last light the halo of his hair.
  • Deleted Text
  • Until to his last song our souls in turn
  • Be born his bodiless children when the change &c.
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Manuscript Addition: 7
Editorial Description: Pagination in upper right, not by DGR
Actual Size: 22 x 17.5
Paper Lineation: unlined
Paper Stock: laid white
Actual Watermark: J ALLEN & SONS / SUPER FINE
Penumbra
  • I did not look upon her eyes,
  • (Though scarcely seen, with no surprise,
  • 'Mid many eyes a single look,)
  • Because they should not gaze rebuke,
  • To-night Thenceforth, from stars in sky and brook.
  • I did not take her by the hand,
  • (Though little was to understand
  • From touch of hand all friends might take,)
  • Because it should not prove a flake
  • 10Burnt in my palm to boil and ache.
  • I did not listen to her voice,
  • (Though none had noted, where at choice
  • All might rejoice in listening,)
  • Because no such a thing should cling
  • In the sea-wind at evening.
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Manuscript Addition: 18
Editorial Description: Pagination in upper right, not be DGR
Printer's Direction: For footnote see overpage
Editorial Description: DGR's note to the printer; the note to the poem is on the verso of this page.
Actual Size: 17.7 x 11
Paper Lineation: unlined
Paper Stock: laid white
Troy Town
  • Helen knelt at Venus' shrine,
  • ( O Troy Town!)
  • Saying, “A little gift is mine,
  • A little gift for a heart's desire.
  • Hear me speak and give make me a sign!
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • “Look, I bring thee a carven cup;
  • ( O Troy Town!)
  • 10See it here as I hold it up,—
  • Shaped it is to the heart's desire,
  • Fit to fill when the gods would sup.
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • “It was moulded like my breast;
  • ( O Troy Town!)
  • He that sees it may not rest,
  • Rest at all for the his heart's desire,
  • O give ear to my heart's request behest!
  • 20 ( O Troy's down,
  • Tall Troy's on fire!)
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*Herodotus says that Helen

presented offered in the temple of

Venus a cup made in the

likeness of her own bosom.
Note: Received stanza 6 appears here as an addition.
Added Text
  • “Yea, for my bosom here I sue;
  • 30 ( O Troy Town!)
  • Thou must give it where 'tis due,
  • Give it there to the heart's desire.
  • Whom do I give my bosom to?
  • ( O Troy's down,
  • Tall Troy's on fire!)
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  • “See my breast, how like it is;
  • ( O Troy Town!)
  • See it bare for the air to kiss!
  • Is the cup to thy heart's desire?
  • O the breast let Love make his!
    Added TextO for the breast, O make it his!
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • Lo! each Each twin breast is an apple sweet!
  • ( O Troy Town!)
  • Once an apple stirred the beat
  • Of thy heart with the heart's desire:—
  • 40Say, who brought it then to thy feet?
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • “They that claimed it then were three:
  • ( O Troy Town!)
  • For thy sake two hearts did he
  • Make forlorn of the heart's desire.
  • Do for him as he did for thee!
  • ( O Troy's down,
  • Tall Troy's on fire!)
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  • 50“Mine are apples grown to the south,
  • ( O Troy Town!)
  • Grown to taste in the days of drouth,
  • Taste and waste to the heart's desire:
  • Mine are apples meet for his mouth!”
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • Venus looked on Helen's gift,
  • ( O Troy Town!)
  • Looked and smiled with subtle drift,
  • 60 Knew Saw the work of her heart's desire:—
  • “There thou kneel'st for Love to lift!”
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • Venus looked in Helen's face,
  • ( O Troy Town!)
  • Knew far off an hour and place,
  • Fire/Fire And fire lit from the heart's desire;
  • Laughed and said, “Thy gift hath grace!”
  • ( O Troy's down,
  • 70 Tall Troy's on fire!)
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  • Cupid looked on Helen's breast,
  • ( O Troy Town!)
  • Saw the aching heart/[?] in aching heart its guest
  • Saw the flame of the heart's desire;
  • There his arrow stood confess'd.
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • Cupid took another dart,
  • ( O Troy Town!)
  • 80Fledged it for another heart,
  • Winged the shaft with the heart's desire,
  • Drew the string and said, “Depart!”
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • Paris turned upon his bed,
  • ( O Troy Town!)
  • Turned upon his bed and said,
  • Dead at heart with the heart's desire,—
  • “O to clasp her golden head!”
  • 90 ( O Troy's down,
  • Tall Troy's on fire!)
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Manuscript Addition: 9/22
Editorial Description: Two numbers written in upper right corner, the “9” possibly autograph
Actual Size: 22 x 17.5
Paper Lineation: unlined
Paper Stock: laid white
Actual Watermark: J ALLEN & SONS / SUPER FINE
The Woodspurge
  • The wind flapped loose, the wind was still,
  • Shaken out dead from tree and hill:
  • I had [?] walked walked on at the wind's will,—
  • I sat now, for the wind was still.
  • Between my knees my forehead was,—
  • My lips, drawn in, said not a Alas!
  • My hair was over in the grass,
  • My naked ears heard the day pass.
  • Mine eyes, wide open, had the run
  • 10 Of some ten weeds to fix upon;
  • Among the which, out of the sun,
  • The woodspurge bloomed, three cups in one.
  • From sharpest grief there need not be
  • Knowledge or even memory:
  • One thing then learnt remains to me,—
  • The woodspurge has a cup of three.
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Manuscript Addition: 10/23
Editorial Description: Two numbers written in upper right corner, the “10” possibly autograph
Actual Size: 22 x 17.5
Paper Lineation: unlined
Paper Stock: laid white
Actual Watermark: J ALLEN & SONS / SUPER FINE
A Young Fir-Wood
  • These little firs today are things
  • To clasp into a giant's cap,
  • Or fans to suit his lady's lap.
  • From many winters many springs
  • Shall cherish them in strength & sap,
  • Till they be marked upon the map,
  • A wood for the wind's wanderings.
  • All seed is in the sower's hands:
  • And what at first was trained to spread
  • 10 Its shelter for some single head,—
  • Yea, even such fellowship of wands,—
  • May hide the sunset, and the shade
  • Of its great multitude be laid
  • Upon the earth and elder sands.
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Manuscript Addition: 11/24
Editorial Description: Two numbers written in upper right corner, the “11” possibly autograph
Actual Size: 22 x 17.5
Paper Lineation: unlined
Paper Stock: laid white
Actual Watermark: J ALLEN & SONS / SUPER FINE
First Love
  • Peace in her chamber, wheresoe'er
  • It be, a holy place:
  • The thought still brings my soul such grace
  • As morning meadows wear.
  • Whether it still be small and light,
  • A maid's who dreams alone,
  • As from her orchard-gate the moon
  • Its ceiling showed at night:
  • Or whether, in a shadow dense
  • 10 As nuptial hymns invoke,
  • Innocent maidenhood awoke
  • To married innocence:
  • There still the thanks unheard await
  • The unconscious gift bequeathed,
  • And there my soul this hour has breathed
  • An air inviolate.
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Editorial Description: Two numbers written in upper right corner, the “12” possibly autograph
Actual Size: 22 x 17.5
Paper Lineation: unlined
Paper Stock: laid white
Actual Watermark: J ALLEN & SONS / SUPER FINE
Even So.
  • So it is, my dear.
  • All such things touch secret strings
  • For heavy hearts to hear.
  • So it is, my dear.
  • Very like indeed:
  • Sea and sky, afar, on high,
  • Sand and strewn seaweed,—
  • Very like indeed.
  • But the sea stands spread
  • 10As one wall with the flat skies,
  • Where the lean black craft like flies
  • Seem well-nigh stagnated,
  • Soon to drop off dead.
  • Seemed it so to us
  • When I was thine and thou wast mine,
  • And all these things were thus,
  • But all our world in us?
  • Could we be so now?
  • Not if all beneath heaven's pall
  • 20 Lay dead but I and thou,
  • Could we be so now!

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Editorial Description: Two numbers written in upper right corner, the “13” possibly autograph
Actual Size: 22 x 17.5
Paper Lineation: unlined
Paper Stock: laid white
Actual Watermark: J ALLEN & SONS / SUPER FINE
A Song & Music
  • O leave thine hand where it lies cool
  • Upon the eyes whose lids are hot:
  • Its rosy shade is bountiful
  • Of silence, and assuages thought.
  • O lay thy lips against thine hand
  • And let me feel thy breath through it,
  • While through the sense thy song shall fit
  • The soul to understand.
  • The music lives upon my brain
  • 10 Between thine hands within mine eyes;
  • It stirs thy lifted throat like pain,
  • An aching pulse of melodies.
  • Lean nearer, let the music pause:
  • The soul may better understand
  • Thy music, shadowed in thine hand,
  • Now while the song withdraws.

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Manuscript Addition: 14/27
Editorial Description: Two numbers written in upper right corner, the “14” possibly autograph
Actual Size: 22 x 17.5
Paper Lineation: unlined
Paper Stock: laid white
Actual Watermark: J ALLEN & SONS / SUPER FINE