Rossetti Archive Bibliography

and works cited

This is not a comprehensive bibliography of scholarly work on Rossetti and his circle but a list of the works that have been specifically used and cited in the preparation of the online Archive. The standard bibliography for Rossetti's works is John Gregory's 1931 University of London Ph.D. thesis; the standard guide to the Pre-Raphaelite Movement is William E. Fredeman's 1965 Bibliocritical Study; and the most comprehensive listing of scholarly works is Francis Fennell's 1982 Annotated Bibliography (all cited below). Current scholarship is made available in the Modern Language Association's annual bibliography; in the annual bibliography published in Victorian Studies; and in the Bibliography of the History of Art and the Art Full Text bibliographical database.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

A

About, Edmond Francois Valentin. Voyage a travers l'Exposition des Beaux–Arts (peinture et sculpture). Paris: Hachette, 1855.

Academy, The. London: John Murray, 1869; Williams and Norgate, 1870–73; William Greig Smith, 1874; Robert Scott Walker, 1875–78; Henry Villiers, 1880–96.

Adlard, John. “Rossetti's Willowwood.” Notes and Queries 217 (1972): 153–154.

Agosta, Lucien L. “Animate Images: The Later Poem–Paintings of Dante Gabriel Rossetti.” Texas Studies in Language and Literature 23 (1981): 78–101.

Agresti, Antonio, trans. Poesie di Dante Gabriele Rossetti: traduzione dall'inglese di Antonio Agresti con uno studio su la pittura inglese, e su l'opera pittorica e la vita dell'autore. By Dante Gabriel Rossetti. Firenze: Barbera, 1899.

Ainsworth, Maryan Wynn. “D. G. Rossetti's ‘Dantis Amor’.” Journal of Pre-raphaelite and Aesthetic Studies 1.1 (1980): 69–78.

Ainsworth, Maryan Wynn. Dante Gabriel Rossetti and the Double Work of Art. New Haven: Yale U. Art Gallery, 1976.

Ainsworth, Maryan Wynn. “‘The Prince's Progress’: Works from 1863 to 1871”, in Double Work of Art 73–94.

Alighieri, Dante. Dante's Lyric Poetry. Eds. K[enelm] Foster and P[atrick] Boyde. Oxford: Clarendon, 1967.

Alighieri, Dante. Opere Minori. Letteratura Italiana 5. Eds. Domenico de Robertis and Gianfranco Contini. Milano and Napoli: Riccardo Ricciardi, 1979.

Alighieri, Dante. Opere Minori di Dante Alighieri. Ed. Pietro Iacopo Fraticelli. Vol. 1. Firenze: Allegrini e Mazzoni, 1834.

Alighieri, Dante. Opere Minori di Dante Alighieri. Ed. Pietro Iacopo Fraticelli. Vol. 3 (Vita Nuova). Firenze: Allegrini e Mazzoni, 1839.

Alighieri, Dante. Rime della maturita e dell'esilio. Eds. M[ichele] Barbi and V[incenze] Pernicone. Firenze: Le Monnier, 1969.

Alighieri, Dante. Vita Nuova. Ed. Domenico de Robertis. Milano and Napoli: Riccardo Ricciardi, 1980.

Allacci, Leone, ed. Poeti Antichi Raccolti da Codici MSS della Biblioteca Vaticana, e Barberina. Napoli: Sebastiano Alleci, 1661.

Allen, Virginia M. “One Strangling Golden Hair: Rossetti's Lady Lilith.” Art Bulletin 66 (1984): 285–94.

Allen, Vivien. Dear Mr Rossetti: The Letters of Dante Gabriel Rossetti and Hall Caine 1878–1881. Sheffield: Sheffield Academic Press, 2000.

Allentuck, Marcia M. “A New Rossetti Critique of Deverell”. Papers of the Bibliographical Society of America 72 (1978): 235–237.

Alessia, Joseph, ed. The Poetry of Dino Frescobaldi. New York: P. Lang, 1983.

Allingham, H[elen Paterson], and D[ollie] Radford, eds. William Allingham: A Diary. London: Macmillan and Co., Ltd., 1908.

Allingham, William. The Ballad Book. London: Macmillan, 1872.

Allingham, William. Day and Night Songs. London: Routledge, 1854.

Allingham, William. Flower Pieces and Other Poems. London: Reeves and Turner, 1888.

Allingham, William. Laurence Bloomfield in Ireland: A Modern Poem. London: Macmillan, 1864.

Allingham, William. The Music Master. London: Routledge, 1855.

Andres, Sophia. “Elizabeth Gaskell’s Re–Presentations of Pre–Raphaelite Gendered Boundaries.” Journal of Pre–Raphaelite Studies ns 11.1 (2002): 39–62.

Angeli, Elena Rossetti [Helen Rossetti Angeli]. Dante Gabriel Rossetti con 107 illustrazioni. Collezione di monografie illustrate. Serie: Artisti Moderni, 1. Bergamo: Istituto Italiano D'Arti Grafiche, 1906.

Angeli, Helen Rossetti. Dante Gabriel Rossetti: His Friends and Enemies. London: Hamish Hamilton, 1949.

Arnold, Matthew. The Strayed Reveller, and Other Poems. London: Fellowes, 1849.

Arnold, William Harris. Ventures in Book Collecting. New York: Scribner's, 1923.

Ash, Russell. Dante Gabriel Rossetti. London: Pavilion, 1995.

Ash, Russell. Sir Edward Burne–Jones. New York: Abrams, 1993.

Asmar, Maria Theresa. Memoirs of a Babylonian Princess. Philadelphia: Zieber, 1845.

Athenaeum. London: William Lewer, 1828; F.C. Westley, 1829–38; John Francis, 1838–1918; British Periodicals, 1920–21.

Austin, Carolyn F.. “Mastering the Ineffable: Dante Gabriel Rossetti's ‘The Vase of Life’ and the Kantian Sublime” Victorian Poetry 45 (2007): 159–173.

B

Baker, Houston. “The Poet's Progress: Rossetti's ‘The House of Life’.” Victorian Poetry 8 (1970): 1–14.

Bandelin, Susan Ball. “Allegorizing on ‘One's Own Hook’: Works before 1863”. in Ainsworth, Double Work of Art37–72.

Bann, Stephen. Paul Delaroche: History Painted. Princeton, NJ: Princeton UP, 1997. 204-210.

Barber, Giles. “Rossetti, Ricketts, and Some English Publishers' Bookbindings of the Nineties.” The Library 5th ser. 25 (1970): 314–330.

Barberino, Francesco da. Documenti d'Amore. Rome: Vitale Mascardi, 1640.

Barberino, Francesco da. Del reggimento e de'costumi delle donne. Milano: Silvestri, 1842.

Barker, Nicolas and John Collins. A Sequel to An Enquiry into the Nature of Certain Nineteenth Century Pamphlets. London: Scolar Press, 1983.

Barlow, Henry Clark. On the Vernon Dante. London: Williams and Norgate, 1870.

Barolsky, Paul. “Walter Pater's Renaissance.” Virginia Quarterly Review 58 (1982): 208–20.

Barot, Francoise Odysse. Histoire de la litterature contemporaine en Angleterre, 1830–1874. Paris: Charpentier, 1874.

Barringer, Tim. The Pre–Raphaelites. London: Orion, 1998.

Bartram, Michael. “The Pre–Raphaelite Camera.” Art in America 75 (1987): 21–45.

Bartram, Michael. The Pre–Raphaelite Camera: Aspects of Victorian Photography. London: Weidenfeld and Nicholson, 1985.

Bartram, Michael. Pre–Raphaelite Photography. London: British Council, 1983.

Bass, Eben B. Dante Gabriel Rossetti, Poet and Painter. New York: Lang, 1990.

Bate, Percy H. The English Pre–Raphaelite Painters, Their Associates and Successors. London: G. Bell and Sons, 1899.

Bate, Percy H. The English Pre–Raphaelite Painters, Their Associates and Successors. 1901. Freeport, NY: Books for Libraries Press, 1970.

Baum, Paull Franklin. “The Bancroft Manuscripts of Dante Gabriel Rossetti.” Modern Philology 39 (1941): 47–68.

Baum, Paull Franklin. “The Blessed Damozel”: The Unpublished Manuscript, Texts and Collation. Chapel Hill: U of North Carolina P, 1937.

Baum, Paull Franklin. Dante Gabriel Rossetti: An Analytical List of Manuscripts in the Duke University Library With Hitherto Unpublished Verse and Prose. Durham, NC: Duke UP, 1931.

Baum, Paull Franklin, ed. The House of Life. By Dante Gabriel Rossetti. Cambridge, MA: Harvard UP, 1928.

Baum, Paull Franklin, ed. Poems, Ballads and Sonnets. By Dante Gabriel Rossetti. New York: Doubleday Doran, 1937.

Baum, Paull Franklin. “Rossetti’s ‘The White Ship.’” Library Notes (Duke University) 20 (1948): 2–6.

Bayard, Jane. “‘Lustral Rites and Dire Portents’: Works from 1871 to 1882”. in Ainsworth, Double Work of Art95–122.

Beegel, Susan. “Rossetti's Sonnets and Paintings on Mary's Girlhood: A Case Study in Reciprocal Illustration.” Journal of Pre–Raphaelite Studies 2.2 (1982): 1–6.

Bell, Malcolm. Sir Edward Burne–Jones: A Record and Review. London: Bell, 1892.

Bendiner, Kenneth. The Art of Ford Madox Brown. University Park, PA: Pennsylvania State UP, 1998.

Benedetti, Maria Teresa. Dante Gabriel Rossetti. Milan: Charta, 1998.

Benedetto, Luigi di, ed. Rimatori de dolce stil novo. Bari: Laterza e Figli, 1939.

Bennett, Mary. Artists of the Pre–Raphaelite Circle, the First Generation: Catalogue of Works in the Walker Art Gallery, Lady Lever Art Gallery and Sudley Art Gallery. London: National Museums and Galleries on Merseyside in Association with Lund Humphries, 1988.

Bennett, William Cox. Songs for Sailors. London: King, 1872.

Bentley, D. M. R. “The Belle Assemblee Version of ‘My Sister's Sleep’.” Victorian Poetry 12 (1974): 321–334.

Bentley, D. M. R. “‘The Blessed Damozel’: A Young Man's Fantasy.” Victorian Poetry 20/1 (Spring 1982): 31–43.

Bentley, D. M. R. “Dante Rossetti's Lady Lilith, Sibylla Palmifera, ‘Body's Beauty’ and ‘Soul's Beauty’.” Journal of Pre–Raphaelite Studies ns 13.2 (2004): 63–74.

Bentley, D. M. R. “In the Shadow of Death: The Card–Dealer by Dante Gabriel Rossetti.” Colby Library Quarterly 17 (1981): 161–169.

Bentley, D. M. R. “ ‘La Bocca mi Bacio’: The Love Kiss in the Works of Dante Gabriel Rossetti.” Journal of Pre–Raphaelite Studies ns 16 (2007): 31–44.

Bentley, D. M. R. “Light, Architecture, and Awe in Rossetti's Early Annunciations.” Ariel 7 (1976): 22–30.

Bentley, D. M. R. “Love for Love: Dante Gabriel Rossetti's Bocca Baciata and ‘The Song of the Bower’.” Journal of Pre–Raphaelite Studies ns 12.2 (2003): 5–16.

Bentley, D. M. R. “Making an Unfrequented Path of Art of his Own: Dante Rossetti's Paintings in the Aesthetic Mode.” Journal of Pre–Raphaelite Studies ns 17 (Spring 2008): 21–35.

Bentley, D. M. R. “Political Themes in the Work of Dante Gabriel Rossetti.” Victorian Poetry 17 (1979): 159–79.

Bentley, D. M. R. “Rossetti and the Hypnerotomachia Poliphili.” English Language Notes 14 (1977): 279–83.

Bentley, D. M. R. “Rossetti's ‘Bride Chamber Talk’.” Wascana Review 11.2 (1976): 83–97.

Bentley, D. M. R. “Rossetti's ‘Ave’ and Related Pictures.” Victorian Poetry 15 (1977): 21–35.

Bentley, D. M. R. “Rossetti's ‘Hand and Soul’”. English Studies in Canada 3 (1977): 445–57.

Bentley, D. M. R. “Rossetti's Pre–Raphaelite Manifesto: The ‘Old and New Art’Sonnets.” English Language Notes 15 (1978): 197–203.

Bentley, D. M. R. “Seroux d'Agincourt's Histoire as a Possible Point of Departure forTwo Pictures by Dante Gabriel Rossetti,and Some Contingent Observations.” Journal of Pre–Raphaelite Studies ns 11.2 (2002): 33–42.

Bentley, D. M. R. “The Source of D. G. Rossetti’s ‘Combination from Sappho,’ and Some of its Implications”. Notes and Queries 237 (June 1992): 18–2.

Bergk, Theodor. Poetae Lyrici Graeci. Lipsiae: Reichenbach Fratres, 1843.

Bettarini, Rosanna, ed. Dante da Maiano. Rime. Firenze: F. Le Monnier, 1969.

Bianchini, Giuseppe. Difesa di Dante. Firenze, 1718.

Bier, Eugene A. “D.G. Rossetti: New Light through Flat Surfaces.” The Pre–Raphaelite Review 1.1 (1977): 80–89.

Bird, Robert Montgomery. The Infidel's Doom, or, Cortes and the Conquest of Mexico. London: Cunningham, 1840.

Bishop, George. The Burden of Babylon and the Triumph of Sion as it was Seen in the Valley of Vision. London: Robert Wilson, 1661.

Book Collector, The. London: Collector Ltd., 1952–.

Books from the Libraries of Christinia, Dante Gabriel, and William Michael Rossetti. Introduction by William R. Fredeman. London: Rota, 1973.

Boos, Florence Saunders. The Poetry of Dante G. Rossetti: A Critical Reading and Source Study. The Hague: Mouton, 1976.

Boos, Florence Saunders. “The Structure of Morris's Tales for the Oxford and Cambridge Magazine.” . Victorian Periodicals Review, 20:1 (1987 Spring), pp. 2-12.

Bornand, Odette, ed. The Diary of W. M. Rossetti 1870–1873. Oxford: Clarendon, 1977.

Bottomly, Gordon. Album of Portraits of Mrs. William Morris (Jane Burden) Posed by Rossetti, 1865. London: Victoria and Albert Museum, 1933.

Bowra, Cecil Maurice. The Romantic Imagination. 1949. New York: Oxford UP, 1969.

Braddon, Mary Elizabeth. Dead Men's Shoes: A Novel. 3 vols. London: Maxwell, 1876.

Bray, Anna Eliza. Life of Thomas Stothard, with Personal Reminiscences. London: Murray, 1851.

Bray, Anna Eliza. Autobiography of Anna Eliza Bray (Born 1789, Died 1883). London: Chapman and Hall, 1884.

Bridger, Charles. An Index to Printed Pedigrees, Contained in County and Local Histories, the Herald's Visitations, and in the More Important Genealogical Collections. London: Smith, 1867.

British Library Catalogue of the Ashley Manuscripts. 2 Vols. London: The British Library, 1999.

Bristow, Joseph. “‘He and I#x2019;: Dante Gabriel Rossetti's Other Man”, in Victorian Poetry 39:3 (2001): 365-388.

Brough, Robert B., trans. Beranger's Songs of the Empire, the Peace, and the Restoration. London: Addey, 1856.

Brown, Alan Willard. The Metaphysical Society: Victorian Minds in Crisis, 1869–1880. New York: Columbia UP, 1947.

Browne, Max. The Romantic Art of Theodor Von Holst, 1810–44: An Introduction to the Life and Work of the Artist on the Occasion of his Sesquicentenary Exhibition in London and Cheltenham. London: Lund Humphries, 1994.

Browne, Max. “A Source for Rossetti: A Painting by Von Holst.” Burlington Magazine CXX no. 899 (Feb. 1978): 88–92.

Brugnolo, Furio, ed. Dino Frescobaldi. Canzoni e Sonnetti. Torino: Einaudi, 1984.

Bryant, Hallman B. “Two Unfinished Pre–Raphaelite Paintings: Rossetti’s Found and F.M. Brown's Take Your Son, Sir!Journal of Pre–Raphaelite Studies 3:1 (1982): 56–76.

Bryson, John and Janet Camp Troxell, eds. Dante Gabriel Rossetti and Jane Morris: Their Correspondence. Oxford: Clarendon, 1976.

Buchanan, Robert. The Complete Poetical Works of Robert Buchanan. London: Chatto and Windus, 1901.

Buchanan, Robert. The Fleshly School of Poetry and Other Phenomena of the Day. London: Strahan, 1872.

Buchanan, Robert [pseud. Thomas Maitland]. “The Fleshly School of Poetry: Mr. D. G. Rossetti”. Contemporary Review 18 (1871): 334–50.

Buckler, William E. “‘Once a Week’ under Samuel Lucas, 1859–65.” PMLA 67 (1952): 924–41.

Buckley, Jerome H. The Victorian Temper. Cambridge: Harvard UP, 1951.

Bullen, J. B. The Pre–Raphaelite Body: Fear and Desire in Painting, Poetry, and Criticism. Oxford: Clarendon; New York: Oxford UP, 1998.

Burke, Doreen Bolger, et al. In Pursuit of Beauty: Americans and the Aesthetic Movement. New York: Metropolitan Museum of Art, 1986.

Burne–Jones, Lady Georgiana. Memorials of Edward Burne–Jones. 1904. New York: Macmillan, 1906.

Burnett, T. A. J. The British Library Catalogue of the Ashley Manuscripts. London: The British Library, 1999.

Buttel, Helen. “Rossetti’s ‘Bridal Birth’”. Explicator 23 (1964): 22.

C

Caine, Sir Thomas Henry Hall. My Story. New York: Appleton, 1909.

Caine, Sir Thomas Henry Hall. Recollections of Dante Gabriel Rossetti. Boston: Roberts Brothers, 1883.

Caine, Sir Thomas Henry Hall, ed. Sonnets of Three Centuries: A Selection, Including Many Examples Hitherto Unpublished. London: Stock, 1882.

Caneva, Caterina. Botticelli: catalogo completo dei dipinti. Firenze: Cantini, 1990.

Carleton, William. Traits and Stories of the Irish Peasantry. London: William Tegg, 1872.

Carlyle, Thomas. On Heroes, Hero–Worship, and the Heroic in History. London: Chapman and Hall, 1840.

Carr, Rev. Thomas Swinburne. A History of Greece, for the Use of Schools and Colleges. 2nd ed. London: Simpkin, Marshall, 1849.

Carrington, FitzRoy, ed. Pictures and Poems By Dante Gabriel Rossetti. New York: Russell, 1899.

Carter, John, and Graham Pollard. An Enquiry into the Nature of Certain Nineteenth Century Pamphlets. 2nd ed. London: Scolar Press, 1983.

Cassata, Letterio, ed. Guido Cavalcanti. Rime. Anzio: De Rubeis, 1993.

Cassidy, John A. “Robert Buchanan and the Fleshly Controversy”. PMLA 67 (1952): 65–93.

Casteras, Susan P. “The Double Vision in Portraiture”. in Ainsworth, Double Work of Art9–36.

Casteras, Susan P. “Edward Burne–Jones and The Legend of Fair Rosamund.” Journal of Pre–Raphaelite and Aesthetic Studies 1.1 (1988): 34–44.

Casteras, Susan P. English Pre–Raphaelitism and its Reception in America in the Nineteenth Century. Rutherford, NJ: Fairleigh Dickinson UP; London and Cranbury, NJ: Associated University Presses, 1990.

Catalogue of the Association for Promoting the Free Exhibition of Modern Art. London: Gallery, Hyde Park Corner, 1849.

Cayley, Charles Bagot, trans. Dante's Divine Comedy. 4 vols. London: Longman, 1851–1855.

Cecil, Lord David. Visionary and Dreamer: Two Poetic Painters: Samuel Palmer and Edward Burne–Jones. Princeton: Princeton UP, 1970.

Century Illustrated Monthly Magazine. New York: The Century Company, 1881–1930.

Cervo, Nathan. “Petrarch’s Cervo and Cerva: The Secret of D. G. Rossetti’s ‘The Stream’s Secret”. Victorian Poetry 28 (1990): 158–163.

Cervo, Nathan. “Rossetti’s ‘Ave’.” Explicator 47 (1989): 37–40.

Champneys, Basil. Memoirs and Correspondence of Coventry Patmore. London: Bell, 1900.

Chapman, Alison and Joanna Meacock. A Rossetti Family Chronology. London: Palgrave, 2007.

Chesneau, Ernest. Les nations rivales dans l‘art Angleterre, Belgique, Hollande, Baviere, Prusse, Etats du Nord, Danemark, Suede et Norwege, Russie, Autriche, Suisse, Espagne, Portugal, Italie, Etats–Unis d‘Amerique, France : l‘art japonais : de l‘influence des expositions internationales sur l‘avenir de l‘art. Paris: Didier, 1868.

Chesneau, Ernest. La peinture anglaise. Paris: Quantin, 1882.

Chesneau, Ernest. La Chimere. Paris: Charpentier, 1879.

Chielens, Edward, ed. American Literary Magazines: The Eighteenth and Nineteenth Centuries. New York: Greenwood, 1986.

Child, Francis James, ed. English and Scottish Ballads. London: 1861.

Christie, James W. “A Pre–Raphaelite Dispute: ‘Rosabell’, ‘Jenny’, and Other Fallen Women”. Pre–Raphaelite Review 1.2 (1978): 40–48.

Cicciaporci, Antonio, ed. Rime di Guido Cavalcanti. Firenze: Presso Niccolo Carli, 1813.

Cline, C.L. The Owl and the Rossettis. Letters of Charles A. Howell and Dante Gabriel, Christina, and William Michael Rossetti. University Park: Pennsylvania State UP, 1978.

Clough, Arthur Hugh and Thomas Burbridge. Ambarvalia: Poems. London: Chapman and Hall, 1849.

Collingwood, William Gershom. The Life and Work of John Ruskin. Boston: Houghton Mifflin, 1893.

Colonna, Francesco. Hypnerotomachia Poliphili. Venice: Aldus Manutius, Romanus, 1499.

Colvin, Sidney. “English Painters and Painting in 1867.” Fortnightly Review ns 2 (October 1867): 473–76.

Colvin, Sidney. Memories and Notes of People and Places 1852-1912. London: Arnold, 1921.

Condivi, Asciano. Vita di Michelangelo Buonarroti. a cura di Giovani Nencioni. Firenze: Lungarno Guicciardini, 1998.

Contemporary Review. London: A. Strahan, 1866–72, 1873–76, 1876–82; Henry S. King, 1872–73, 1876; Isbister, 1882–99; Columbus Co., 1900–.

Conti, Giusto de'. Il Canzoniere, a cura di Leonardo Vitetti. 2 vols. Lanciano: R. Carabba, 1918.

Contini, Gianfranco, ed. Letteratura italiana delle origini. Firenze: Sansoni, 1970.

Contini, Gianfranco, ed. Poeti de Duecento. 2 vols. Milano–Napoli: Riccardo Ricciardi, [1960].

Cook, E. T., and Alexander Wedderburn, eds. The Works of John Ruskin. Library Edition. 39 vols. London: Allen and Unwin, 1903–1910.

Coombs, James, ed. A Pre–Raphaelite Friendship: The Correspondence of William Holman Hunt and John Lucas Tupper. Ann Arbor, MI: UMI Research Press, 1986.

Cooper, Robert N. Lost on Both Sides: Dante Gabriel Rossetti, Critic and Poet. Athens: Ohio State UP, 1970.

Cooper, Suzanne Fagence. “Aspiring to the Condition of Music: Painting in Britain 1860-1900”, in Nineteenth-century British Music Studies. 2 vols. Aldershot: Ashgate, 2002: 2. 251-277.

Cooter, R. J. The Cultural Meaning of Popular Science: Phrenology and the Organization of Consensus in Nineteenth-Century Britain. Cambridge: Cambridge UP, 1984.

Cornwall, Barry, R.H. Horne et al., eds. The Complete Works of William Shakespeare. 3 vols. London and New York: The London Printing and Publishing Company (Ltd.), 1858.

Corsi, Giuseppe, ed. Il Dittamondo e le Rime di Fazio Degli Uberti. 2 vols. Bari: Laterza, 1952.

Corsi, Giuseppe ed. Rimatori del trecento. Torino: Unione tipografico–editrice torinese, 1969.

Cottle, Joseph. Reminiscences of Samuel Taylor Coleridge and Robert Southey. London: Hutchinson and Stoneman, 1847.

Cox, Charles and Simon Nowell–Smith. “D. G. Rossetti’s ‘Early Italian Poets,’ 1861. ”The Book Collector 25 (1976): 547–48.

Crabbe, John K. “D.G. Rossetti’s ‘Five English Poets’: Another Side of the Anti–Lyric.” The Pre–Raphaelite Review 1.1 (1977): 39–46.

Crayon, The. London: W. J. Stillman and J. Durand, 1855–61.

Crescimbeni, Giovanni. L'istoria della volgar poesie.Venzia: Presso Lorenzo Basegio. 6 vols. 1730–31.

Critic, The. London: John Crockford, 1843–63.

Crowe, Catherine. Susan Hopley. Edinburgh: W. Tait, 1842.

Culler, Dwight and Helen. “The Sources of ‘The King’s Tragedy’.” Studies in Philology 41 (1944): 427–441.

Culler, Helen Simpson. “Studies in Rossetti's Reading.” Diss. Yale U, 1943.

Cummings, Frederick J., and Allen Staley. Romantic Art in Britain: Paintings and Drawings 1760–1860. New York: Praeger, 1969.

Cunningham, Allan. “The Elfin Miller of Croga Mill.” Legends of Terror, and Tales of the Wonderful and the Wild. London: G. Creed, 1840.

D

Dallas, E. S. The Gay Science. London: Chapman and Hall, 1866.

Dante Gabriel Rossetti 1828–1882: An Exhibition. Tokyo: Bunkamura Museum of Art, The Tokyo Shimbun, 1990.

Dante Gabriel Rossetti: Painter and Poet. Birmingham: Royal Academy and Museum and Art Gallery, 1973.

Dark Blue, The. London: Sampson Low, 1871; British and Colonial Publishing, 1871–73.

Davies, John Llewelyn and David James Vaughan, eds. The Republic of Plato. London and Cambridge: Macmillan, 1852.

Davies, William. The Pilgrimage of the Tiber from its Mouth to its Source, with Some Account of its Tributaries. London: Sampson Low, 1873.

Dawson, Gowan. “Intrinsic Earthliness: Science, Materialism, and the Fleshly School of Poetry.” Victorian Poetry 41.1 (2003): 113–129.

Decker, Clarence. The Victorian Conscience. New York: Twayne Publishers, 1952.

Demoor, Marysa. “Art–Catholic Revisited: Dante Rossetti's Early Paintings and Northern Renaissance Art.” The Journal of Pre–Raphaelite Studies ns 14.1 (2005): 5–14.

Demoor, Marysa. The Fair Share: Women, Power, and Criticism in the Athenaeum from Millicent Garrett Fawcett to Katherine Mansfield. London: Ashgate, 2000.

Donovan, Cornelius. Discussion of Phrenology; between Charles [sic] Donovan and Brewin Grant . . . held in the new Odd fellows' hall . . . 1849. London: B.L. Green, 1849.

Doughty, Oswald, and John Robert Wahl, eds. Letters of Dante Gabriel Rossetti, 1828–1882. 4 vols. Oxford: Clarendon, 1965–67.

Doughty, Oswald, ed. The Letters of Dante Gabriel Rossetti to his Publisher, F. S. Ellis. London: Scholartis, 1928.

Doughty, Oswald. A Victorian Romantic: Dante Gabriel Rossetti. 2nd ed. London: Oxford UP, 1960.

Douglas, James. Theodore Watts-Dunton. Poet Novelist Critic. London: John Lane, 1904.

Dowden, Edward. Letters of Edward Dowden and His Correspondents. London: Dent; New York: Dutton, 1914.

Dunn, Henry Treffry. Recollections of Dante Gabriel Rossetti and His Circle (Cheyne Walk Life). New York: Pott; London: Mathews, 1904.

Durling, Robert M., and Ronald L. Martinez. Time and the Crystal: Studies in Dante’s Rime Petrose. Berkeley: U of California P, 1990.

E

Edelstein, T. J. “The Yellow–Haired Fiend: Rossetti and the Sensation Novel.” The Library Chronicle (U. of Pennsylvania) 43 (1979): 180–193.

Egidi, Francesco, ed. Le Rime di Guittone D’Arezzo. Bari: Laterza, 1940

Ehrenpreis, Anne Henry. “Swinburne's Edition of Popular Ballads.” PMLA 78 (1963): 559-571.

Ellis, Steve. Dante and English Poetry: Shelley to T. S. Eliot. Cambridge: Cambridge UP, 1983.

Elzea, Rowland. The Samuel and Mary R. Bancroft Jr. and Related Pre–Raphaelite Collections. Wilmington: Delaware Art Museum, 1984.

English Drawings and Watercolours. 15 December 1981. London: White Bros., Ltd., 1981.

English Drawings and Watercolours. 5 June 1984. London: White Bros., 1984.

English Drawings and Watercolours. 18 December 1984. London: White Bros., 1984.

English Drawings and Watercolours. Tuesday 14 May 1985. London: White Bros., 1985.

English Drawings and Watercolours. Tuesday 27 October 1987. Christie’s London: White Bros., 1987.

English Review, The. London: Gerald Duckworth, 1908–09; Chapman and Hall, 1909–10; English Review, 1910–24, 1936–37, et al.

Erdman, David V., and Donald K. Moore, eds. The Notebook of William Blake. Rev. ed. New York: Readex Microprint, 1977.

Everett, Edwin Mallard. The Party of Humanity: The Fortnightly Review and its Contributors. Chapel Hill, NC: U of North Carolina P, 1939.

Exhibition of the Pre–Raphaelite Drawings and Watercolours. London: Arts Council, 1953.

F

Faithfull, Emily, ed. Poems: An Offering to Lancashire. London: Victoria Press, 1863.

Faithfull, Emily, ed. A Welcome: Original Contributions in Poetry and Prose. London: Faithfull, 1863.

Faxon, Alicia Craig. Dante Gabriel Rossetti. New York: Abbeville Press, 1989.

Faxon, Alicia Craig. “D.G. Rossetti and His Models.” Journal of Pre–Raphaelite Studies 5.2 (1985): 54–67.

Faxon, Alicia Craig. “Thoughts on D.G. Rossetti’s Humor.” Journal of Pre–Raphaelite Studies ns 7.2 (1987): 80–89.

Fennell, Francis L. Dante Gabriel Rossetti: An Annotated Bibliography. New York: Garland, 1982.

Fennell, Francis L., ed. The Rossetti–Leyland Letters: The Correspondence of an Artist and his Patron. Columbus: Ohio State UP, 1978.

Fennell, Francis L. “Rossetti and Philip Bourke Marston.” Journal of Pre–Raphaelite Studies 3.2 (1983): 19–25.

Ferrazzi, Jacopo. Manuale Dantesca. 5 vols. Bassano, Tip.: Sante Pozzato, 1865–1877.

Ferri, Giovanni, ed. Le Laude. By Jacopone, da Todi. Bari: Laterza, 1930.

Fiacchi, Luigi, ed. Scelta di Rime Antiche. Firenze: F. Daddi, 1812.

Fine Victorian Paintings, Drawings and Watercolurs. 9 July 1974. Sussex: Ditchling Press, 1974.

Fine Victorian Paintings, Drawings and Watercolurs. 5 November 1974. London: Ditchling Press, 1974.

Fine Victorian Paintings, Drawings and Watercolours. 14 June 1977. London: Ditchling Press, 1977.

Fine Victorian Paintings, Drawings and Watercolours. 14 February 1978. Sussex: Ditchling Press, 1978

Fine Victorian Pictures, Drawings and Watercolours. 11 June 1993. London: White Bros., 1993

Fisher, Benjamin Franklin, IV. “Rossetti and Swinburne in Tandem: The Laird of Waristoun.” Victorian Poetry 11.3 (1973): 229-239.

Fisher, Benjamin Franklin, IV. “Rossetti’s ‘William and Marie’: Hints of the Future.” English Language Notes 9 (1971): 121–129.

Fontana, Ernest. “Fragment and Disease: Dante Gabriel Rossetti’s ‘The Bride’s Prelude’.” Journal of Pre–Raphaelite Studies ns 2.2 (1993): 5–11.

Fontana, Ernest. “Mary Magdalene and the Pre–Raphaelites.” Journal of Pre–Raphaelite Studies ns 9.2 (2000): 88–100.

Fontana, Ernest. “Pre–Raphaelite Suicides.” Journal of Pre–Raphaelite Studies ns 7.2 (1998): 28–38.

Fontana, Ernest. “Rossetti’s Representations of the Kiss.” Journal of Pre–Raphaelite and Aesthetic Studies 1.1 (Part 2) (1988): 80–88.

Forman, Harry Buxton. The Books of William Morris. London: Frank Hollings, 1897.

Forman, Harry Buxton. Our Living Poets: An Essay in Criticism. London: Tinsley, 1871.

Forman, Harry Buxton. The Poetical Works of Percy Bysshe Shelley. London: Reeves and Turner,1876–1877.

Forster, John. Walter Savage Landor: A Biography. 2 vols. London: Chapman and Hall, 1869.

Forsythe, R. A. “The Temper of Pre–Raphaelitism and the Concern with Natural Detail.” English Studies in Africa 4 (1961): 182–190.

Fortnightly Review, The. London: Chapman and Hall, 1865–1931; Horace Marshall, 1931–54.

Fraser, Robert S. “The Rossetti Collection of Janet Camp Troxell: A Survey with Some Sidelights.” Princeton University Library Chronicle 33 (1972): 146–75.

Fredeman, William E., “Introduction”, Books from the Libraries of Christina, Dante Gabriel, and William Michael Rossetti, n.p.. London: Betram Rota, 1973.

Fredeman, William E. “D. G. Rossetti's ‘Early Italian Poets’.” Book Collector 10 (1961): 193–8.

Fredeman, William E. “Emily Faithfull and the Victoria Press: An Experiment in Sociological Bibliography.” The Library 29 (1974): 139–164.

Fredeman, William E. “The Great Pre–Raphaelite Paper Chase: A Retrospective.” Journal of Pre–Raphaelite Studies ns 4.1 (1995): 7–28.

Fredeman, William E., ed. The P. R. B. Journal: William Michael Rossetti’s Diary of the Pre–Raphaelite Brotherhood, 1849–1853, Together With Other Pre–Raphaelite Documents. Oxford: Clarendon, 1975.

Fredeman, William E. “The Pre–Raphaelite Literary–Art of Dante Gabriel Rossetti.” Journal of Pre–Raphaelite and Aesthetic Studies 1.2 (1988): 55–74.

Fredeman, William E. Pre–Raphaelitism: A Bibliocritical Study. Cambridge: Harvard UP, 1965.

Fredeman, William E., ed. A Rossetti Cabinet: A Portfolio of Drawings by Dante Gabriel Rossetti. Journal of Pre–Raphaelite and Aesthetic Studies 2.2 (1989). London: Ian Hodgkins, 1991.

Fredeman, William E. “A Rossetti Gallery.” Victorian Poetry 20 (1982): 161–186.

Fredeman, William E. “Rossetti’s ‘The Blessed Damozel’: A Problem in Literary History and Textual Criticism.” English Studies Today (1973): 239–69.

Fredeman, William, “Rossetti's Impromptu Portraits of Tennyson Reading MaudBurlington Magazine 105 (March 1963): 116-118.

Fredeman, William E. “Rossetti’s ‘In Memoriam’: An Elegiac Reading of The House of Life.” Bulletin of the John Rylands Library 47 (1965): 298–341.

Fredeman, William E. “A Shadow of Dante: Rossetti in the Final Years (Extracts from W. M. Rossetti’s Unpublished Diaries, 1876–1882).” Victorian Poetry 20 (1982): 217–45.

Fredeman, William E. “‘Woodman, Spare that Block’: The Published, Unpublished, and Projected Illustrations and Book Designs of Dante Gabriel Rossetti.” Journal of Pre–Raphaelite Studies ns 5.1 (1996): 7–41.

Fuchs, Miriam. “Dante Gabriel Rossetti: Caught between Two Centuries”. Victorian Newsletter 63 (1983): 3–7.

.

. The Correspondence of Dante Gabriel Rossetti. Cambridge: D. S. Brewer, 2002–.

G

Gale, Patrick. Life with Rossetti. London: Macdonald & Co., 1964.

Gamberale, Luigi. Un‘ultima Confessione: novella tradotta dall‘inglese. Colitti: Campobasso, 1878.

Gardner, Joseph N. “‘Decoding Rossetti.’” Journal of Pre–Raphaelite Studies 1.1 (1980): 36–44.

Gardner, Joseph H. “The ‘Newborn Death’ Sonnets of ‘The House of Life’.” Victorian Poetry 20 (1982): 15–27.

Gasper, Julia. “The Sources of the Virgin Martyr.” The Review of English Studies 42.165 (1991): 17–31.

Gautier, Theophile. Les Beaux–Arts en Europe: 1855. 2 vols. Paris: Levy, 1855–1856.

Gere, Charlotte and Geoffrey Munn. Artists’ Jewelry: Pre–Raphaelite to Arts and Crafts. Woodbridge, Suffolk: Antique Collectors Club Ltd., 1989.

Gere, J. A. Pre–Raphaelite Drawings in the British Museum. London: British Museum Press, 1994.

Germ, The. Thoughts Towards Nature in Poetry, Literature, and Art. London: 1850; Stock, 1901; Portland, ME: Thomas Mosher, 1898; Oxford: Ashmolean Museum, 1992.

Ghose, S. N. Dante Gabriel Rossetti and Contemporary Criticism (1849–1882). Dijon: Darantiere, 1929.

Gilchrist, Alexander. Life of William Blake, “Pictor Ignotus”. 2 vols. London: Macmillan, 1863.

Gilchrist, Alexander. Life of William Blake, with Selections from His Poems and Other Writings. 2 vols. London: Macmillan, 1880.

Gilchrist, Alexander. Life of William Etty, R. A. London: Bogue, 1855.

Gilchrist, Herbert Harlakenden, ed. Life and Writings of Anne Gilchrist. By Anne Gilchrist. Prefatory Notice by William Michael Rossetti. London: Unwin, 1887.

Giles, Richard. “‘The House of Life’: A Pre–Raphaelite Philosophy?” Journal of Pre–Raphaelite Studies 2.2 (1982): 100–119.

Gitter, Elisabeth Gesmer. “Rossetti and The Early Italian Poets.” Diss. Yale U, 1972.

Glance at the Exhibition of the Academy, 1850. London: Royal Academy of Arts, 1850.

Goff, Barbara Munson. “Dante’s La Vita Nuova and Two Pre–Raphaelite Beatrices.” Journal of Pre–Raphaelite Studies 4.2 (1984): 100–116.

Goldberg, Gail Lynn. “Rossetti's ‘Revising Hand’: His Illustrations for Christina Rossetti's Poems.” Victorian Poetry 20.3-4 (Autumn-Winter 1982): 145–59.

Goldberg, Gail Lynn. “Rossetti's Sonnet ‘On a Virgin and Child by Hans Memling’: Considering a Counterpart.” Victorian Poetry 24 (1986): 229–243.

Golden, Catherine. “Dante Gabriel Rossetti’s Two–Sided Art.” Victorian Poetry 26 (Winter 1988): 395–402.

Gordon, Jan B. “The Imaginary Portrait: Fin de Siecle Icon.” University of Windsor Review 5 (Fall 1969): 81–104.

Gordon, Jan B. “A Portrait of Jenny: Rossetti’s Aesthetics of Communion.” Hartford Studies in Literature (1969): 89–106.

Gordon, Walter Kelley. “A Critical Selected Edition of William Morris’s Oxford and Cambridge Magazine (1856).” Diss. U of Pennsylvania, 1960.

Gosse, Edmund. The Life of Algernon Charles Swinburne. London: Macmillan, 1917.

Gosse, Edmund. On Viol and Flute. London: Henry King, 1873.

Gosse, Edmund, and Thomas James Wise, eds. The Letters of Algernon Charles Swinburne. 2 vols. London: Heinemann, 1919.

Graham, Walter James. English Literary Periodicals. New York: Nelson, 1930.

Granger, John. “The Critique of the Mirror in Rossetti’s The House of Life.” Journal of Pre–Raphaelite Studies 4.2 (1984): 12–14.

Graves, Charles Larcom. Mr. Punch’s History of Modern England. 4 vols. London and New York: Cassell, 1921–1922.

Gray, Nicolette. Rossetti, Dante, and Ourselves. London: Faber, 1947.

Gregory, John B. “A Bibliographical and Reference Guide to the Life and Works of Dante Gabriel Rossetti.” 2 vols. Diss. U. of London, 1931.

Grieve, Alastair I. “The Applied Art of D. G. Rossetti—1. His Picture Frames.” Burlington Magazine CXV no. 838 (Jan. 1973): 16–24.

Grieve, Alastair I. “The Applied Art of D. G. Rossetti—2. Book Bindings.” Burlington Magazine CXV no. 839 (Feb. 1973): 79–83.

Grieve, Alastair I. The Art of Dante Gabriel Rossetti: 1. Found. 2. The Pre–Raphaelite Modern Subject. Norwich: Real World, 1976.

Grieve, Alastair I. The Art of Dante Gabriel Rossetti: The Pre–Raphaelite Period 1848–1850. Hingham: Real World Publications, 1973.

Grieve, Alastair I. The Art of Dante Gabriel Rossetti: The Watercolours and Drawings of 1850–1855. Norwich: Real World Publications, 1978.

Grieve, Alastair I. “The Content and Form of Furniture in Rossetti’s Art of 1848–1858.” Journal of Pre–Raphaelite Studies ns 8.2 (1999): 9–28.

Grieve, Alastair I. “The Pre–Raphaelite Brotherhood and the Anglican High Church.” Burlington Magazine 111 (1969): 294–95.

Grieve, Alastair I. “Rossetti and the Scandal of Art for Art’s Sake in the Early 1860’s.” After the Pre–Raphaelites: Art and Aestheticism in Victorian England. Ed. Elizabeth Prettejohn. New Brunswick: Rutgers UP, 1999: 17–35.

Grieve, Alastair I. “Rossetti's Illustrations for Poe.” Apollo Magazine 97 (1973): 142–145.

Grieve, Alastair I. “Whistler and the Pre–Raphaelites.” Art Quarterly 34 (1971): 220–223.

Gronberg, T. A., ed. Manet: A Retrospective. New York: Park Lane, 1990.

Grylls, R. Glynn. Portrait of Rossetti. London: Macdonald, 1964.

Gurney, Alfred. “Dante Gabriel Rossetti: A Painter's Day Dream and the Vision that Ensued”. Monthly Packet 9 (1885): 185–193.

H

Hake, Thomas Gordon. Madeline, with Other Poems and Parables. London: Chapman and Hall, 1871.

Hake, Thomas Gordon. Memoirs of Eighty Years. London: Bentley, 1892.

Hake, Thomas Gordon. Vates: or, The Philosophy of Madness, Being an Account of the Life, Actions, Passions, and Principles of a Tragic Writer. London: Southgate, 1840.

Hake, Thomas Gordon, and Arthur Compton-Rickett. The Life and Letters of Theodore Watts-Dunton. 2 vols. London: T.C. & E.C. Jack; New York: Putnam, 1916.

Hamerton, Philip Gilbert. A Painter's Camp in the Highlands, and Thoughts About Art. 2 vols. Cambridge and London: Macmillan, 1862.

Hamilton, Walter. The Aesthetic Movement in England. London: Reeves and Turner, 1882.

Hardinge, William M. “A Note on the Louvre Sonnets of Rossetti.” Temple Bar 91 (1891): 433–443.

Harper's New Monthly Magazine. New York: Harper and Bros., 1850-1900.

Harris, Daniel A. “D. G. Rossetti's ‘Jenny’: Sex, Money, and the Interior Monologue,” Victorian Poetry 22 (1984): 197–215.

Harrison, Anthony, ed. The Letters of Christina Rossetti. 4 vols. Charlottesville: U of Virginia P, 1997-2000.

Hayward III, Ralph Malcolm. “Dante Gabriel Rossetti's The Early Italian Poets: A Study in the Art of Translation.” Diss. Tulane U, 1971.

Heffner, David Todd. “Additional Typological Symbolism in Rossetti's ‘The Girlhood of Mary Virgin’.” Journal of Pre–Raphaelite Studies 5.2 (1985): 68–80.

Hersey, G. L. “Rossetti's ‘Jenny’: A Realist Altar–Piece.” Yale Review 69 (1979): 17–32.

Heyck, Thomas William. The Transformation of Intellectual Life in Victorian England. London: Croom Helm, 1982.

Highly Important English Drawings and Watercolours, 13–14 December 1979. London: White Bros., 1979.

Highly Important Nineteenth Century European Paintings and Drawings: Auction Catalog for 23 June 1981. London and Bradford: Lund Humphries, 1981.

Highly Important Victorian Paintings and Drawings, 24 October 1978. Sussex: Ditchling Press Ltd., 1979.

Highly Important Victorian Paintings and Drawings, 19 March 1979. Sotheby Parke Bernet and Co. Ditchling, Sussex, Great Britain: Ditchling Press, Ltd., 1979.

Highly Important Victorian Paintings and Drawings, 1 October 1979. Sotheby Parke Bernet and Co. London: Robert Stockwell Ltd., 1979.

Highly Important Victorian Paintings and Drawings, 6 October 1980. Sotheby Parke Bernet and Co. London: Robert Stockwell, Ltd., 1981.

Hill, George Birkbeck. Letters of Dante Gabriel Rossetti to William Allingham, 1854–1870. London: Unwin, 1897.

Hodgson, John Evan. Fifty Years of British Art: As Illustrated by the Pictures and Drawings in the Manchester Royal Jubilee Exhibition, 1887. Manchester: Heywood, 1887.

Holberg, Stanley M. “Rossetti and the Trance.” Victorian Poetry 8 (1970): 299–314.

Hollander, John. The Gazer's Spirit: Poems Speaking to Silent Works of Art. Chicago: U. of Chicago Press, 1995.

Hollander, John. The Work of Poetry. New York: Columbia UP, 1997.

Horn, Richard Hengist. Orion: An Epic Poem in Three Books. 1843. London: Ellis, 1872.

Horner, Lady Frances. Time Remembered. London: Heinemann, 1843.

Houghton, Walter, ed. The Wellesley Index to Victorian Periodicals, 1824–1900: Tables of Contents and Identification of Contributors, with Bibliographies of their Articles and Stories. 5 vols. Toronto: U of Toronto P, 1966–1989.

Housman, Laurence. “Pre–Raphaelitism in Art and Poetry.” Essays by Divers Hands. Transcactions of the Royal Literary Society of the United Kingdom. ns 12. Ed. R.W. Macan. London: Humphrey Milford, Oxford UP, 1933. 5–29.

Howard, Ronnalie Roper. The Dark Glass: Vision and Technique in the Poetry of Dante Gabriel Rossetti. Athens: Ohio UP, 1972.

Howarth, R. G. “On Rossetti's ‘Jenny’.” Notes and Queries 173 (1937): 20–21.

Howe, M.L. “A Dramatic Skit by Dante Gabriel Rossetti” . Modern Language Notes 49 (January 1934): 39-44.

Howitt, Mary, ed. The Dusseldorf Artists Album. London: Treubner, 1854.

Hueffer, Ford Madox [Ford Madox Ford]. Ancient Lights and Certain New Reflections: Being the Memories of a Young Man. London: Chapman and Hall, 1911.

Hueffer, Ford Madox [Ford Madox Ford]. Ford Madox Brown: A Record of His Life and Work. London and New York: Longman, 1896.

Hueffer, Ford Madox [Ford Madox Ford]. The PreRaphaelite Brotherhood. London: Duckworth, 1907.

Hume, Robert D. “Inorganic Structure in ‘The House of Life’.” Papers in Language and Literature 5 (1969): 282–295.

Hunt, Violt. The Wife of Rossetti. London: Bodley Head, 1932.

Hunt, William Holman. Pre–Raphaelitism and the Pre–Raphaelite Brotherhood. 2 vols. London: Macmillan, 1905–06.

Husni, Samira. “The Relation between D.G. Rossetti and William Allingham.” Journal of Pre–Raphaelite Studies 3.2 (1983): 102–110.

Hyder, Clyde K. “Rossetti’s ‘Rose Mary’: A Study in the Occult.” Victorian Poetry 1 (1963): 197–207.

I

Important British Art including Property from the London Residence of the late Sir Paul Getty, K.B.E., Wednesday 24 November 2004. London: Christie's, 2004.

Ireland, Kenneth R. “A Kind of Pastoral: Rossetti’s Versions of Giorgione.” Victorian Poetry 17 (1979): 303–315.

J

Jameson, Anna. Legends of the Madonna as Represented in the Fine Arts. Boston: Ticknor and Fields, 1866.

Jameson, Anna. Sacred and Legendary Art. 2 vols. Boston: Ticknor and Fields, 1866.

Jarvie, Paul, and Robert Rosenberg. “‘Willowwood’ Unity and ‘The House of Life’.” The Pre–Raphaelite Review 1.1 (1977): 106–120.

Jay, Harriett. Robert Buchanan: Some Account of His Life, His Life's Work, and His Literary Friendships. London: Unwin, 1903.

Johnson, Henry. “Dante Gabriel Rossetti and Japan”, in Music in Art 30. 1-2 (2005): 145-153.

Johnson, Ronald W. “Dante Rossetti's Beata Beatrix and the New Life.” Art Bulletin 57 (1975): 548–58.

Jones, Ebenezer. Studies of Sensation and Event: Poems. London: Fox, 1843.

Jordan, William Chester. Europe in the High Middle Ages. London: Allen Lane, Penguin Press, 2001.

Journal of Pre–Raphaelite Studies. (Also listed under alternate titles Journal of Pre–Raphaelite and Aesthetic Studies and Pre–Raphaelite Review. Abbreviations: JPRS and JPRAS.)

Johannes Rönge, The Autobiography and Justification of Johannes Von Ronge London: Chapman Brothers, 1846.

Johannes Rönge, The holy coat of Treves, and the new German-Catholic church. Edinburgh: T. Nelson, 1845.

K

Kaminski, Marion. Tiziano Vecellio, known as Titian 1488/1490– 1576. Koln: Konemann, 1998.

Kantorowicz, Ernst. Frederick the Second 1194-1250. London: Constable and Co., 1931.

Keane, Robert N. Dante Gabriel Rossetti: The Poet as Craftsman. New York: Lang, 2002.

Keane, Robert N. “D. G. Rossetti's Poems 1870: A Study in Craftsmanship.” Princeton University Library Chronicle 33 (1972): 193–209.

Keane, Robert N. “Rossetti: The Artist and ‘The Portrait’.” English Language Notes 12 (1974): 96–102.

Keane, Robert N. “Rossetti's ‘Jenny’: Moral Ambiguity and the ‘Inner Standing Point’.” Papers on Language and Literature 9 (1973): 271–280.

Keane, Robert N. “Ut Pictura Poesis: Rossetti and Morris: Paintings into Poetry.” Journal of Pre–Raphaelite Studies 7.2 (1987): 75–79.

Kingsland, William. “Rossetti's ‘Jenny’, with Extracts from a Hitherto Unpublished Version of the Poem.” Poet–Lore 7 (1895): 1–6.

Knight, Joseph. Life of Dante Gabriel Rossetti. London: Scott, 1887.

Kooistra, Lorraine Janzen. Christina Rossetti and Illustration: A Publishing History. Athens: Ohio UP, 2002.

Kugler, Franz, ed. A Hand-book of the History of Painting: From the Age of Constantine the Great to the Present Time, Part I. The Italian Schools of Painting. C.L. Eastlake, trans. and notes. London: J. Murray, 1842.

L

Lacroix, Paul [P.L. Jacob], ed. Oeuvres Completes de Francois Villon. Paris: P. Jannet, 1854.

Landow, George P. “ ‘Life Touching Lips with Immortality’: Rossetti's Typological Structures.” Studies in Romanticism 17 (1978): 247–65.

Lane, Edward William. The Thousand and One Nights, Commonly Called, in England, The Arabian Nights' Entertainments. 3 vols. London: Charles Knight and Co., 1840.

Lang, Cecil Y. “The French Originals of Rossetti's ‘John of Tours’ and ‘My Father's Close.’” PMLA 64 (1949): 1219–22.

Lang, Cecil Y. New Writings by Swinburne. Syracuse: Syracuse UP, 1964.

Lange, Bernd–Peter. “Swinburne und Rossetti alsUbersetzer von Villons ‘Ballade pour prier Notre Dame.’” Arcadia 12 (1977): 17–30.

Langley, Ernest F., ed. The Poetry of Giacomo da Lentino. Cambridge: Harvard UP, 1915.

Lanza, Antonio, ed. Le Rime. Cecco Angiolieri. Roma: Archivio Guido Izzi, 1990.

Lasinio, Carlo. Pitture a fresco del Campo Santo di Pisa. Firenze: Bernardini, 1828.

Lasner, Mark Samuels. “A Bibliographical Essay on ‘Hand and Soul.’” The Rossetti Archive.

Laurent, Beatrice. “Hidden Iconography in Found by Dante Gabriel Rossetti” Journal of Pre-Raphaelite Studies N.S. 15 (Fall 2006): 14–26.

Layard, Sir Austen Henry. Nineveh and Its Remains. 2 vols. London: John Murray, 1849.

Layard, Sir Austen Henry. A Popular Account of Discoveries at Nineveh. Abr. ed. London: John Murray, 1851.

Layard, George Somes. Tennyson and his pre-Raphaelite Illustrators: a book about a book. London: E. Stock, 1894.

Legends of Terror, and Tales of the Wonderful and the Wild. Printed by T. Richardson. London: G. Creed, 1840.

Leggett, Bernie. “A Picture and Its Poem by Dante Gabriel Rossetti.” Victorian Poetry 11 (1973): 241–6.

LeMire, Eugene D., ed. The Hollow Land and Other Contributions to the Oxford and Cambridge Magazine. (William Morris). Bristol: Thoemmes Press, 1996.

Lemprière, J[ohn]. Bibliotheca Classica. Rev. ed. New York: W.E. Dean, 1847.

Leng, Andrew. “Pater’s Aesthetic Poet: The Appropriation of Rossetti from Ruskin.” Journal of Pre–Raphaelite and Aesthetic Studies 2.1 (1989): 42–48.

Leone de Castris, Pierluigi. Simone Martini: catalogo completo dei dipinti. Firenze: Cantini, 1989.

Lewis, Roger C., ed. The House of Life: A Sonnet Sequence by Dante Gabriel Rossetti. Cambridge: Boydell & Brewer, 2007.

Lewis, Roger C., and Mark Samuels Lasner, eds. Poems and Drawings of Elizabeth Siddal. Wolfville, Nova Scotia: Wombat Press, 1978.

Lewis, Roger C. “The Making of Rossetti’s Ballads and Sonnets and Poems (1881).” Victorian Poetry 20 (1982): 199–216.

Lewis, Roger C. “The Text of D. G. Rossetti’s ‘Autumn Song’,” The Book Collector 39.3 (Autumn 1990): 368–382.

Lewis, Roger C. “Thomas J. Wise and the Trial Books of Rossetti's Poems (1870).” Journal of Pre–Raphaelite and Aesthetic Studies 2.1 (1989): 73–87.

Lewis, Roger C. Thomas James Wise and the Trial Book Fallacy. Aldershot: Scolar Press, 1995.

Life, Allan R. “The Art of Not ‘Going Halfway’: Rossetti's Illustration for The Maids of Elfen–Mere.” Victorian Poetry 20 (Autumn–Winter 1982): 65–87.

Lindberg, John. “Rossetti's Cumaean Oracle.” Victorian Newsletter 22 (1962): 20–21.

Lindsay, Jack, and William Fredeman. “D.G. Rossetti's ‘The Death of Topsy’.” Victorian Poetry 13.3-4 (1975): 177–179.

London Daily News. London: Bradbury and Evans, 1846–1912.

Lottes, Wolfgang. “ ‘Take Out the Picture and Frame the Sonnet’: Rossetti's Sonnets and Verses for His Own Works of Art.” Anglia 96 (1978): 108–35.

Lourie, Margaret A. “The Embodiment of Dreams: William Morris's ‘Blue Closet’ Group.” Victorian Poetry 15 (1977): 193–206.

Lutyens, Mary. “Walter Howell Deverell.” in Parris 76–96.

M

Mackail, John William. Life of William Morris. London and New York: Longman, 1899.

MacDonald, F.W. In a Nook with a Book. Cincinnati, n.d.

Macleod, Diane Sachko. “Dante Gabriel Rossetti and Titian.” Apollo 121 (1985): 36–39.

Macleod, Diane. “Rossetti's Two Ligeias: Their Relationship to Visual Art, Music, and Poetry.” Victorian Poetry 20 (1982): 89–102.

MacShane, Frank. “The English Review.” South Atlantic Quarterly 60 (1961): 311–20.

Main, David M., ed. A Treasury of English Sonnets. New York: Worthington, 1881.

Malory, Thomas. The byrth, lyf, and actes of Kyng Arthur; of his noble knyghtes of the Rounde Table, theyr merveyllous enquestes and aduentures, thachyeuyng of the Sanc Greal; and in the end le Morte Darthur, with the dolourous deth and departying out of thys worlde of them al. Ed. Robert Southey. London: Longman, Hurst, Rees, Orme, and Brown, 1817.

Malory, Thomas. Morte D'Arthur.

Mancoff, Debra N. The Arthurian Revival in Victorian Art. New York and London: Garland, 1990.

Mancoff, Debra N. “Is There Substance Behind the Shadows? New Works on Elizabeth Siddal.” Journal of Pre–Raphaelite Studies ns 1.1 (1992): 21–28.

Mancoff, Debra N. “Seeing Mrs. Morris. Photographs of Jane Morris from the Collection of Dante Gabriel Rossetti.” Princeton Library Chronicle ns 62.3 (2001): 376–401.

Mancoff, Debra N. “A Vision of Beatrice: D. G. Rossetti and the Beata Beatrix.” Journal of Pre–Raphaelite Studies 6.1 (1985): 76–87.

Marchand, Leslie. The Athenaeum: A Mirror of Victorian Culture. Chapel Hill: U of North Carolina P, 1941.

Marillier, H. C. Dante Gabriel Rossetti: An Illustrated Memorial of his Life and Art. London: George Bell and Sons, 1899.

Marin, Annalisa, ed. Le rime di Inghilfredi. Firenze: Olschki, 1978.

Marsh, Jan, ed. Collected Writings: Dante Gabriel Rossetti. London: Dent, 1999.

Marsh, Jan. Dante Gabriel Rossetti: Painter and Poet. London: Weidenfeld and Nicolson, 1999.

Marsh, Jan. The Legend of Elizabeth Siddal. London: Quartet Books, 1989.

Marsh, Jan. “‘Hoping you will not think me too fastidious’: Pre–Raphaelite Artists and the Moxon Tennsyon”. Journal of Pre–Raphaelite and Aesthetic Studies 2.1 (1989): 11–18.

Marsh, Jan. The Pre–Raphaelite Sisterhood. New York: St. Martin's, 1985.

Marsh, Jan. Pre–Raphaelite Women. Images of Femininity. New York: Harmony Books, 1987.

Marsh, Jan. The Pre–Raphaelites: Their Lives in Letters and Diaries. London: Collins and Brown, 1996.

Marshik, Celia. “The Case of ‘Jenny’: Dante Gabriel Rossetti and the Censorsip of Dialectic” Victorian Literature and Culture 33 (2005): 557–584.

Marti, Mario, ed. Poeti del dolce stil nuovo. [Firenze:] Le Monnier, 1969.

Martin, [John,] and [Richard] Westall. Illustrations of the Bible. 2 vols. London: E. Churton, 1835.

Masefield, John. Thanks Before Going: Notes on Some of the Original Poems of Dante Gabriel Rossetti. London: Heinemann, 1946.

Massera, Aldo Francesco, ed. Sonetti Burleschi e Realistici dei Primi Due Secoli. Bari: Laterza, 1970.

Masterpieces of D. G. Rossetti (1828–1882): Sixty Reproductions of Photographs from the Original Oil–paintings. 2nd ed. London and Glasgow: Gowans and Gray, 1913.

McAlpine, Heather. “Pre-Raphaelite Emblematics in The Germ.” Journal of Pre–Raphaelite Studies ns 20 (fall 2011): 5–24.

McGann, Jerome J. The Beauty of Inflections: Literary Investigations in Historical Method and Theory. Oxford: Clarendon; New York: Oxford UP, 1985.

McGann, Jerome J. “The Beauty of the Medusa: A Study in Romantic Literary Iconology.” Studies in Romanticism 11 (1972): 3–25.

McGann, Jerome J., ed. Dante Gabriel Rossetti. Collected Poetry and Prose. Yale UP: New Haven, 2003.

McGann, Jerome J. “A Commentary on Some of Rossetti's Translations from Dante.” Journal of Pre–Raphaelite Studies ns 9.1 (2000): 25–38.

McGann, Jerome J. “Dante Gabriel Rossetti and the Betrayal of Truth.” Victorian Poetry 26 (1988): 339–61.

McGann, Jerome J. “Medieval Versus Victorian Versus Modern: Rossetti's Art of Images.” Modernism/Modernity 2 (1995): 97–112.

McGann, Jerome J. “Rossetti's Significant Details.” Victorian Poetry 7 (1969): 41–54.

McGann, Jerome J. Dante Gabriel Rossetti and the Game That Must Be Lost. New Haven: Yale UP, 2000.

Megroz, R. L. Dante Gabriel Rossetti: Painter Poet of Heaven in Earth. London: Faber and Gwyer, 1929.

Meinhold, Wilhelm. Sidonia the Sorceress: the supposed destroyer of the whole reigning ducal house of Pomerania. London: Simms and M'Intyre, 1849.

Men of the Time: Biographical Sketches of Eminent Living Characters. Also, Biographical Sketches of Celebrated Women of the Time. London: Kent, 1857.

Metzdorf, Robert, comp. The Tinker Library: A Bibliographical Catalogue of the Books and Manuscripts Collected by Chauncey Brewster Tinker. New Haven: Yale UP, 1959.

Meynell, Alice. “The Brush, the Chisel, and the Pen.” The Art Journal 44 (March 1882): 85–87.

Milbank, Alison. Dante and the Victorians. Manchester: Manchester UP, 1998.

Mill, John Stuart. Autobiography. London: Longman, 1873.

Millais, Geoffroy. Sir John Everett Millais. London and New York: Academy Exhibitions, 1979.

Millais, John Guille. Life and Letters of Sir John Everett Millais. London: Methuen, 1899.

Miller, J. Hillis. “The Mirror's Secret: Dante Gabriel Rossetti's Double Work of Art.” Victorian Poetry 29 (1991): 333–349.

Milligan, Spike, ed. Dante Gabriel Rossetti: Poems. Leicester, England: New Broom Press, 1977.

Mills, Ernestine Bell. The Life and Letters of Frederic Shields 1833–1911. London: Longmans, Green and Co., 1912.

Milnes, Richard Monckton, ed. Life, Letters, and Literary Remains of John Keats. London: Moxon, 1848.

Mitchell, Scott J. “D. G. Rossetti's ‘The House of Life’: Allegory, Symbolism, and Courtly Love.” Journal of Pre–Raphaelite Studies 6.1 (1985): 47–54.

Monti, Vincenzo, ed. Il Dittamondo di Fazio degli Uberti. Milano: G. Silvestri, 1826.

Moore, Thomas. Lallah Rookh, an original romance. London: Longman, 1817.

Morandi, Ubaldo, ed. Folgore da San Gimignano: I sonnetti dei mesi. Siena: Cantagalli, 1991.

Morse, B. J. “A Note on the Autobiographical Elements in Rossetti's ‘Hand and Soul’.” Anglia 54 (1930): 331–337.

Mott, Frank Luther. A History of American Magazines, 1741–1850. New York and London: Appleton, 1930.

Muller, Karl Otfried. A History of the Literature of Ancient Greece. Cont. by John William Donaldson. London: Longman, 1858.

Murray, Christopher D. “D. G. Rossetti, A. C. Swinburne and R. W. Buchanan: The Fleshly School Revisited.” Bulletin of the John Rylands University Library 65 (1982–83): 306–234.

Muther, Richard. The History of Modern Painting. Trans. Ernest Dowson, G. A. Greene, and A. C. Hillier. 3 vols. London: Henry, 1895.

N

Nannucci, Vincenzo, ed. Manuale della letteratura del primo secolo della lingua italiana. Firenze: A. Paggi, 1843.

Naroditskaya, Inna, and Linda Phyllis Austern, eds. Music of the Sirens. Bloomington, Indiana UP, 2006.

New Monthly Belle Assemblée. 29 (1848): 140–142. London: Joseph Rogerson, 1834–70.

New Path, The. New York: Society for the Advancement of Truth in Art, 1863–65.

Newman, Teresa and Ray Watkinson. Ford Madox Brown and the Pre–Raphaelite Circle. London: Chatto and Windus, 1991.

Nineteenth Century European Paintings and Drawings, 19 June 1984. Sotheby Parke Bernet and Co. Middlesex, Great Britain: Hillingdon Press, 1984.

Nochlin, Linda. “Lost and Found: Once More the Fallen Woman.” The Art Bulletin LX (1978): 139–153.

Nolta, “ Veronica Veronese: Dante Gabriel Rossetti and the Personalization of Pictorial Symbolism”. Source. Notes in the History of Art (Fall 1997): 18-24.

Notes and Queries. London: Oxford UP, 1849–.

O

Oberhausen, Judy. “Rossetti's Found.” Delaware Art Museum Occasional Papers no. 1 Delaware Art Museum, 1976.

Oliviero, Federico. “Il Petrarca e Dante Gabriele Rossetti.” Tipocalcografia Classica XI (1933).

Oliviero, Federico. “Portraits to Australia: A Group of Pre–Raphaelite Drawings”. Apollo 85 (Jan. 1967): 25–27.

Once a Week. London: Bradbury and Evans, 1859–69; James Rice, 1869–73; George Manville Fenn, 1873–80.

O'Shaughnessy, Arthur William Edgar. An Epic of Women and Other Poems. London: Hotten, 1870.

Oxford and Cambridge Magazine, The. London: Bell and Daldy, 1856.

Ozanam, Antoine–Francois. Documents inedits pour servir a l'histoire litteraire de l'Italie, depuis le VIIIe sieclejusqu'au XIIIe, avec des recherches sur le moyen age italien. Paris: Lecoffre, 1850.

P

Paden, William D. “La Pia de Tolomei by Dante Gabriel Rossetti.” Register of the Museum of Art (U. of Kansas) 2.1 (November 1958): 3–48.

Paintings and Drawings of the 1860 Period. London: Tate Gallery, 1923.

Paintings and Drawings of the Pre–Raphaelites and Their Circle. Cambridge: Fogg Museum of Art, Harvard U, 1946.

Pall Mall Magazine, The. London: Routledge and Sons, 1893–1912; Iliffe, 1913–14.

Panofsky, Dora and Erwin. Pandora's Box. The Changing Aspects of a Mythical Symbol. Bollingen Series LII. New York: Pantheon, 1956.

Panvini, Bruno, ed. Le rime della scuola siciliana. 2 vols. Firenze: Leo S. Olschki, 1962–64.

Parkinson, Ronald. “James Collinson.” in Parris 61–75.

Parris, Leslie. Pre–Raphaelite Papers. London: Tate Gallery, 1984.

Parry, Linda, ed. William Morris. London: Philip Wilson, 1996.

Pasquini, Emilio, and Antonio Enzo Quaglio, eds. Il Duecento Dalle Origini a Dante. 2 vols. Bari: Laterza, 1970; Philip Wilson, 1996.

Pater, Walter Horatio. “Dante Gabriel Rossetti.” Appreciations, with an Essay on Style. London: Macmillan, 1889. 228–242.

Pater, Walter Horatio. “Dante Gabriel Rossetti.” The English Poets: Selections with Critical Introductions by Various Writers. Ed. T. H. Ward. Vol. 4. London: Macmillan, 1883.

Patterson, Kent. “A Terrible Beauty: Medusa in Three Victorian Poets.” Texas Studies in Language and Literature 17 (1972): 111–20.

Patmore, Coventry. Courage in Politics, and Other Essays, 1885–1896. New York and London: Oxford UP, 1921.

Payne, John Burnell. The Masque of Shadows, and Other Poems. London: Pickering, 1870.

Pearsall, Derek, and I. Cunningham, eds. The Auchinleck Manuscript. London: Scolar Press, 1977.

Peattie, Roger W., ed. Selected Letters of William Michael Rossetti. University Park, PA: Pennsylvania State UP, 1990.

Peattie, Roger W. “William Michael Rossetti and the Siddals.” Journal of Pre–Raphaelite and Aesthetic Studies 2.1 (1989): 19–26.

Pedrick, Gale. “Dante Gabriel Rossetti's Guardian Angel” The Listener 64 (27 October 1960): 738–739, 743.

Pedrick, Gale. Life with Rossetti. London: Macdonald, 1964.

Percy, Thomas, D.D. Reliques of Ancient English Poetry. 3 vols. London: Bickers and Son, 1876–1877.

Peters, John U. “‘My Sister's Sleep’: Rossetti's Midnight Mass.” Victorian Poetry 17 (1979): 265–268.

Peterson, Carl A. “The Iliad, George Meredith's ‘Cassandra’, and D. G. Rossetti's ‘Cassandra’ Drawing.” Texas Studies in Language and Literature 7 (1966): 329–37.

Peterson, Carl. A. “The Pierpont Morgan Manuscript of ‘The Blessed Damozel’: Dating, Authenticity, Significance.” Papers of the Bibliographical Society of America 67 (1973): 401–429.

Peterson, Carl A. “The Poetry and Painting of Dante Gabriel Rossetti.” Diss. U of Wisconsin, 1961.

Peterson, Carl A. “Rossetti and The Sphinx.” Apollo 85 (January 1967): 48–53.

Peterson, Carl A. “Rossetti's ‘A Last Confesion’ and the Dramatic Monologue” Victorian Poetry 11 (1973): 127–142.

Pfordresher, John. “Rossetti's Hand and Soul: Sources and Significance.” Studies in Short Fiction 19 (1982): 103–132.

Phythian, J. Ernest. The Pre–Raphaelite Brotherhood. London: George Newnes, 1905.

Picone, Michelangelo, ed. Il Giuoco della Vita Bella Folgore da San Gimignano. Studi e testi. [San Gimignano:] Città di San Gimignano, 1988.

Pictures Ancient and Modern by Artists of the British and Continental School, Including a Special Selection from the Works of Dante Gabriel Rossetti. London: New Gallery, 1897–1898.

Pictures, Drawings, Designs and Studies by the Late Dante Gabriel Rossetti. London: Burlington Fine Arts Club, 1883.

Pietrocola–Rossetti, Teodorico, trans. Le avventure d'Alice nel paese delle meraviglie. By Lewis Carroll. Londra: Macmillan, 1872.

Pietrocola–Rossetti, Teodorico, trans. Gabriele Rossetti. Torino: Unione tipografico–editrice, 1861.

Pistrucci, Filippo. Iconologia, ovvero, immagini di tutte le cose principali a cui l' umano talento ha finto un corpo. Milano: Tosi, 1819–1821.

Pittman, Phillip. “The Strumpet and the Snake: Rossetti's Treatment of Sex as Original Sin.” Victorian Poetry 12 (1974): 45–50.

Placci, Carlo. Dante Gabriel Rossetti. Firenze: Ressegna Nationale, 1882.

Poe, Edgar Allan. The Poetical Works of Edgar Allan Poe. Ed. James Hannay. London: Griffin, 1852.

Pollock, Frederick. Leading Cases Done into English. London: Macmillan, 1876.

Pollock, Griselda. Vision and Difference. London: Routledge, 1988.

Powell, Kirsten H. “Object, Symbol, and Metaphor: Rossetti's Musical Imagery.” Journal of Pre–Raphaelite Studies ns 2.1 (1993): 16–29.

Pre–Raphaelite Brotherhood (1848–1862). Birmingham: Museum and Art Gallery, 1947.

Pre–Raphaelite Brotherhood, 1848–1948: A Centenary Exhibition. London: Tate Gallery, 1948.

Pre–Raphaelite and Other Masters. The Andrew Lloyd–Webber Collection. London: Royal Academy, 2003.

Pre–Raphaelites, The. London: Tate Gallery and Penguin Books, 1974.

Pre–Raphaelites, The. London: Tate Gallery, 1984.

Pre–Raphaelites, their Friends and Followers. Port Sunlight: Lady Lever Art Gallery, 1948.

Pre–Raphaelites: A Loan Exhibition of Paintings and Drawings by Members of the Pre–Raphaelite Brotherhood and their Associates. Indianapolis, IN: Herron Museum of Art, 1964; New York: Huntington Hartford Gallery of Modern Art, 1964.

Pre–Raphaelites: A Loan Exhibition of their Paintings and Drawings Held in the Centenary Year of the Foundation of the Brotherhood. London: Whitechapel Art Gallery, 1948.

Pre-Raphaelites, Art Nouveau: An Exhibition of Drawings and Watercolours, June 1964. London: Maas Gallery, 1964.

Prettejohn, Elizabeth. After the Pre–Raphaelites: Art and Aestheticism in Victorian England. New Brunswick: Rutgers UP, 1999.

Prettejohn, Elizabeth. The Art of the Pre-Raphaelites. London: Tate, 2000.

Psomiades, Kathy Alexis. Body's Beauty: Femininity and Representation in British Aestheticism. Stanford: Stanford UP, 1997.

Q

Quilter, Harry. Preferences in Art, Life, and Literature. London: Sonnenschein, 1892.

R

Rabin, Lucy. Ford Madox Brown and the Pre–Raphaelite History–Picture. New York: Garland, 1978.

Raccolta di rime antiche toscane. 4 vols. Palermo: Giuseppe Assenzio, 1817.

Radcliffe, Ann. The Mysteries of Udolpho. Dublin: Printed by Hillary and Barlow, for Messrs. P. Wogan, W. Jones, and H. Colbert, 1794.

Radford, Ernest. Dante Gabriel Rossetti. London: George Newnes, 1905.

Ray, S. N. “The First Literary Friendship of D. G. Rossetti.” Notes and Queries 202.4 (1957): 435–454.

Ray, S. N. Rossettiana. Delhi: Atma Ram, 1981.

Reithmiller, Gabriele. Unpublished notes. Tate Gallery, London.

Rees, Joan. The Poetry of Dante Gabriel Rossetti: Modes of Self–Expression. Cambridge: Cambridge UP, 1981.

Ricci, Pier Giorgio, ed. Opere in versi, Corbaccio, Trattatello in laude di Dante, prose latine, epistole. Milano: Riccardo Ricciardi, [1965].

Rice, Sara Sigourney. Edgar Allan Poe: A Memorial Volume. Baltimore: Turnbull, 1877.

Riede, David. Dante Gabriel Rossetti and the Limits of Victorian Vision. Ithaca: Cornell UP, 1983.

Riede, David. Dante Gabriel Rossetti Revisited. New York: Twayne, 1992.

Rigoli, Abbate Luigi. Saggio di rime di diversi buoni autori che fiorirono dal XIV. fino al XVIII. secolo. Firenze: Stamperia Ronchi, 1825.

Rippingille, Edward Villiers. Obsoletism in Art: A Reply to the Author of Modern Painters, in His Defence of “Pre–Raphaelitism”. London: Bentley, 1852.

Rivers, Bryan. “The ‘Fiery Serpent’: Typological Topography in Dante Rossetti's ‘Jenny’.” Journal of Pre-Raphaelite Studies N.S. 15 (Fall 2006): 5-13.

Rivers, Bryan. “‘Jenny's Cage-Bird’: Symbolic Realism in D. G. Rossetti's ‘Jenny’.” Notes and Queries 52 (2005): 75-77.

Robillard, Douglas J. “Rossetti's ‘Willowwood’ Sonnets and the Structure of ‘The House of Life’.” Victorian Newsletter 22 (1962): 5–9.

Rod, Edouard. Etudes sur le xixe siecle. Giacomo Leopardi—Les Preraphaelites anglais—Richard Wagner et l'esthetique allemande—Victor Hugo—Garibaldi—Les veristes italiens—M. E. de Amicis—La jeunesse de Cavour. Paris: Perrin, 1888.

Rodgers, Lise. “The Book and the Flower: Rationality and Sensuality in Dante Gabriel Rossetti's ‘Jenny’.” Journal of Narrative Technique 10 (1980): 159–169.

Rogers, Millard F., Jr. “The Salutation of Beatrice: by Dante Gabriel Rossetti.” The Connoisseur 153 (1963): 180–181.

Roll–Hansen, Diderik. “The Third Rossetti Reconsidered.” Journal of Pre–Raphaelite Studies 4.1 (1983): 1–13.

Rossetti, Christina. Commonplace and Other Short Stories. London: Ellis, 1870.

Rossetti, Christina. Goblin Market and Other Poems. London: Macmillan, 1865.

Rossetti, Christina. New Poems by Christina Rossetti: Hitherto Unpublished or Uncollected. London and New York: Macmillan, 1896.

Rossetti, Christina. The Prince's Progress and Other Poems. London: Macmillan, 1862.

Rossetti, Christina. Verses. London: Privately Printed at G. Polidori's, 1847.

Rossetti, Dante Gabriel. Ballads and Sonnets. London: Ellis, 1881.

Rossetti, Dante Gabriel. The Collected Poetry and Prose. Ed. Jerome J. McGann. New Haven; London: Yale UP, 2003.

Rossetti, Dante Gabriel. The Collected Works of Dante Gabriel Rossetti. Ed. William Michael Rossetti. 2 vols. London: Ellis and Scrutton, 1886.

Rossetti, Dante Gabriel. Dante and His Circle: With the Italian Poets Preceding Him (1100–1200–1300). London: Ellis and White, 1874.

Rossetti, Dante Gabriel. The Early Italian Poets from Ciullo D'Alcamo to Dante Alighieri (1100–1200–1300) in the Original Metres, Together with Dante's Vita Nuova. London: Smith, Elder, 1861.

Rossetti, Dante Gabriel. Henry the Leper (Der Arme Heinrich) paraphrased by Dante Gabriel Rossetti. Intro. William P. Trent. Boston: Printed for Members Only, The Bibliophile Society, 1905.

Rossetti, Dante Gabriel. A Little While. London: Cramer, Wood, 1870.

Rossetti, Dante Gabriel and Edward Dannreuther. Love–Lily and Other Songs. London: Novello, Ewer, 1877.

Rossetti, Dante Gabriel. A New Year’s Burden. London: Novello, Ewer, 1877.

Rossetti, Dante Gabriel. Poems. Leipzig: Tauchnitz, 1873.

Rossetti, Dante Gabriel. Poems. 1st ed. London: Ellis, 1870.

Rossetti, Dante Gabriel. Poems. 2nd ed. London: Ellis, 1870.

Rossetti, Dante Gabriel. Poems. 3rd ed. London: Ellis, 1870.

Rossetti, Dante Gabriel. Poems. 4th ed. London: Ellis, 1870.

Rossetti, Dante Gabriel. Poems. 5th ed. London: Ellis, 1871.

Rossetti, Dante Gabriel. Poems. 6th ed. London: Ellis, 1872.

Rossetti, Dante Gabriel. Poems: A New Edition. London: Strangeways, 1881.

Rossetti, Dante Gabriel. “Sir Hugh the Heron.” London: Privately Printed at G. Polidori's, 1843.

Rossetti, Dante Gabriel. The Works of Dante Gabriel Rossetti. Ed. William Michael Rossetti. London: Ellis, 1911.

Rossetti, Gabriele. L'arpa evangelica. Genova: Rossi, 1852.

Rossetti, Gabriele. La Beatrice di Dante. Londra: Rolandi, 1842.

Rossetti, Gabriele. La divina commedia di Dante Alighieri con comento analitico di Gabriele Rossetti: in sei volumi. 2 vols. Londra: Murray, 1826–1827.

Rossetti, Gabriele. Gabriele Rossetti: A Versified Autobiography. London: Sands, 1901.

Rossetti, Gabriele. Il Mistero del Amor Platonico del medio evo. 5 vols. Londra: Taylor, 1840.

Rossetti, Gabriele. Il veggente in solitudine: poema polimetro. Parigi: Francois, 1846.

Rossetti, Gabriele. Versi. Losanna: Bonamici, 1847.

Rossetti, Maria Francesca. A Shadow of Dante: Being an Essay Toward Studying Himself, His World, and His Pilgrimage. London: Rivingtons, 1871.

Rossetti, William Michael. A Bibliography of the Works of Dante Gabriel Rossetti. London: Ellis, 1905.

Rossetti, William Michael, trans. The Comedy of Dante Allighieri: Part I—The Hell. [sic] London and Cambridge: Macmillan, 1865.

Rossetti, William Michael. Dante Gabriel Rossetti: Classified Lists of His Writings with the Dates. London: Privately Printed, 1906.

Rossetti, William Michael. Dante Gabriel Rossetti as Designer and Writer. London: Cassell, 1889.

Rossetti, William Michael, ed. Dante Gabriel Rossetti: His Family Letters, with a Memoir. 2 vols. London: Ellis and Elvey, 1895.

Rossetti, William Michael. “Dante Rossetti and Elizabeth Siddal”. Burlington Magazine 1.3 (May 1903): 273-295.

Rossetti, William Michael, ed. The Family Letters of Christina Georgina Rossetti, with Some Supplementary Letters and Appendices. New York: Scribner's, 1908.

Rossetti, William Michael, ed. House of Life. By Dante Gabriel Rossetti. London: Ellis, 1911. 74–108.

Rossetti, William Michael and A. C. Swinburne. Notes on the Royal Academy Exhibition, 1868. Part I. by Wm. Michael Rossetti. Part II. by Algernon C. Swinburne. London: Hotten, 1868. New York: AMS Press, 1976.

Rossetti, William Michael, ed. Poems by the Late John Lucas Tupper. London: Longmans, Green and Co., 1897.

Rossetti, William Michael, ed. The Poems of Dante Gabriel Rossetti, with Illustrations from His Own Pictures and Designs. By Dante Gabriel Rossetti. London and Boston: Ellis; Little, Brown, 1904.

Rossetti, William Michael. “Preface to the 1911 Edition.” The Works of Dante Gabriel Rossetti. vii–xi.

Rossetti, William Michael, ed. Preraphaelite Diaries and Letters. London: Hurst, 1900.

Rossetti, William Michael, comp. Rossetti Papers 1862 to 1870: A Compilation by William Michael Rossetti. New York: Scribner's, 1903.

Rossetti, William Michael, ed. Ruskin, Rossetti, Preraphaelitism: Papers 1854 to 1862. London: George Allen, 1899.

Rossetti, William Michael. Some Reminiscences of William Michael Rossetti. London: Brown Langham, 1906.

Rossetti, William Michael. “Some Scraps of Verse and Prose by Dante Gabriel Rossetti.” Pall Mall Magazine 16 (1898): 480–96.

Rossetti, William Michael. Swinburne's Poems and Ballads: A Criticism. London: Hotten, 1866.

Roussillon, Laurence. “Aspecta Medusa: The Many Faces of Medusa in the Painting and the Poetry of Dante Rossetti.” Journal of Pre–Raphaelite Studies ns 11.1 (2002): 5–18.

Roussillon, Laurence, and David Clifford, eds. Outsiders Looking In: The Rossettis Then and Now. London: Anthem, 2003.

Roussillon-Constanty, Laurence. Meduse au Miroir. Esthetique Romantique de Dante Gabriel Rossetti. Grenoble: Ellug, 2008.

Routh, James. “Parallels in Coleridge, Keats, and Rossetti.” Modern Language Notes 25 (1910): 33–37.

Rubenstein, Jill. “The Framework of Belief in D.G. Rossetti’s Tales of Damnation.” The Pre–Raphaelite Review 1.1 (1977): 2–15.

Ruskin, John. “The Three Colours of Pre–Raphaelitism.” in Cook and Wedderburn vol. 34, 166–167.

S

Sadlier, Michael. Trollope: A Bibliography. Kent: Dawson, 1977.

Saint Elme, Ida. Memoires d'une contemporaine: ou, Souvenirs d'une femme sur les principaux personnages de la Republique, du Consolat, de l'Empire, etc. 8 vols. Paris: Ladvocat, 1827–1828.

Sala, George Augustus. Dutch Pictures, with Some Sketches in the Flemish Manner. London: Tinsley, 1861.

Salinari, Carlo, ed. La Poesia lirica de duecento. Torino: Editrice torinese, 1968.

Sanford, John Albert. “The Morgan Library Manuscript of Rossetti's ‘The Blessed Damozel’.” Studies in Philology 35 (1938): 471–486.

Sanguineti, Eduardo, ed. Guido Guinizzelli. Poesie. Milano: Mondadori, 1986.

Sapegno, Natalino, ed. Poeti Minori del Trecento. Milano–Napoli: Riccardo Ricciardi, 1952.

Schrimpton, Nicholas. “Rossetti's Pornography”. Essays in Criticism 29 (1979): 323–340.

Schulte, Edwige. Dante Gabriel Rossetti, vita, arte, poesia. Napoli: Liguori, 1986.

Scott, Sir Walter. Minstrelsy of the Scottish Border. 4 vols. London: Oliver and Boyd, 1932.

Scott, William Bell. Autobiographical Notes. Ed. W. Minto. 2 vols. New York: Harper, 1892.

Scott, William Bell. Letter from William Bell Scott to unknown correspondent. August 1869. Princeton U. Lib.

Scott, William Bell. Memoir of David Scott, R.S.A., Containing His Journal in Italy, Notes on Art and Other Papers. With Seven Illustrations. Edinburgh: Black, 1850.

Scott, William Bell. Poems. London: Longman, 1875.

Seddon, John Pollard. King René's Honeymoon Cabinet. London: Batsford, 1898.

Sewter, A. Charles. “D. G. Rossetti's Designs for Stained Glass.” Journal of the British Society of Master Glass–Painters XIII (1960–1961): 419–424.

Sewter, A. Charles. The Stained Glass of William Morris and his Circle. New Haven and London: Yale UP, 1974.

Sharp, Elizabeth Amelia. William Sharp (Fiona Macleod): A Memoir. London: Heineman, 1910.

Sharp, William [Fiona Macleod]. Dante Gabriel Rossetti: A Record and a Study. London: Macmillan, 1882.

Sharp, William [Fiona Macleod]. The Human Inheritance. London: Stock, 1882.

Sheets, Robin. “Pornography and Art: The Case of ‘Jenny’.” Critical Inquiry 14 (1988): 315–334.

Shefer, Elaine. “A Rossetti Portrait: Variations on a Theme.” Arts in Virginia 27 (1987): 2–15.

Shefer, Elaine. “Deverell, Rossetti, Siddal, and ‘The Bird in the Cage’.” The Art Bulletin 67 (1985): 437–448.

Shefer, Elaine. “The Woman at the Window in Victorian Art.” Journal of Pre–Raphaelite Studies 4.1 (1983): 14–25.

Sizeranne, Robert de la. La peinture anglaise contemporaine. Paris: Hachette, 1895.

Slayton, William T. Jr. “‘Roderick and Rosalba’: D. G. Rossetti’s First Juvenile Work.” Victorians Institute Journal 17 (1989): 181–191.

Sloan, Jay D. “Attempting ‘Spheral Change’: D. G. Rossetti, Victorian Masculinity, and the Failure of Passion.” Journal of Pre–Raphaelite Studies ns 13.1 (2004): 5–20.

Smarr, Janet Levarie. Boccaccio and Fiammetta: The Narrator as Lover. Urbana and Chicago: U of Illinois P, 1986.

Smetham, James. Letters of James Smetham, with an Introductory Memoir. Ed. Sarah Smetham and William Davies. London and New York: Macmillan, 1891.

Smith, Alexander. A Life–Drama and Other Poems. Boston: Ticknor, 1861.

Smith, Herbert F. Richard Watson Gilder. New York: Twayne, 1970.

Smith, Sarah Phelps. “From Allegory to Symbol: Rossetti's Renaissance Roots and his Influence on Continental Symbolism.” Pre–Raphaelite Art in its European Context. Eds. Susan P. Casteras and Alicia Craig Faxon. London: Associated University Presses, 1995. 50–65.

Smith, Sarah Phelps. “Dante Gabriel Rossetti's ‘Lady Lilith’ and the Language of FLowers.” Arts Magazine 53 (1979): 142–145.

Smulders, Sharon. “A Breach of Faith: D. G. Rossetti's ‘Ave’, Art Catholicism, and Poems 1870.” Victorian Poetry 30 (1992): 63–74.

Southesk, James Carnegie. Jonas Fisher: A Poem in Brown and White. London: Trübner, 1875.

Spangenberg, Hans. Cangrande I della Scala. Berlin: R. Gaertner, 1892–95.

Speaight, George. Juvenile Drama. The History of the English Toy Theatre. London: Macdonald, 1946.

Spectator, The. London: F. C. Westley, 1828–.

Spencer–Longhurst, Paul. The Blue Bower. Rossetti in the 1860s. London: Scala Publishers (in association with the Barber Institute of Fine Arts), 2000.

Spielmann, Marion Harry. Millais and His Works, with Special Reference to the Exhibition at the Royal Academy 1898. Edinburgh: Blackwood, 1898.

Spongano, Raffaele, ed. Antologia della letteratura italiana:dalle origini alla fine del Quattrocento. Nuova ed. Vol. 1. Bologna: R. Patron, 1968.

Stauffer, Andrew. “Another Cause for the ‘Fleshly School’ Controversy: Buchanan Versus Ellis.” Journal of Pre–Raphaelite Studies ns 11.1 (2002): 63–67.

Stauffer, Andrew. “Dante Gabriel Rossetti and the Burdens of Nineveh”. Victorian Literature and Culture 33 (2005): 369–394.

Stauffer, Andrew. “Dante Rossetti's ‘Burden of Nineveh’: Further Excavations”. The Journal of Pre-Raphaelite Studies 16 (2007): 45–58.

Stauffer, Andrew. “The Lost Pamphlet Version of D. G. Rossetti's ‘The Stealthy School of Cricitism’.” Victorian Poetry 41.2 (2003): 196–227.

Stauffer, Andrew. “Punch on Nineveh, Catholics, and the P.R.B.” Journal of Pre–Raphaelite Studies ns 10.1 (2001): 58–69.

Stedman, Edmund Clarence. Victorian Poets. London: Chatto and Windus, 1876.

Stein, Richard L. The Ritual of Interpretation. Cambridge: Harvard UP, 1975.

Stephens, Frederic George. “Beata Beatrix by Dante G. Rossetti.” Portfolio 22 (1891): 45–47.

Stephens, Frederic George. Dante Gabriel Rossetti. London: Seeley, 1894.

Stephens, Frederic George. Flemish and French Pictures, with Notes Concerning the Painters and their Works. London: Sampson Low, 1875.

Stephens, Frederic George. “Mr. Rossetti's New Pictures.” The Athenaeum (14 April 1877): 486–87.

Stephens, Frederic George. William Holman Hunt and his Works: A Memoir of the Artist's Life, with Descriptions of his Pictures. London: Nisbet, 1860.

Stone, James S. “More Light on Emily Faithfull and the Victoria Press.” The Library 33:1 (March 1978): 63-67.

Stonell, Kirsty. “A Short Note on the Recent Identification of a Pastel of Fanny Cornforth.” The Review of the PRS X.3 (2002): 2-7.

Stuart, Donald C. “Bitter Fantasy: Narcissus in Dante Gabriel Rossetti's Lyrics.” Victorians Institute Journal 2 (1973): 27–40.

Studio, The. London: Studio Ltd., 1893–1964.

Sullivan, Alvin. British Literary Magazines. Westport, CN: Greenwood, 1983.

Sulman, Thomas. “A Memorable Art Class.” Good Words 38 (1897): 547–51.

Surtees, Virginia. “Beauty and the Bird: A New Rossetti Drawing.” Burlington Magazine CXV no. 839 (Feb. 1973): 84–86.

Surtees, Virginia. “A Conversation Piece at Blackfriars.” Apollo 97 (Feb. 1973): 146–147.

Surtees, Virginia, ed. The Diaries of George Price Boyce. Annual of the Old Water–colour Society 19 (1941). Norwich: Real World, 1980.

Surtees, Virginia. “The Early Italian Poets by D. G. Rossetti and his Illustrations.” Princeton University Library Chronicle XXXIII (1972): 230–231.

Surtees, Virginia. The Paintings and Drawings of Dante Gabriel Rossetti (1828–1882): A Catalogue Raisonne. 2 vols. Oxford: Clarendon, 1971.

Surtees, Virginia. Rossetti's Portraits of Elizabeth Siddal: A Catalogue of the Drawings and Watercolours. Aldershot: Scolar, 1991.

Sussman, Herbert. “Rossetti's Changing Style: The Revisions of ‘My Sister's Sleep’.” Victorian Newsletter 41 (1972): 6–8.

Swafford, James M. “‘The Dauntless Soul’: D. G. Rossetti’s Late Sonnets.” Mississippi Studies in English. ns VIII (1987): 53–63.

Swafford, James M. “‘The Fullness of Time’: The Early Marian Poems of D. G. Rossetti.” Journal of Pre–Raphaelite Studies 2.2 (1982): 78–91.

Swinburne, Algernon Charles. Astrophel, and Other Poems. London: Chatto and Windus, 1894.

Swinburne, Algernon Charles. Essays and Studies. London: Chatto and Windus, 1875.

Swinburne, Algernon Charles. Letters. Ed. Cecil Y. Lang. 6 vols. New Haven: Yale UP, 1959–1962.

Swinburne, Algernon Charles. Notes on the Royal Academy Exhibition. London: Hotten, 1868.

Swinburne, Algernon Charles. Poems and Ballads. London: Hotten, 1866.

Swinburne, Algernon Charles. William Blake: A Critical Essay. London: Hotten, 1868.

Symons, Arthur. Studies in Prose and Verse. London: Dent, 1904.

Szabadi, Judit. Art Nouveau In Hungary: Painting, Sculpture, and the Graphic Arts. Budapest: Corvina, 1989.

T

Talon, Henri Antoine. D. G. Rossetti: “The House of Life”: quelques aspects de l'art et des themes. Paris: Lettres modernes, 1966.

Tanita, Hiroyuki. “A Note on Rossetti’s ‘Hoxai’.” Journal of Pre–Raphaelite Studies 6.1 (1985): 88–91.

Tanita, Hiroyuki. “Kanbara Ariake and the Cult of Rosseti in Japan.” Journal of Pre–Raphaelite Studies ns 3.2 (1994): 20–28.

Taylor, Tom. “Exhibition of the Royal Academy.” The Times 3 May 1851: 8.

Taylor, Tom, ed. Life of Benjamin Robert Haydon, Historical Painter, from his Autobiography and Journals. 3 vols. London: Longman, 1853.

Tennyson, Alfred. Poems. 2 vols. London: Moxon, 1842.

Tennyson, Alfred. Poems. London: Moxon, 1857.

Thomas, William Beach. The Story of the Spectator, 1828–1928. London: Methuen, 1928.

Thirlwell, Angela. William and Lucy: The Other Rossettis. New Haven: Yale UP, 2003.

Tisdel, Frederick M. “Rossetti's ‘House of Life’.” Modern Philology 15 (Sept. 1917): 257–276.

Titian, and Maria Grazia Bernardini. Tiziano: Amor sacro e amor profano. Milano, Electa, 1995.

Todd, William B. “D. G. Rossetti's Early Italian Poets, 1861.” Book Collector 9 (1960): 329–31.

Todd, William B. “D. G. Rossetti's Early Italian Poets, 1861.” Book Collector 10 (1961): 447.

T.O.M. “Echoes of Poe in Rossetti’s ‘Beryl Song.’” Notes and Queries 168 (1935): 77.

Tommaseo, Niccolò. Confessioni. 1836. Ed. Alberto Manai. Pisa: Instituti Editoriali e Poligrafici Internazionali, 1995.

Toohey, Jeanette M. Pre–Raphaelites: The Samuel and Mary R. Bancroft Collection of the Delaware Art Museum. Wilmington: Delaware Art Museum, 1995.

Trail, George Y. “A Modern Reading of ‘Sister Helen’” Proceedings of the Conference of College Teachers of English Ed. J. F. Kobler (1973): 28–32.

Treuherz, Julian, Elizabeth Prettejohn and Edwin Becker. Dante Gabriel Rossetti. New York: Thames & Hudson, 2003.

Troxell, Janet Camp. Three Rossettis. Cambridge: Harvard UP, 1937.

Troxell, Janet Camp. “The ‘Trial Books’ of Dante Gabriel Rossetti.” The Colophon New Series 3 (1938): 243–58. Princeton University Library Chronicle 33 (1972): 177–192.

Troxell, Janet Camp, ed. Rossetti's Sister Helen. New Haven: Yale UP, 1939.

Trucchi, Francesco, ed. Poesie Italiana inedite di dugenti autori. 4 vols. Prato: R. Guasto, 1846–47.

Tupper, John Lucas. Poems. London and New York: Longmans, Green and Co., 1897.

Turnbull, W. B. D. D. Legendae Catholicae. Edinburgh: Edinburgh Printing Company, 1840.

U

Ullmann, S. O. A. Rossetti, Stillman, and the Union College Willowwood Manuscripts: With Two Previously Unpublished Manuscripts by Dante Gabriel Rossetti. Schenectady, NY: Friends of the Union College Library, 1985.

V

Valeriani, Lodovico, and Urbano Lampredi, eds. Poeti del primo secolo della lingua italiana in due volumi raccolti. 2 vols. Firenze: 1816.

Vasari, Giorgio. Lives of the Painters, Sculptors and Architects. Trans. Gaston du C. de Vere. 2 vols. New York: Everyman, 1996.

Victorian Paintings, Drawings and Watercolours, 8–9 June 1993. St. Albans: Staples Printers, 1993.

Victorian Watercolors, 22 May 1979. Sussex: Ditchling Press Ltd., 1979.

Villaroso, Pietro, ed. Raccolta di rime antiche toscane. Vol 1. Palermo: G. Assenzio, 1817.

Villaroso, Pietro, ed. Raccolta di rime antiche toscane. Vol 2. Palermo: G. Assenzio, 1817.

Villaroso, Pietro, ed. Raccolta di rime antiche toscane. Vol 3. Palermo: G. Assenzio, 1817.

Villaroso, Pietro, ed. Raccolta di rime antiche toscane. Vol 4. Palermo: G. Assenzio, 1817.

Viscomi, Joseph. Playing with the Toy Theatre: An Essay on the Toy and the Theatre it Illustrates. New York: Viscomi, 1977.

Vitale, Maurizio, ed. Rimatori comico–realistici de due e trecento. Torino: Unione typografico–editrice torinese, 1956.

Vogel, Joseph F. Dante Gabriel Rossetti’s Versecraft. Gainesville: U of Florida P, 1971.

W

Wade, Allan , ed. The Letters of W. B. Yeats. Macmillan: New York, 1955.

Wagner, Jennifer Ann. A Moment's Monument: Revisionary Poetics and the Nineteenth–Century English Sonnet. London: Associated University Presses, 1996.

Wagner, Jennifer Ann. “A Moment's Monument: Temporal Revision and the Sonnet Form of D.G. Rossetti.” Journal of Pre–Raphaelite Studies ns 4.1 (1995): 75–84.

Wahl, John Robert. Dante Gabriel Rossetti: Jan Van Hunks. New York: New York Public Library, 1952.

Wahl, John Robert. The Kelmscott Love Sonnets of Dante Gabriel Rossetti. Camptown: Balkema, 1954.

Walker, Kirsty Stonell. Stunner. The Fall and Rise of Fanny Cornforth. Lulu Publishing, 2006.

Waller, R. D. The Rossetti Family 1824-1854. Manchester: Manchester UP, 1932.

Wallerstein, Ruth C. “Personal Experience in Rossetti's ‘House of Life.’” PMLA 42 (1927): 492–504.

Wasko, Jean. “The Web of Eroticism in Rossetti’s ‘Troy Town,’ ‘Eden Bower,’ and ‘Rose Mary.’” Papers on Language and Literature 23 (1987): 333–334.

Watts-Dunton, Theodore. Old Familiar Faces. New York: E.P. Dutton and Company, 1916.

Watts[–Dunton], Theodore. “The Truth About Rossetti.” Nineteenth Century 13 (1883): 404–23.

Watts, G. F. The Hall of Fame: Portraits of His Famous Contemporaries. London: H. M. Stationery Office, 1975.

Waugh, Evelyn. Rossetti: His Life and Works. London: Duckworth, 1928. London: Methuen, 1991.

Weinberg, Gail S. “Looking Backward: Opportunities for the Pre–Raphaelites to see Pre–Raphaelite.”. Collecting the Pre–Raphaelites: The Anglo–American Enchantment. Ed. Margaretta Frederick Watson. London: Ashgate, 1997. 57–58.

Weinberg, Gail S. “ Dante Gabriel Rossetti's ‘Salutation of Beatrice’ and Camille Bonnard's ‘Costumes Historiques’.” The Burlington Magazine 141 (October 1999) no. 1159: 622-623.

Weliver, Phyllis. “ The Silent Song of D. G. Rossetti's ‘The House of Life’” , in The Figure of Music in Nineteenth-century British Poetry Aldershot: Ashgate, 2005: 194-212.

Wells, Charles. Joseph and His Brethren: A Scriptural Drama in Two Acts. London: Whittaker, 1824.

Wells, Charles. Stories After Nature. London: Allman, 1822.

Weninger, Stephen. “Symbol and Thing in Rossetti's ‘Dantis Amor.’” Journal of Pre–Raphaelite Studies ns 8.1 (1999): 5–16.

Wiener, Joel, ed. Innovators and Preachers: The Role of the Editor in Victorian England. Westport, CN: Greenwood, 1985.

Wildman, Stephen, ed. Visions of Love and Life. Pre-Raphaelite Art from the Birmingham Collection, England. Alexandria VA: Art Services International, 1995.

William Holman Hunt: An Exhibition Arranged by the Walker Art Gallery. Liverpool: Walker Art Gallery, 1969.

Williamson, Dr. G. C. “The Cases of An Art Expert: II.—The Rossetti Miniature”. Country Life 70 (11 July 1936): 35-36.

Wilson, K. J. “The Leonardo Landscape of Rossetti’s Verse.” Studies in Iconography 4 (1978): 149–160.

Wilton, Andrew, Robert Upstone, and Barbara Bryant, eds. Age of Rossetti, Burne–Jones, and Watts: Symbolism in Britain 1860–1910. London: Tate Gallery, 1997.

Winwar, Frances. “Dante Gabriel's or William Michael's? (An Attempt to Establish the Authorship of Some Rossetti Sonnets Published by the Duke University Press).” PMLA XLVIII (March 1933): 312–315.

Wise, Thomas James, comp. The Ashley Library: A Catalogue. London: Privately Printed, 1923.

Wise, Thomas James, comp. Catalogue of the Library of the Late John Henry Wrenn. 5 vols. Austin, TX: U of Texas, 1920.

Wodehouse, Lawrence, “‘New Path’ and the American Pre-Raphaelite Brotherhood,”, Art Journal 25. 4 (Summer 1966): 351-354

Wood, Esther. Dante Rossetti and the Pre–Raphaelite Movement. London: Sampson Low, 1894.

Wood, T. Martin. Drawings of D. G. Rossetti. George Newnes Art Library. New York: Scribner's, 1910.

Woodhouse, J. R.. “Dante Gabriel Rossetti's Translation and Illustration of the Vita Nuova”. Britain and Italy from Romanticism to Modernism: 67–86. . Legenda: Oxford, 2000.

Woodring, Carl. “The Burden of Nineveh”. Victorian Newsletter 63 (Spring 1983): 12–15.

Woolner, Amy. Thomas Woolner, R.A. Sculptor and Poet. His Life in Letters. London: Chapman and Hall, Ltd., 1917.

Works by the English Pre–Raphaelite Painters Lent by the Art Gallery Committee of the Birmingham Corporation. London: Tate Gallery, 1911–12.

Works by the Old Masters, including a Special Selection from the Works of John Linnell and Dante Gabriel Rossetti. London: Royal Academy of the Arts, 1883.

Y

Yamaguchi, Eriko. “The Perfect Hero: Cruel Masculinity in D. G. Rossetti’s The Death of Breuse sans Pitié” . Arthuriana 6 (1996): 84–101.

Yamaguchi, Eriko. “Rossetti's Use of Bonnard's Costumes Historiques: A Further Examination, with an Appendix on Other Pre–Raphaelite Artists.” Journal of Pre–Raphaelite Studies ns 9.2 (2000): 5–36.

Young, Andrew McLaren, Margaret MacDonald, and Robin Spencer. The Paintings of James McNeill Whistler. 2 vols. New Haven: Yale UP, 1980.

Young, Edward. Art: Its Constitution and Capacities, Popularly Considered: Being the First of Two Lectures on the Use and Abuse of Art, Delivered at Bristol, January 19, 1854, and Published by Request. Bristol: Chilcott, 1854.

Young, Edward. Pre–Raffaellitism: or, A Popular Enquiry into Some Newly–Asserted Principles Connected with the Philosophy, Poetry, Religion, and Revolution of Art. London: Longman, 1857.

Yuen, Karen. Music's Metamorphosis in the Life and Creative Works of Dante Gabriel Rossetti. Royal Holloway, University of London: PhD Thesis, 2008.

Z

Zaccagnini, Guido, e Amos Parducci, eds. Rimatori siculo– toscani del Dugento. Bari: Laterza, 1915.

Zare, Bonnie. “Rossetti's Venus and Burne–Jones's Mermaid: Invitations to Dialogue.” Journal of Pre–Raphaelite Studies ns 12.1 (2003): 7–22.

Zweig, Robert. “‘Death–in–Love’: Rossetti and the Victorian Journey Back to Dante”. Sex and Death in Victorian Literature. Ed. Regina Barreca. Bloomington: Indiana UP, 1990. 178–193.