Rossetti Archive Textual Transcription

Document Title: Bodleian Notebook II
Author: DGR
Date of Composition: 1870-1880 ?
Type of Manuscript: miscellaneous collection
Scribe: DGR

The full Rossetti Archive record for this transcribed document is available.

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Manuscript Addition: D.29.3.39 R Steele
Editorial Description: Robert Steele's identification note
Manuscript Addition: 1
Editorial Description: pagination in upper right corner, unknown hand
The Sonnet
  • A Sonnet is a moment's monument,—
  • Memorial from the soul's eternity
  • To one dead deathless hour. Look that it be,
  • Whether for lustral rite or dire portent,
  • Of its own intricate fulness reverent:
  • Carve it in ivory or in ebony,
  • As Day or Night prevail; and let Time see
  • Its flowering crest impearled and orient.
  • A Sonnet is a coin, whose face reveals
  • 10Thy soul; and its reverse to whom 'tis due:—
  • Whether for tribute to the august appeals
  • Of Life, or dower in Love's high retinue,
  • It serve; or, 'mid the dark wharf's cavernous breath,
  • In Charon's palm it pay the toll to Death.
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Manuscript Addition: 2
Editorial Description: pagination in upper right corner, unknown hand
May 1869
  • Would God your health were as this month of May
  • Should be, were this not England,—and your face
  • Abroad, to give the gracious sunshine grace
  • And smi laugh beneath the budding hawthorn-spray.
  • But here the hedgerows pine from green to grey
  • While yet May's lyre is tuning, and her song
  • Is weak in shade that should in sun be strong;
  • And your pulse springs not to so faint a lay.
  • If in my life be breath of Italy,
  • 10 Would God that I might yield it all to you!
  • So, when such grafted warmth had burgeoned through
  • The languor of your Maytime's hawthorn-tree,
  • My spirit at rest should walk unseen & see
  • The garland of your beauty bloom anew.
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Manuscript Addition: 3
Editorial Description: pagination in upper right corner, unknown hand
Winter
  • How large that thrush looks on the bare thorn-tree!
  • A swarm of such, three little months ago,
  • Had hidden in the leaves and let none know
  • Save by the outburst of their minstrelsy.
  • A white flake here and there—a snow-lily
  • Of last night's frost—our naked flower-beds hold;
  • And for a rose-flower on the darkling mould
  • The redbreast gleams,— poor hungry wanderer he!
  • The current shudders to its icebound sedge:
  • 10 Nipped in their bath, the stark reeds one by one
  • Flash each its clinging diamond in the sun:
  • While swells the gale which for a winter pledge
  • Shall curb great king-masts to the ocean's edge
  • And leave memorial forest-kings o'erthrown.
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Manuscript Addition: 4
Editorial Description: pagination in upper right corner, unknown hand
Hero's Lamp
  • That lamp thou fill'st in Eros' name to-night,
  • O Hero, shall the Sestian augurs take
  • Tomorrow, and for drowned Leander's sake
  • To Anteros its fireless lip shall plight.
  • Aye, waft the unspoken vow. The dawn's first light
  • On ebbing storm and life twice ebb'd must break;
  • While 'neath no sunrise, by the Avernian Lake,
  • Lo! where Love walks, Death's pallid neophyte.
  • That lamp within Anteros' shadowy shrine
  • 10 Shall stand unlit (for so the gods decree)
  • Till some one man the happy issue see
  • Of a life's love, and bid its flame to shine:
  • Which still may rest unfir'd; for mine or thine,
  • O brother, what brought Love to thee or me?
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Manuscript Addition: 5
Editorial Description: pagination in upper right corner, unknown hand
John Keats,

Sixty Years Dead.
  • The weltering London ways where children weep,—
  • Where girls whom none call maidens laugh,—whose gain
  • Hurrying men's steps, is still by loss o'erta'en:—
  • The bright Castalian brink and Latmos' steep:—
  • Such were his paths, till deeper & more deep
  • He trod the sands of Lethe; and long pain,
  • Weary with labour spurned and love found vain,
  • In dead Rome's sheltering shadow wrapped his sleep.
  • O pang-dowered Poet, whose reverberant lips
  • 10And heart-strung lyre awoke the Moon's eclipse,—
  • Thou whom the daisies glory in growing o'er,—
  • Their fragrance clings around thy name, not writ
  • But rumour'd in water, while the fame of it
  • Along Time's flood goes echoing evermore.
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Manuscript Addition: 6
Editorial Description: pagination in upper right corner, unknown hand
Gracious Moonlight
  • Even as the moon grows queenlier in mid-space
  • When the sky darkens, and her cloud-rapt car
  • Thrills with intenser radiance from afar,—
  • So lambent, lady, beams thy sovereign grace
  • When the drear soul desires thee. Of that face
  • What shall be said,—which, like a governing star,
  • Gathers and garners from all things that are
  • Their silent penetrative loveliness?
  • O'er water-daisies and wild waifs of Spring,
  • 10 There where the iris rears its gold-crowned sheaf
  • With flowering rush and sceptred arrow-leaf,
  • So have I marked Queen Dian, in bright ring
  • Of cloud above and wave below, take wing
  • And chase night's gloom, as thou the spirit's grief.
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Manuscript Addition: 7
Editorial Description: pagination in upper right corner, unknown hand
During Music
  • Is it the moved air or the moving sound
  • That is Life's self and draws my life from me,
  • And by instinct ineffable decree
  • Holds my breath quailing on the bitter bound?
  • Surely an imminent visage, from some mound
  • Watching the tide of all emergency,
  • Now notes my separate wave, and to what sea
  • Its difficult eddies labour underground.
  • And what is this that knows the road I came,
  • 10The flame turned cloud, the cloud returned to flame,
  • The lifted shifted steeps and all the way?—
  • That enters with me now the wind-warm space,
  • And in regenerate rapture turns my face
  • Upon the devious coverts of dismay?
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Manuscript Addition: 8
Editorial Description: pagination in upper right corner, unknown hand
Manuscript Addition: 29.12.79
Editorial Description: This is Jane Morris's dating—indicating when she had the sonnet from DGR.
Pleasure and Memory
  • The cuckoo-throb, the heartbeat of the Spring;
  • The rosebud's blush that leaves it as it grows
  • Into the full-eyed fair unblushing rose;
  • The summer clouds that visit every wing
  • With fires of sunrise and of sunsetting;
  • The furtive flickering streams to light re-born
  • 'Mid airs new-fledged & valorous lusts of morn,
  • While all the daughters of the daybreak sing:—
  • These pleasure loves, and memory: and when flown
  • 10 All joys, and through dark forest-boughs in flight
  • The wind swoops onward brandishing the light,
  • Even yet the rose-tree's verdure left alone
  • Will flush all ruddy when the rose is gone;
  • With ditties and with dirges infinite.
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Manuscript Addition: 9
Editorial Description: pagination in upper right corner, unknown hand
Manuscript Addition: 16.11.80
Editorial Description: This is Jane Morris's dating, indicating when she had the sonnet from DGR
Note: The prose note to the sonnet is addressed from DGR to Jane Morris.
Transfigured Life
  • As growth of form or momentary glance
  • In a child's features will recall to mind
  • The father's with the mother's face combin'd,—
  • Sweet interchange that memories still enhance:
  • And yet, as childhood's years & youth's advance,
  • The gradual mouldings leave one stamp behind,
  • Till in the blended likeness now we find
  • A separate man's or woman's countenance:—
  • So in the Song, the singer's Joy and Pain,
  • 10 Its very parents, evermore expand
  • To bid the passion's full-grown birth remain,
  • By Art's transfiguring essence subtly spann'd;
  • And from that song-cloud shaped as a man's hand
  • There comes the sound as of abundant rain.

x You know the allusion in the last two lines is to the story of Elijah.
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Manuscript Addition: 10
Editorial Description: pagination in upper right corner, unknown hand
Manuscript Addition: 16.11.80
Editorial Description: This is Jane Morris's dating, indicating when she had the sonnet from DGR
Editorial Note (page ornament): At the bottom of the page is a small drawing, evidently insrted to illustrate line 13 of the sonnet.
True Woman
  • To be a sweetness more desired than Spring;
  • A bodily beauty more acceptable
  • Than the wild rose-tree's arch that crowns the fell;
  • To be an essence more environing
  • Than wine's drained juice; a music ravishing
  • More than the passionate pulse of Philomel;—
  • To be all this 'neath one soft bosom's swell
  • That is the flower of life:—how strange a thing!
  • How strange a thing to be what Man can know
  • 10 But as a sacred secret! Heaven's own screen
  • Hides her soul's purest depth & loveliest glow;
  • Closely withheld, as all things most unseen,—
  • The wave-bowered pearl,—the heart-shaped seal of green
  • That flecks the snowdrop underneath the snow.
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Manuscript Addition: 11
Editorial Description: pagination in upper right corner, unknown hand
Manuscript Addition: 14.12.80
Editorial Description: This is Jane Morris's dating, indicating when she had the sonnet from DGR
True Woman. II
  • She loves him, for her infinite soul is Love,
  • And he her lodestar. Passion in her is
  • A glass facing his fire, where the bright bliss
  • Is mirrored, and the heat returned. Yet move
  • That glass, a stranger's amorous flame to prove,
  • And it shall turn, by instant contraries,
  • Ice to the moon; while her pure fire to his
  • For whom it burns, clings close i' the heart's alcove.
  • Lo! they are one. Perchance in love's first day
  • 10 Her mind unto his mind faint response gave,—
  • His heart to her rich heart. But as sea-spray
  • Over itself aspires, till each curved cave
  • Of shadow is lapped in light,—even so he gave
  • And she, their dower. Shall this not last for aye?
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Manuscript Addition: 12
Editorial Description: pagination in upper right corner, unknown hand
Manuscript Addition: 14.12.80
Editorial Description: This is Jane Morris's dating, indicating when she had the sonnet from DGR
True Woman III
  • If to grow old in Heaven is to grow young,
  • (As the Seer saw & said,) then blest were he
  • With youth for evermore, whose heaven should be
  • True Woman, she whom these weak notes have sung.
  • Here and hereafter,—choir-strains of her tongue,—
  • Sky-spaces of her eyes,—sweet signs that flee
  • About her soul's immediate sanctuary,—
  • Were Paradise all uttermost worlds among.
  • The sunrise blooms and withers on the hill
  • 10 Like any hillflower; and the noblest troth
  • Dies here to dust. Yet shall Heaven's promise clothe
  • Even yet those lovers who have cherished still
  • This test for love:—in every kiss sealed fast
  • To feel the first kiss & forebode the last.
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Manuscript Addition: 13
Editorial Description: pagination in upper right corner, unknown hand
Manuscript Addition: (O.M.B.)
Editorial Description: This is Jane Morris's notation, indicating that the sonnet is an elegy for Oliver Madox Brown.
[Untitled]
  • Upon the landscape of his coming life
  • A youth high-gifted gazed, and found it fair:
  • The heights of work, the floods of praise were there.
  • What friendships, what desires, what love, what wife?—
  • All things to come. The fanned Springtime was rife
  • With imminent solstice; and the ardent air
  • Had Summer sweets and autumn fires to bear;—
  • Heart's ease full-pulsed with perfect strength for strife.
  • A mist has risen: we see the youth no more:
  • 10Does he see on and strive on? And may we,
  • Late-tottering worldworn hence, find his to be
  • The young strong hand which helps us up that shore?
  • Or, echoing the No More with Nevermore,
  • Must Night be ours and his? We hope: and he?
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Manuscript Addition: 14
Editorial Description: pagination in upper right corner, unknown hand
The Water Willow
  • Leaves and rain & the days of the year,
  • ( Water-willow & wellaway,)
  • All these fall, and my soul gives ear,
  • And she is hence who once was here.
  • ( With a wind blown night & day.)
  • Ah! but now, for a secret sign,
  • ( The willow's wan and the water white,)
  • In the held breath of the day's decline
  • Her very lips seemed pressed to mine.
  • 10 ( With a wind blown day & night.)
  • O love, of my death my life is fain,
  • ( The willows wave on the waterway,)
  • Your mouth & mine are cold in the rain,
  • But warm they'll be when we meet again.
  • ( With a wind blown night & day.)
  • Mists are heaved & cover the sky;
  • ( The willows wail in the waning light,)
  • O part your lips, leave space for a sigh,—
  • They seal my soul, I cannot die.
  • 20 ( With a wind blown day & night.)
  • Leaves & rain & the days of the year,
  • ( Water-willow & wellaway)
  • All still fall, & I still give ear,
  • And she is hence, & I am here.
  • ( With a wind blown night & day.)

Image of page [13] page: [13]
Manuscript Addition: 15
Editorial Description: pagination in upper right corner, unknown hand
A Little While.
  • A little while a little love
  • The hour yet bears for thee & me
  • Who have not drawn the veil to see
  • If still our heaven be lit above.
  • Thou merely, at the day's last sigh,
  • Hast felt thy soul prolong the tone;
  • And I have heard the night-wind cry
  • And deemed its speech mine own.
  • A little while a little love
  • 10 The scattering autumn hoards for us
  • Whose bower is not yet ruinous
  • Nor quite unleaved our songless grove.
  • Only across the shaken boughs
  • We hear the flood-tides seek the sea,
  • And deep in both our hearts they rouse
  • One wail for thee and me.
  • A little while a little love
  • May yet be ours who have not said
  • The word it makes our eyes afraid
  • 20 To know that each is thinking of.
  • Not yet the end: be our lips dumb
  • In smiles a little season yet:
  • I'll tell thee, when the end is come,
  • How we may best forget.

Image of page [14] page: [14]
Manuscript Addition: 16
Editorial Description: pagination in upper right corner, unknown hand
La Feuille

  • “De ta tige détachée,
  • Pauvre feuille depéchée,
  • Où va tu?” — “Je n' én sais rien
  • L'orage a brisé le chêne
  • Qui seul était mon soutien.
  • De son inconstante haliene
  • Le zéphyr ou l'aguilon
  • Depuis ce jour me proméne
  • De la forêt à la plaine,
  • 10 De la montagne au vallon.
  • Je vais oú le vent me mène
  • Sans me plaindre on m'effrayer;
  • Je vais où va toute chose,
  • Où va la feuille de rose
  • Et la feuille de laurier.”

Vincent-Antoine Arnault
Image of page [15] page: [15]
Manuscript Addition: 17
Editorial Description: pagination in upper right corner, unknown hand
The Leaf.

  • “Torn from your parent bough,
  • Poor leaf all withered now,
  • Where go you?” — “I cannot tell.
  • Storm-stricken is the oak tree
  • Where I grew, whence I fell.
  • Changeful continually,
  • The zephyr & hurricane
  • Since that day bid me flee
  • From the woods to the lea,
  • 10 From the hills to the plain.
  • Where the wind carries me
  • I go without fear or grief:
  • I go whither each one goes,—
  • Thither the leaf of the rose
  • And thither the laurel-leaf.”

DGR
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Image of page [17a] page: [17a]
Manuscript Addition: 19
Editorial Description: pagination in upper right corner, unknown hand
Manuscript Addition: 16.12.80
Editorial Description: Jane Morris's dating of the letter
Note: The letter is printed in Doughty and Wahl, Letters, IV. 2362.
My Dear Janey
I hope you are not

over-working as to pre-

paration. This might

bring on a breakdown.
I am really going to

get a new Vol out

to be called, Poems

Old & New, but

do not talk about

it in the least, or

there will be gossip

paragraphs prematurely.

Only I must get
Image of page [17b] page: [17b]
Manuscript Addition: 20
Editorial Description: pagination in upper right corner, unknown hand
one long ballad done

—that on the death of

James I of Scotland.

Perhaps I told you

that the House of

Life now numbers

100 Sonnets, & that

I have 45 besides as

an extra series.
I found to my bewil-

derment that the

2 nd half of NoII

sonnet had a repeated

rhyme— gave. This

made me alter the

6 lines, and I like

them better now in every

way.
Image of page [17c] page: [17c]
  • Lo! they are one. With wifely breast to breast
  • And circling arms, she welcomes welcomes all command
  • Of love,—her soul to answering ardours fann'd:
  • Yet as morn springs or twilight sinks to rest,
  • Ah! who shall say she deems not loveliest
  • The hour of sisterly sweet hand-in-hand?

I haven't seen the poetic

trash you speak of. I

think you will do well

not to look into such

things at all.
Your affectionate

Gabriel
Electronic Archive Edition: 1
Copyright: The Bodleian Library, Oxford